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Influence of Otomar Krejca's aesthetics in French-speaking Belgium
Flock, Sarah ; Just, Vladimír (advisor) ; Christov, Petr (referee) ; zatím nezjištěn, nerealizuje se (referee)
1 Stopami Krejčovy divadelní poetiky ve frankofonní Belgii Disertační práce se zaměřuje na české divadlo od první do druhé avantgardy. Především je zaměřená na divadlo Otomara Krejči a jeho vztah s belgickým divadlem v rámci druhého českého avantgardního divadla do doby normalizace (do r. 1982). Hlavní hypotéza je v tom, že Krejčův přínos byl významný pro belgické pojetí dramatického umění. Existuje dnes belgické pokračování divadelní poetiky Krejči ve frankofonní Belgii a pokud ano, proč ? Krejča realizoval důležitou část svého uměleckého života v Belgii. Belgická divadelní činnost Krejči se dělí do dvou odlišných období. První z nich začíná založením Divadla za branou v Praze v roce 1965 a je spojené s působením v belgickém Národním divadle v Bruselu. Tato léta spadají do československé destalinizace a jsou velmi produktivní v umělecké oblasti. V Bruselu Krejča režíruje celkem čtyři hry : v roce 1965 Hamlet, v roce 1966 Racek, v roce 1970 Tři sestry a v roce 1978 Romeo a Julie. Ty tři první hry jsou inscenovány před odjezdem Krejči do jeho polo-exilu a před dobou normalizace. Poslední hra znamená začátek jeho druhého období v Belgii, spojeného s městem Louvain-la-Neuve. Druhé období začíná v době normalizace, kdy bylo zlikvidováno Divadlo za branou, zatímco jsou Krejčovy inscenace již velmi známé v...
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Karlheinz Stockhausen and The Beatles
Hejl, Matouš ; RATAJ, Michal (advisor) ; TROJAN, Jan (referee)
The text proposes to describe the relationship between Karlheinz Stockhausen and the work of The Beatles in the late sixties regarding especially their album Sgt. Pepper s Lonely Hearts Club Band. It compares how they worked within the same technnical system and it shows changes that occured in music with the conception of studio as a musical instrument. On a more general level, one theme of the text is the difference between so called serious, or avantgarde music and popular music. Through comparing the way Stockhausen and The Beatles approached a few selected aspects of music making, it presentes them next to each other rather than against each other. Another general theme is the relationship between technical inovation and music creation.
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Intuition, imagination and rationality in fine arts
DOLEJŠÍ, Klára
The thesis deals mainly with intuition, imagination and racionality in connection of world modern painting of the 19th century, to art 21st century. These three concepts are in the beginning explained from the perspective of psychology. This task handle art international and a Czech artists, in a deeper context passes various art directions and clarifies how much were important for these three terms, and how much is influenced in their development. Of modern art are chosen three art techniques for didactic part. Collage, frottage and overprint are divided into three classes. Didactic product will be important for the creation of a practical part, so seven oil paintings on canvas about size 50 x 70 cm.
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Relation between avant-garde, mass art and kitsch
ŠTĚRBOVÁ, Alena
In my thesis, I will deal with the subject of the relation of high and mass art in the context of the issue of kitsch. The primary sources of my work will be Apocalypse Postponed by Umberto Eco, an essay Avant-Garde and Kitsch by Clement Greenberg and Estetika na přelomu milénia by Pavel Zahrádka. The main subject of the work will be examining the impact of avant-garde to kitsch and mass art and make a structural analysis of the kitsch on the background of the theory about social and cultural layers.
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Conceptualisation of Art: Negation of Form and the Problem of Nature of Conceptual Art.
ŘÍHOVÁ, Monika
The bachelor thesis deals with the problematic aspects of avant-garde, which were amplified and developed in the postwar movement known as neo-avant-garde in visual art, and especially with its conceptual tendencies which represent constant challenge for current aesthetics. Firstly the basis of aesthetic theory of art will be outlined in order to explain and show where the critique of aesthetics by conceptual artists is leading to. Then it introduces possibilities and limits of selected definition strategies, character of the relationship of conceptual art to other types of art and non-artistic activities, especially its approach to the philosophy and science. The key points of this thesis are: What is conceptualism? What transforms the neo-avant-garde pieces of works into art? Can we apply aesthetic categories at conceptualism? In which way does the conceptual piece work as a symbol?
