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Comparison of vowel formants with string and wind instrument formants
Steiner, Dominik ; Musil, Jaroslav (referee) ; Jirásek, Ondřej (advisor)
This thesis deals with the analysis and subsequent comparison of the formant regions of sung vowels of different singing voices with the formants of string and musical instruments based on FFT and LPC analysis. The results of the work are primarily intended for musicians and arrangers for compositional and musical artistic purposes. However, it will also help linguists regarding the analysis of formants and resonant cavities for phonetic and phonological research.
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Shakespearean Themes in the Works of Oscar Wilde
Řehounková, Andrea ; Charypar, Michal (advisor) ; Kudlová, Klára (referee)
In my master thesis, I will concentrate on Oscar Wilde's usage of William Shakespeare's work and its influence on some of his chosen texts. Special attention will be paid to The Picture of Dorian Gray, The Portrait of Mr. W. H., and the essay The Truth of Masks, one of Wilde's earliest known works. My thesis will methodologically make use of intertextuality, especially based on the concept of artistic influence written by Harold Bloom in The Western Canon and possibly other publications, too. Bloom describes William Shakespeare as the core of the Western canon to whom younger authors, including Wilde other Victorians, and also Joyce, refer to either polemically or in agreement. If needed, comparations might be used in my thesis as well. Oscar Wilde vastly references the plays and poetry of William Shakespeare in his work. Simultaneously, Shakespeare influenced Wilde in his personal life - for example in his defence during his trails or when he partook in the opening of Shakespeare's memorial. The goal of my thesis is to map Oscar Wilde's understanding of the character of William Shakespeare and the difference in his approach to Shakespeare in the comparation of the traditional Victorian perspective. I wish to examine how did Oscar Wilde agree and disagree with the traditional Victorian idea through...
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Effect of plant-soil feedback on plant invasiveness
Knobová, Pavlína ; Münzbergová, Zuzana (advisor) ; Štajerová, Kateřina (referee)
Understanding the causes of biological invasions is a key topic of ecological research in the last decades. Invasive plant species threaten communities, ecosystems and humans in many different ways. Therefore, it is important to determine what characteristics enable them to become invasive. In this work, I summarize the possible causes and consequences of plant invasions focusing on one possible mechanism - the plant-soil feedback. This feedback can support or suppress the growth of plants. Most species have negative feedback, but some invasive plants have positive feedback. And that could be the cause of their invasiveness. This work summarizes the findings of the plant-soil feedback, the methods to study the feedback and especially the importance of plant-soil feedback for plant invasiveness.
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Non - European Cultures in the Mirror of Selected Eighteenth Century Opera Libretti. An Attempt to Typology
Pšenička, Jan ; Ondo Grečenková, Martina (advisor) ; Halbich, Marek (referee)
English abstract The master's thesis deals with different representations of non-European cultures and their inhabitants in musical dramas (operas and related genres) of the eighteenth century. Firstly it gives some typical characteristics of these musical artworks in historical context (focusing on Italian and French examples especially) than it concentrates on the topic of so-called exoticism in general. The final part of the thesis which is based on three case studies formulates some typical approaches to the problem of representation of non- european cultures by analyzing musical settings, stage representations and especially librettoes of three important operatic works by Vivaldi (Motezuma), Graun (Montezuma) and Rameau (Les Indes Galantes). The topic of exoticism in Handel 's selected operas is mentioned in a short survey. Keywords: 18th century, music history, opera history, Italian opera, French opera, exoticism, inrercultural relationships, comparative studies
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A comparison between Manslaughter in the English and Czech law
Blažek, Tomáš ; Bohuslav, Lukáš (advisor) ; Vokoun, Rudolf (referee)
1 A comparison between Manslaughter in the English and Czech law Abstract The thesis compares the Czech and English legal regulations of the crime of manslaughter. As such, it is divided into an introduction, six parts and a conclusion. It aims to provide not only a comprehensive analysis of the crime of manslaughter in both legal orders, including a subsequent comparison, but also the possible adoption of certain institutes from one legal order to the other. In the first part, it deals with the issue of the differences between the two legal systems, i.e., continental and Anglo-Saxon, as well as with the general interpretation of the crime of murder and manslaughter. In doing so, it introduces the structure of the formal sources, the interrelationship between murder and manslaughter, and the terminology of manslaughter in England. In the second part, it provides an analysis of the facts of the crime of manslaughter, with the actus reus and the mens rea being analysed more extensively than through the fragmentary optics of the crime of manslaughter. Particular emphasis is then placed on causation. The third part is devoted to the circumstances precluding illegality, which for the sake of consistency of the whole thesis, included the institutes of insanity, diminished sanity, automatism and intoxication....
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Non - European Cultures in the Mirror of Selected Eighteenth Century Opera Libretti. An Attempt to Typology
Pšenička, Jan ; Ondo Grečenková, Martina (advisor) ; Halbich, Marek (referee)
English abstract The master's thesis deals with different representations of non-European cultures and their inhabitants in musical dramas (operas and related genres) of the eighteenth century. Firstly it gives some typical characteristics of these musical artworks in historical context (focusing on Italian and French examples especially) than it concentrates on the topic of so-called exoticism in general. The final part of the thesis which is based on three case studies formulates some typical approaches to the problem of representation of non- european cultures by analyzing musical settings, stage representations and especially librettoes of three important operatic works by Vivaldi (Motezuma), Graun (Montezuma) and Rameau (Les Indes Galantes). The topic of exoticism in Handel 's selected operas is mentioned in a short survey. Keywords: 18th century, music history, opera history, Italian opera, French opera, exoticism, inrercultural relationships, comparative studies
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Effect of plant-soil feedback on plant invasiveness
Knobová, Pavlína ; Münzbergová, Zuzana (advisor) ; Štajerová, Kateřina (referee)
Understanding the causes of biological invasions is a key topic of ecological research in the last decades. Invasive plant species threaten communities, ecosystems and humans in many different ways. Therefore, it is important to determine what characteristics enable them to become invasive. In this work, I summarize the possible causes and consequences of plant invasions focusing on one possible mechanism - the plant-soil feedback. This feedback can support or suppress the growth of plants. Most species have negative feedback, but some invasive plants have positive feedback. And that could be the cause of their invasiveness. This work summarizes the findings of the plant-soil feedback, the methods to study the feedback and especially the importance of plant-soil feedback for plant invasiveness.
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Supporting the Arts...Art Societies of Central Europe in the Context of the 19 th Century's Social Modernization
Kavka, Tomáš ; Štaif, Jiří (advisor) ; Pokorná, Magdaléna (referee) ; Fasora, Lukáš (referee)
- Tomáš Kavka Supporting the Arts... Art Societies of Central Europe in the Context of the 19th Century's Social Modernization This dissertation focuses on the changing relations between society and art in the course of the 19th century. It observes the development within three cities - Leipzig, Prague and Brno - exponents of three different national environments. The thesis is based on the comparison of art societies representing these environments. Leipzig-based society Leipziger Kunstverein is a probe into the world of German art, Umělecká beseda of Prague demonstrates the quest for continuous development of Czech national artistic discourse and Brno's Mährischer Kunstverein is an example of the specifics of German community ringed by Slavic majority in Moravia. The thesis presents a view of Central-European artistic life, heavily determined by the dynamics of the 19th century's social modernization - the formation of civic society and national movements as well as the change of social discourse (namely concerning aesthetics and art history) about fine arts and its performers.
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