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The Quiet Omnipresence
Bodlák, Ondřej ; Dvořák, Vojtěch (referee) ; Mikyta, Svätopluk (advisor)
The work, entitled The Quiet Omnipresence, themes the metaphor of grid and line as representing the source elements necessary for the growth of whole forms. It relies on a study of landscape and urban scenery, its quiet ubiquitous mechanisms and processes. The jumble of lines creates a sensorially elusive monochromatic surface that the observer can encounter when looking at organic structures for longer periods, as well as industrially tuned urban compositions. It explores the relationship of order and chaos in its opposite but paradoxically mutually inexorable connotations. The work mostly relies on a specific and not uncommon type of space often right in the middle of cities – vague terrains, places forgotten and deliberately overlooked, in which banal biological processes slowly take the helm determining the direction of a seemingly random development.
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Poetics of selected short stories written by Pere Calders
Kroupová, Alžběta ; Poláková, Dora (advisor) ; Marešová, Jaroslava (referee)
(in English) The bachelor work observes selected short stories taken from the book called Cròniques de la veritat oculta written by Catalan author Pere Calders. The aim of this thesis is to analyse the poetics which is typical for this writer. It investigates topics which are often repeated, symbols and space where the plot takes place. It compares the short stories of Calders with other works of writers within the same literary genre who use similar storytelling methods. The emphasis is put mainly on the comparison with the output of Franz Kafka.
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Hope and Meaning of Human Existence: Comparing the Approach to Human Existence of Gabriel Marcel and Albert Camus
Klimešová, Pavlína ; Drozenová, Wendy (advisor) ; Hogenová, Anna (referee)
73 Abstract The first part of my dissertation deals with the philosophy of Gabriel Marcel. It begins with the basic information about the philosopher as well as with his thinking placed within the context of the philosophy's history. Next step is Mr. Marcel's ideas about the feeling of the essence of life which is significant to experience in one man's life in order to set off the journey of englightenment. The feeling of the essence of life is unfortunately being silenced in nowadays people. After that I introduce the philosopher's conception of the imprisonment of a human being. This imprisonment is the cornerstone of his explanation of the metaphysics of hope. At the end of the first part I submit the power and the importance of hope in a human's state of mind which can be so stable that even the death of the beloved doesn't mean the end of hope. As mentioned before, the second part begins with the information about Mr. Albert Camus and I also put his philosophy in the context of the history. The most important step is to introduce his feeling of the futility without which the philosophy of Mr. Camus cannot be understood. The next vital part is his understanding and asking of one man's life relevance and also the philosopher's perception of a suicide. The cost of human life is the focal point of...
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Existentialism and its conception of man
RAPČANOVÁ, Anna
The diploma thesis examines the specific work of Albert Camus and Gabriel Marcel, focusing on the question of human values. The aim is to show two forms of existential philosophy concerning human existence in their chosen dramas. The work is divided into chapters. In the first chapter we can find the basic characteristics of existentialism and its development. The second and third chapter deals with Camus' and Marcel's conception of philosophy. In these chapters will present the Camus' problem of suicide, revolt, absurd and sense of being. In the case of Marcel will be dealt with the issue of duality of being and have, relationship I-You, love, hope, death, freedom and faith. Diploma thesis results in subsequent chapters where you can find comparison existential themes in the works of authors.
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Doppelgänger in spanish short stories
Kroupová, Alžběta ; Poláková, Dora (advisor) ; Housková, Anna (referee)
(in English) The topic of this master thesis is a character of the double in Spanish short stories focused on 20th century. Firstly, we describe the historical context of this literary theme and we observe its changing through the time, its transition from a tragic tone to absurdity or a comic tone. The aim of this work is to observe Freud's concept of "unheimlich" feeling applied to the topic of the double and to investigate what literary tools can intensify this feeling in the reader. After this, we focus on repeating motives in selected short stories and we contemplate constituent aspects of this topic in the context of humanities.
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Poetics of selected short stories written by Pere Calders
Kroupová, Alžběta ; Poláková, Dora (advisor) ; Marešová, Jaroslava (referee)
(in English) The bachelor work observes selected short stories taken from the book called Cròniques de la veritat oculta written by Catalan author Pere Calders. The aim of this thesis is to analyse the poetics which is typical for this writer. It investigates topics which are often repeated, symbols and space where the plot takes place. It compares the short stories of Calders with other works of writers within the same literary genre who use similar storytelling methods. The emphasis is put mainly on the comparison with the output of Franz Kafka.
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Václav Havel and Slawomir Mrozek - Theater of the Absurd behind the Iron Curtain
Laiblová Urban, Izabela ; Holý, Jiří (advisor) ; Topolová, Barbara (referee) ; Schwarz, Wolfgang (referee)
Izabela Laiblová Urban Dissertation "Václav Havel and Sławomir Mrożek - Theater of the Absurd behind the Iron Curtain" Abstract: Dissertation is devoted to the analysis of dramatic works of Václav Havel and Sławomir Mrożek in the context of the Theater of the Absurd, trying to answer the question whether it is possible to include plays of these East European writers into this literary movement. Dissertation discusses the impact of political, social and cultural situation on the entry of the Theater of the Absurd behind the Iron Curtain reflecting the perception of the trend in Czechoslovakia and Poland. It describes the key thematic areas of both authors' dramatic plays, such as the relationship between humans and the system, the individual and the group as well as type of dramatic characters. It focuses also on the language of Havel's and Mrożek's plays with its several characteristics, such as phraseology taken from the language of communist propaganda as well as combining different styles - official, administrative and others. The dissertation discusses the composition Havel's and Mrożek's with their significant differences, outlined by comparing the relationship "circle - funnel", respectively "circle - spiral". The research is focused mainly on early plays of both authors. In the case of Havel's plays...
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