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Preaching Style of Jaroslav Pleva
Kucová, Hana ; Janovec, Ladislav (advisor) ; Holanová, Radka (referee)
This diploma thesis deals with distinctiveness in the style of preaching of Jaroslav Pleva, a Baptist preacher, on the basis of analysis of his preaching. This distinctiveness is realized through his use of language and style devices, and text structure. The final form of the discourse is influenced by its function and objective style factors. What mainly determines the structure of Pleva's texts to a considerable extent is a spoken form of the discourse. His code choice switching between standard and non-standard code, the official character of the discourse and its place and time given by the tradition are all very important; moreover, it is the addressee who represents the crucial factor of the preaching. The analysis of subjective style factors is also included. Intertextuality is typical for the genre of preaching, primarily following the biblical texts of the Old and New Testament. According to the variety of texts the motifs are diverse. Figurative speech, mostly originated in biblical texts, is used plentifully. Pleva uses these intentionally chosen devices to present his thoughts to his listeners and fulfil a persuasive function of a genre of preaching.
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Symbol, sign. Citations and use of work of art as a creative principle
Fricová, Soňa ; Velíšek, Martin (advisor) ; Bláha, Jaroslav (referee)
The thesis is dedicated to a postmodern use of symbol and sign. It is based on set definitions of major terms in the fine art and maps the space between a word and a picture as well as impersonal understanding of computer-generated codes. Didactic part enables to work with symbol and sign in art education. An analytical and syntactical thinking, the knowledge of the art history and the ability of intellectual fabrication are the basic ideas of the thesis. Art works, that use multilevel symbol expressions and are formally based on a postmodern thinking, are introduced in a practical part of the thesis.
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Modern lingual tendencies of czech music journalism
Morochovičová, Eliška ; Kraus, Jiří (advisor) ; Vedral, Jan (referee)
This bachelor thesis deals with the infiltration of modern tendencies into Czech music journalism. These tendencies represent a wholly new approach to the general standards of journalism, its language and stylistics. Young authors analyzed in this thesis prefer to take rather individualistic approach to music and its reflections. Based on the study of the New Journalism and gonzo journalism in American journalism and literature, and with the application of the general standards of Czech journalism I look into the particularities of those new tendencies, describe their development in various media and analyze the written language of a number of authors. In my thesis I concentrate on various music media dated from the 1990's until now. I analyze a couple of music magazines for interest groups, the modified forms of modern tendencies in music sections of the mass media and the contemporary form of individualistic journalism in music media on the Internet.
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Metamorphoses of the Author's Style in Miroslav Holub's Poetry
Lichtenbergová, Lucie ; Neumann, Lukáš (advisor) ; Smrčka, Jiří (referee)
The bachelor's thesis explores the changes of the author's style in the poetic work of Miroslav Holub. The theoretical part is based mainly on the study of secondary literature, the practical part mainly on the interpretive analysis of individual poems from different periods. Holub is most often associated with the poetry of the everyday, but we are trying to give more comprehensive view of his entire work; especially not forgetting the poetry collections from the seventies to the nineties, from which we draw attention to the metaphor of the theatrum mundi, with which Holub worked in several collections and which is just seldom associated with his poetry. Among the features connecting all of Holub's poetic works, we emphasize the specific projection of the author's second profession as a scientist into his poems, which is characterized, for example, by specific themes and space-time, the use of a specific lexicon, but surprisingly also a special arrangement of verses. We refer to words of Bohumil Svozil who calls those features as intellectual poetry, but at the same time we argue with the opinions of some literary critics claiming that Holub's work is impersonal and devoid of emotions due to its intellectuality. Finally, we also find changing features of the author's style influenced mainly by the...
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Preaching Style of Jaroslav Pleva
Kucová, Hana ; Janovec, Ladislav (advisor) ; Holanová, Radka (referee)
This diploma thesis deals with distinctiveness in the style of preaching of Jaroslav Pleva, a Baptist preacher, on the basis of analysis of his preaching. This distinctiveness is realized through his use of language and style devices, and text structure. The final form of the discourse is influenced by its function and objective style factors. What mainly determines the structure of Pleva's texts to a considerable extent is a spoken form of the discourse. His code choice switching between standard and non-standard code, the official character of the discourse and its place and time given by the tradition are all very important; moreover, it is the addressee who represents the crucial factor of the preaching. The analysis of subjective style factors is also included. Intertextuality is typical for the genre of preaching, primarily following the biblical texts of the Old and New Testament. According to the variety of texts the motifs are diverse. Figurative speech, mostly originated in biblical texts, is used plentifully. Pleva uses these intentionally chosen devices to present his thoughts to his listeners and fulfil a persuasive function of a genre of preaching.
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|
|
Symbol, sign. Citations and use of work of art as a creative principle
Fricová, Soňa ; Velíšek, Martin (advisor) ; Bláha, Jaroslav (referee)
The thesis is dedicated to a postmodern use of symbol and sign. It is based on set definitions of major terms in the fine art and maps the space between a word and a picture as well as impersonal understanding of computer-generated codes. Didactic part enables to work with symbol and sign in art education. An analytical and syntactical thinking, the knowledge of the art history and the ability of intellectual fabrication are the basic ideas of the thesis. Art works, that use multilevel symbol expressions and are formally based on a postmodern thinking, are introduced in a practical part of the thesis.
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Modern lingual tendencies of czech music journalism
Morochovičová, Eliška ; Kraus, Jiří (advisor) ; Vedral, Jan (referee)
This bachelor thesis deals with the infiltration of modern tendencies into Czech music journalism. These tendencies represent a wholly new approach to the general standards of journalism, its language and stylistics. Young authors analyzed in this thesis prefer to take rather individualistic approach to music and its reflections. Based on the study of the New Journalism and gonzo journalism in American journalism and literature, and with the application of the general standards of Czech journalism I look into the particularities of those new tendencies, describe their development in various media and analyze the written language of a number of authors. In my thesis I concentrate on various music media dated from the 1990's until now. I analyze a couple of music magazines for interest groups, the modified forms of modern tendencies in music sections of the mass media and the contemporary form of individualistic journalism in music media on the Internet.
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