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Evolution of production of audiovisual work and its application of student film
Slabejová, Tereza ; Truhlář, Filip (advisor) ; Mezuláník, Radek (referee)
Evolution of audiovisual work and its application of student film is the main theme of this bachelor thesis. It describes main milestones in the history of cinematography which gives us entire view on the evolution of audiovisual production. The main focus of this work is given to the production of audiovisual work. It informs us about the film production process, including text and image documents. As well it acknowledges importance of the film crew and their key roles and competencies. At last the reader is briefly informed on essential copyright protection in the Czech Republic. This bachelor thesis is intended for those interested in film production but it is also great source of information for production managers or any starting position in the film industry.
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Audio visual direction - music video
Havlík, Jakub ; Truhlář, Filip (advisor) ; Kepka, Ondřej (referee)
This thesis deals with the audio visual direction and its specifics in the field of music videos. The theoretical part describes the beginnings of the directorial activity, deals with the work of a director in a creative team and also focuses in detail on the film grammar and particular means of expression. Then the thesis puts the film grammar into the context of music videos. In the practical part are analyzed stages of realization of the U-Prag's music video Seconds of life, including the analysis of used means of expression.
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Documentary Film from the Copyright Point of View
Fořt, Ferdinand ; Křesťanová, Veronika (advisor) ; Holcová, Irena (referee)
The aim of this thesis Documentary Film from the Copyright Point of View is to explore and evaluate copyright specifics of documentary cinema. Chapter One describes documentary film as a culture phenomenon with peculiar relationship to reality. It shows possible definitions and classifications and outlines some of the ethical questions connected with the documentary cinema. Then follows a brief excursion into the history of copyright protection of audiovisual works (both in the Czech Republic and in the international context), with emphasis on speciality of documentary films protection. Chapter Three examines terms audiovisual work and authorship of an audiovisual work as defined in effective Czech Act No. 121/2000 Coll. on Copyright and Rights Related to Copyright and tries to mark boundaries of these terms and its possible interpretation especially in relation to the documentary and other non-fiction films. Next chapter deals with the legal nature of protagonists of documentary or social actors which differs from legal nature of the actors in fiction films, because social actors does not perform artistic performances as defined in Czech Copyright Act. Subsequent Chapter Five analyzes protection of personal rights of social actors in documentary films which is governed by general protection of...
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Non-standard photography methods in audiovisual journalism
Géla, František ; Lokšík, Martin (advisor) ; Štoll, Martin (referee)
The aim of the diploma thesis "Non- standard photography methods in audiovisual journalism" is to present image and production methods that are used in television news and journalism - particularly those ones that defy standard methods. These methods appear, considering technological development and the endeavour of making neutral visual space of television journalism, more attractive. First chapter of the thesis presents television news, its history, characteristics, elements and typology of television news production. Next chapter deals with the visual aspects of audiovisual works. The audiovisual language, its expressive elements and specific aspects of the image in television are presented. Main part of the thesis focuses on the photography methods in television journalism. Based on the literature and interviews with creative workers from the Czech television it presents photography methods and especially non- standard methods that use small sports action cameras, unmanned air devices or hidden cameras. The thesis mentions also production methods videojournalism and mobile journalism (MoJo) that uses standard mobile devices for professional news production. Particular examples from the broadcasting of the Czech televison are presented in the final chapter.
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Film Law: A copyright perspective
David, Ivan ; Křesťanová, Veronika (advisor) ; Holcová, Irena (referee)
Film Law: A Copyright Perspective (Abstract) The rigorous work describes and analyses the film law, understood as a set of norms of public and private law, bound by common denominator in the form of direct or indirect regulation of production and exploitation of film, with a special focus on film copyright. The work focuses on contemporary and historical treatment of the film copyright in the Czech Republic, while in some parts performs its comparison with the film copyright in other countries, particularly in the United States of America. The first section defines the general mutual relations between film and law, especially in terms of copyright and the right to freedom of expression. Inter alia, it also deals with the question of film as "art", and how this issue plays a role in its legal regulation. The second part of the paper specify the basic terms and concepts which could be found in the film law as well as in the practical film production and distribution itself governed by this law. First of all, the paper defines the main areas of the film law in general, meaning copyright and its neighbouring rights, unfair competition law, media law, advertising law and protection of personality rights. Further on, it is specified what could be understood in legal theory by terms film, film work, audiovisual...
