|
|
SHARED MEMORY AS DRAMATURGICAL STARTING POINT
Klimešová, Anna ; NOVÁK, Vladimír (advisor) ; KLÍMA, Miloslav (referee)
This bachelor thesis deals with the shared memory as inspiration for the devised theater. Thesis is divided into two main parts. The first part of the work titled Shared memory as a dramaturgical starting point explores the relationship between memory and devised theater. In the second part of my thesis I analyze and reflect the rehearsing process of bachelor performance Barunka is leaving.
|
|
|
The Element of Randomness and Its Effect
Vášová, Viktorie ; NOVÁK, Vladimír (advisor) ; KROBOT, Miroslav (referee)
This thesis deals with the element of randomness during the rehearsal
stage, and with integrating unpredictable impulses which arise from the process
into the prepared scope of the performance. This study is a reflection on the
author’s own experience during her Bachelor’s degree. It is based on an analysis
of specific projects, most importantly, the author’s final performance ADA. We
will focus, above all, on the question of how the rehearsal phase is influenced by
the type of material that serves as the basis for the process, and whether and to
what extent it is possible for unpredictable impulses to influence the result.
|
|
|
Three caves
Hnilička, Jan ; VOSTÁREK, Karel (advisor) ; SCHWARZOVÁ, Kateřina (referee)
For my BA Thesis I chose a creation process of theatre production based on novel Three Cave Mountain by Per Olov Enquist in Dagmar Theatre Studio in Karlovy Vary. I perceived this project as a chance to agglutinate a new group of students of different age and experiences and to offer them opportunities to evolve through theatre work. At the same time it was my goal to create simple and communicatory production with help of means of puppet theatre. In my BA Thesis I describe whole process of genesis of the production from initial conditions, through plans and visions, up to the actual rehearsing and reflection of the resulting theatre piece.
|
|
|
Small / Big Puppets
Strýček, Jan ; BEČKA, Marek (advisor) ; NOVÁK, Vladimír (referee)
This bachelor's work summarises in theory the practical art output of the Animation lesson on the Department of Alternative and Puppet Theatre at The Theatre Faculty of the Academy of Performing Arts in Prague. It's aim is to review the creative process of the project from the very beginning to the final result. It has also meant to be a theoretical guidance for the possible candidates to create the puppet performance, based on similar principals. The first part of the work solves the question of the "typical" onlooker of the puppet theatre, a boarder line between the puppet theatre for children and adults and how to deal with it. The middle part solves the question of the problems in the multi-linear story that is conducted by the audience. Furthermore it aims to discover all possible complications, show the existing solutions and search for the reason, why this genre is considered to be minor in the theatre production. The last part solves the question of the theatre rehearsals and focuses on the differences between acting with and without a puppet.
|
|
|
Cries Unheard
Dudová, Kateřina ; HAVELKA, Jiří (advisor) ; ADÁMEK, Jiří (referee)
The thesis describes in detail the study period spent on Theatre Faculty of the Academy of Performing Arts in Prague (DAMU)/
Department of Alternativ and Puppet Theatre while doing a course of play direction and dramaturgy.
It fo-cuses on the progress of creating and staging the own copyright playwright "Cries Unheard".
This text was based on a story of child murder whose name is Mary Bell.
|
|
|
Winter Journey
Čonková, Anna ; KROBOT, Miroslav (advisor) ; KOČVAROVÁ, Markéta (referee)
The thesis is focused on reflection of the rehearsal process of the play Winter journey from Elfriede Jelinek performed in Theatre of Žilina. The introduction describes the starting points - the life of the author and the play itself. Furthermore it deals with the process - reading rehearsals, blocking rehearsals, setting of stage scenes, verifying the functionality of individual elements and scenes, polishing and the final version. The work also explores concept of performer and different meanings of it.
|
guest ::
