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Short film's problems from the producer's point of view
Netíková, Martina ; OUKROPEC, Petr (advisor) ; KALLISTA, Jaromír (referee)
This bachelor thesis examines conditions for producing a short film in Czech Republic from a producer`s point of view. Firstly, the term `short film` is defined and put in context of Czech film industry. Afterwards, thesis focuses on the attitude of key institutions and other aspects that influence the conditions of short film production. Individual chapters describe the specifics of development, production and distribution - outlining the differences from working with feature films, characterizing individual procedures and giving specific examples. At the end of the thesis sale possibilities are presented as well as possible financial and intangible profitability.
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The Advantages of team work in animated films
Karhánková, Kateřina ; ČIHAŘOVÁ, Libuše (advisor) ; PODHRADSKÝ, Michal (referee)
I focus on possibilities of teamwork in animated films in my thesis. This work includes the overview of general specifications of animated films, the difference of authorial and team approach with all their positive and negative aspects. This thesis introduces the basic theories of teamwork and their possible applications to reach better results in the process of animation. These principles are summed up in the director's final personal assesment, including experience gained during the development of her undergraduate animated film.
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Impact of Digitalization on Film Production
Vach, Tomáš ; JÍCHA, Marek (advisor) ; DANIELIS, Aleš (referee)
This Thesis, named "Impact of digitalization on film production" describes and asesses new technological infulences, which are changing the filmamaking process in various ways by the phenonmenon of digitalization. Specific chapters are dedicated to following topics: comparison of digital cameras from first and second generation and their specific characteristics, 3D phenomenon, transformation of recent distribution, and digitalization of archives. The conclusion is dedicated to the technological development and outlook of future. The thesis is essentially an introduction to the current view and evaluation of digitalization impact from an artists perspective as described by distributors, film makers and the end user.
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Art direction-set decoration in films of Karel Kachyňa and its rooting in sixties
Vigner, David ; VALAK, Radim (advisor) ; OLMER, Vít (referee)
In its theoretical part the bachelor thesis is focused on main corner stones of each film, in particular on relation between film art disciplines: location, architecture, props and costumes. Bounding and continuity between these subjects are investigated as well as their pictorial art were greatly demonstrated in films of sixties. Credibility, emotional and photogenic impacts are considered as basic film features.
In its practical part the thesis is focused on films of Karel Kachyňa. The art direction-set decoration is analysed in films Trápení (1961), Závrať (1962) and Vysoká zeď (1964).
This bachelor thesis therefore can serve as a study source for students of directory, cinematography and production. This work offers an introduction and insight of problematics of art direction-set decoration and defines basic themes and differences from film art point of view. In this way the thesis extends awarness and knowledge of Czechoslovak film making in sixties, especially of its special art direction-set decoration.
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Troma studios and a film serie of The Toxic Avenger
Beran, Matěj ; FILA, Kamil (advisor) ; DORUŠKA, Tomáš (referee)
Troma Entertainment Inc. is a nearly forty years working independent film studio, which is focused on production and distribution of consciously bad movies in the opposition to Hollywood. This thesis characterizes concept of bad movies and the Troma company through its representatives, ideas and movies. There is analyse of four movies The Toxic Avenger, which deals with it´s typical attributes, positives and negatives and ideological meaning.
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Trends in the Production of Animated Films
Příkaská, Barbora ; RYCHECKÝ, Tomáš (advisor) ; KALLISTA, Jaromír (referee)
In my master diploma thesis, I try to map the current situation and actual trends with
respect to creative, financial and production processes. I focus on film, television and
other productions. The greatest emphasis is put on the producer?s point of view.
The Introduction focuses on the specifics of the animated film and is followed by
chapters focusing on the situation in the Czech Republic. In addition to describing the
current situation on the scene of animated film I try to explain the use of the principles
of animation in other branches of the entertainment industry.
In the last part of my thesis, I offer a summary of interviews with producers of
contemporary animated feature films. I am interested in the circumstances of the
development of the film, ways of working with the script, attitude to new technologies
and specific problems related to the realization.
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Historic Film in Contemporary European Cinematography from the Viewpoint of the Producer
Kalandrová, Pavlína ; PRAŽSKÝ, Přemysl (advisor) ; BOBIŇSKI, Filip (referee)
Historic film genre serves here as a model example of a demanding film project in contemporary European cinematography. We want to explore the problems of development and financing of historic films. The basis of the research is the idea that historic films are mostly producer projects because of their commercial potential.
The genre of historic film is explained here from two different points of view: Film theory and film history. The concept of European cinematographic work and the ways of financing European co-production films are shortly presented. Further we describe what a producer follows and influences during his work on a historic film. The gained knowledge is then applied on five case studies. Reflections of the film producers form a part of these studies.
The result of the research is the statement that the quality and artistic value of a film go across the film genres just as the producer's or the director's approach to a film project do. To shoot arthouse oriented historic films is more risky from the commercial point of view. At the same time only in this way the film will be unique, can survive for decades and can really be successful all over the world.
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