National Repository of Grey Literature 6 records found  Search took 0.01 seconds. 
Decoration of the Hall of Battles in the monastery El Escorial
Hrubanová, Daniela ; Zlatohlávek, Martin (advisor) ; Nespěšná Hamsíková, Magdaléna (referee)
The bachelor thesis focuses on the decoration of the Hall of battles in the Spanish monastery El Escorial, which was built in 1563-1584 by the Spanish king Philip II. The first part is devoted to the description of the monastery and its individual parts, The second chapter will be devoted to the Italian artists from Genoa who were commissioned to decorate the Hall of Battles (Nicola Granello, Orazio Cambiaso, Fabrizio Castello and Lazzaro Tavarone). The main part of this thesis will be a chapter devoted to the description of the paintings in the gallery of battles that depict the four victorious battles of Spain and a description of the vault with grotesque decoration.
Life and work of a late Baroque painter Joseph Hager
Lokšová, Pavlína ; Zapletalová, Jana (advisor) ; Oulíková, Petra (referee)
Life and work of a late baroque painter Joseph Hager The thesis outlines artistic work of Joseph Hager, Czech late baroque painter. The author, especially of the wall painting, studied by Jan Karel Kovář and Antonio d'Agostini. Later worked as an assistant of František Karel Palko in a church St. Nicolas placed in Lesser Town od Prague. The illusive painting of architecture was his specialization. He worked primarily in Czech, but for example he decorated also a church in Vranov near Brno or a church in Dresden. The essential part of thesis is catalog of realizations, which contains a lot of extant works, but also a few realizations, which during the ages were destroyed.
František Siard Nosecký
Staňková, Petra ; Oulíková, Petra (advisor) ; Opatrná, Marie (referee)
This diploma thesis focuses on František Siard Nosecký (1693 - 1753) - Czech baroque painter and on his artwork. He was born into an artistic environment. His father Jindřich Nosecký was also a painter which certainly greatly influenced his son. The majority of pieces of Siard Nosecký came into existence for Premonstratensian order into which he joined as a young man. Location of his artwork frequently corresponds with the location of his parish. His functioning is noticeable at different locations in Bohemia. However the largest space for self-fulfillment he had in Prague at Strahov in his home monastery where he spent the biggest portion of his consecrated life. In addition to acquainting with the life, work and creative inspiration of the painter, a substantial part of the thesis consists of a catalog of works that presents not only extant works but also several non-existent realizations that we learn about only from literature today.
Life and work of a late Baroque painter Joseph Hager
Lokšová, Pavlína ; Zapletalová, Jana (advisor) ; Oulíková, Petra (referee)
Life and work of a late baroque painter Joseph Hager The thesis outlines artistic work of Joseph Hager, Czech late baroque painter. The author, especially of the wall painting, studied by Jan Karel Kovář and Antonio d'Agostini. Later worked as an assistant of František Karel Palko in a church St. Nicolas placed in Lesser Town od Prague. The illusive painting of architecture was his specialization. He worked primarily in Czech, but for example he decorated also a church in Vranov near Brno or a church in Dresden. The essential part of thesis is catalog of realizations, which contains a lot of extant works, but also a few realizations, which during the ages were destroyed.
The fresco decoration by Felix Anton Scheffler in the church St. George and St. Martin in Martínkovice
NEVAŘILOVÁ, Zuzana
This bachelor thesis focuses on the fresco decoration in the Church of St. George and St. Martin in Martínkovice, which was created by Felix Anton Scheffler in 1748. Firstly, the thesis deals with history and typology of the church, followed by the description of works by the architect Martin Allio. The greatest part of the thesis is devoted to the painter Felix Anton Scheffler and his works reaching from Silesia to Bohemia. The author mentions Felix Anton Scheffler´s teachers - Cosmas Damian Asam and Johann Christoph Grooth. The main part of the thesis is focused on frescos which are subject to an iconographic and formal analysis and also focuses on restoration work. Scheffler´s works are put into the context of baroque paintings in Bohemia. The last part concentrates on searching patterns that are used in the fresco in the Church of St. George and St. Martin in Martínkovice. The author compares frescos from Martínkovice with Asam´s other works from the period between 1720 and 1725.

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