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Development of on-demand portals. Netflix and his original programming extension.
Sládková, Magdalena ; Štoll, Martin (advisor) ; Švelch, Jaroslav (referee)
The aim of the thesis 'Development of on-demand portals. Netflix and his original programming extension' is to map the production, marketing and distribution strategies of Netflix, the largst on- demand platform in the world, in context with the current state of linear television broadcasting. It can be pressumed, that both the on-line distribution and original content programming of on-demand platforms will contitnue to grow. The thesis examines the programming of Netflix, in regard to other international platforms and also compares the business and marketing strategies of Netflix's biggest rival - cable television HBO. The last chapter reveals current environment of on-demand distribution in the Czech Republic, in contect with Netflix's expansion on the Czech market in the newt two years and its possible operation on local market.
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Audiovisual production and Copyright
Novák, Marek ; Křesťanová, Veronika (advisor) ; Holcová, Irena (referee)
Audiovisual Productions and Copyright - Summary The topic of this thesis are audiovisual productions in relation to copyright law and selected legal relations, which can take place during audiovisual productions. These legal relations are important mainly from the perspective of copyright law, but also overlaps into neighboring branches of law are mentioned, with regard to the civil code recodification. The first chapter is focused on defining key concepts. Firstly, there is defined the concept of audiovisual production as a type of business and the legal conditions for its performing. The concept of audiovisual work in the context of copyright law is defined next. The characteristic attributes of audiovisual work are defined and the specific conception of authorship is considered, followed by traditional division of audiovisual works and its perception through certain public-law norms. With regard to the specifics of audiovisual works, the character of works audiovisually used is also mentioned. In the end of the first chapter the term producer is defined, his relation to the author of audiovisual work and specific rights, to which is entitled by the copyright code. The main chapter deals with selected legal relationships, which take place in the audiovisual sector. It concerns primarily the concept of...
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Copyright Law and Cinema
Pošta, Martin ; Křesťanová, Veronika (advisor) ; Holcová, Irena (referee)
Cinema copyright - Abstract Cinema copyright - a list of all issues concerning copyright protection, which might be dealt with in a cinema building. The thesis "Cinema Copyright" is focused on the problems of copyright protection of audio-visual work, live broadcast and other activities which most often take place in a grand hall of a cinema. The author holds a position of a director of a one-hall city digital cinema. Therefore, it is not the only goal of this thesis to take a positive view of the issues in the legal sense of the word, but also to confront the legal regulation with the common practice in the field in the way I and my colleagues experience it on a daily basis. As a result I propose some changes regarding the matters in question. Except for the first chapter, the whole thesis deals with the legal relations between a cinema operator and a distributor. The text is related to the actual state of legal affairs by February 4, 2013. The first chapter is concerned in detail with the current terminology of audio-visual work and the people within the scheme of its production. In this part a detail analysis of the legal framework of the production of audio-visual work and of the legal relations among the people within the production scheme is given. The second chapter presents the reasons for...
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Audiovisual work: Czech legal regulation, a Czech-French comparison, EU regulation
Dreiseitlová, Evelýna ; Křesťanová, Veronika (advisor) ; Holcová, Irena (referee)
Audiovisual work: czech legal regulation, czech and french comparaison, legal regulation of EU. This work is focused on the phenomen of the audiovisual work. This copyright subject-matter is a very specific one.- in the character of it's creative process, plurality of the persons participating on it, the necessity of high level of the organisation and usually high investment concerning their production.It has dimension in other domain too- it's role in the cultural industry rise more then ever. All these factors have contributed to the legal situation of this issue as we know it today. The work is divided into three chapters. The first chapter treats the czech legal regulation of the audiovisual work in the private law. The regulation is studied via three main institutes - the object of the protection, authorship and the regime of the copyright on the audiovisual work. This chapter includes also a history of czech regulation. The theme of the second chapter is the comparaison of the national legal regulation in Czech republic and France. Both coming from the continental perception of the copyright, both members of European union, they have lot of points in common- However the regulations of audiovisual work differs one from another in many ways, such as it's classification, qualification of the person of...
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