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Lyrical elements in Lorca's theatre - (Bodas de sangre - Bloody wedding)
HERMAN, Alexandr
Herman, Alexandr. Lirical elements in Lorca´s theatre - Bloody wedding. České Budějovice: Pedagogická fakulta Jihočeské univerzity v Českých Budějovicích, 2011, 103 s., Diploma thesis. This diploma thesis presents lyrical elements in teatral work of Federico García Lorca. Author himself belogs among top members of an avantgarde movement in Spain. His dramas are up to now very often shown at the most prestigious theatre house in the world, his poetry, very often explained in new interpretation, absorbing an echoe of the folk lyric. The author was bor in the year 1898, year that ment withdrawal from its ancient position. This new situation is reflected at a new actitude towards an art and Spain. This work is divided into three parts.
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The Poetry of Milada Součková
POSLUŠNÁ, Barbora
Annotation This diploma work is centred on the Milada Součková´s poetry between years 1942 ? 1983. The opening chapter is devoted to thesis and to methodolohical demarcation of the diploma work. Next the work attends to terminological demarcation of the notion ?avant-garde?. Primarily features chosen vocabulary imtems then result from Vladimír Papoušek´s book ? Gravitation of avant-gard. The second chapter deal with confrontation tendency of avant-garde with artistic tendency in Milada Součková´s piece. The work then ask question if is adequate to talk of Součková in context of avant-garde. Then the work hints at the same problemms in the chapter three which is devoted to Milada Součková´s husband, Zdenek Rykr. Then this chapter deals with contracted interception of Rykr´s life and try to cut up the similar common tendencies in the husbands´s pieces. The chapter fourth focuses on three Milada Součková´s studies, written between 1954 ? 1964. There are the studies characterized shortly in the work and confronted partly with the Součková´s piece and life again. The closing chapter is devoted to Milada Součková´s poetry itself. There are presented the idividual garners in the subchapters, the garners are interpreted by authoress of this work, she captures common tendencies of Součková´s piece and the garners are confronted each other. She references to two poems published between 1938 - 1939 also. The claim of this chapter is then to cut up the metamorphoses or recurrent themes, motives in the Milada Součková´s complex piece on the contrary.
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The Work of Josef Váchal in the Context of Czech Literature and Culture of 1st half of 20th Century.
KŮS, Václav
Bachelor thesis deals with monitoring developments Váchal reflection of contemporary social and cultural contexts of early twentieth century, especially the twenties and thirties. Based on the analysis Váchal´s diary entries and relevant professional sources to try to reconstruct Váchal perception of contemporary artistic currents and historical contexts. Concentrates on monitoring reference to the artistic avant-garde in the twenties and thirties in Bohemia. Bachelor thesis tries to find signs, interpretation and resonance, referring to the description Váchal´s works of any common features and similarities with the Czech avant-garde.
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The Poetry of Literary Group
BROUČKOVÁ, Veronika
The submitted thesis concentrates on poetry of the Czech art group "Literární skupina", which was established in 1921. This thesis is divided into several chapters, in which the author interprets the poetry of single authors on the basis of several flag features. There are terms and motives of death and life as two inseparable parts of human being, religiousness and religion and shifting of the original meanings, further conception of an individual in terms of community. Another chapter deals with the motive of heart and reflections of sensibility and emotive involvement in interest of creation of "the new world". The last chapter displays reflections of "Literární skupina" by temporal critics and discussions between this art group and Prague avantgarde group "Devětsil". The author is interpreting the poetry in the context with expressionism, which meaning she feels in the wide word sense, not just as an artistic movement, but as a "stream", which goes through all spheres of human activity. From this point of view the group "Literární skupina" can be also seen - as an art group which was not distanced from expressionism, but on contrary in the beginning joined it via its speaker František Götz. The autor of this study analyzes the theoretical thoughts of "Literární skupina" which obviously in strong contrast to practical artistic gesture in poetry can be found.
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