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Georges Bataille's conception of art
Kaisrová, Martina ; Ševčík, Miloš (advisor) ; Jarošová, Helena (referee)
in English The aim of the study is to show Bataille's esthetic thoughts, dispersed in several Bataille's works, as a consistent theory of art. Through his fascination for cruel and evil, Bataille turns his interest to the matter and in revue called Documents he describes the appeal of low forms due to their proximity to formlessness. Beyond this frontier there is a sphere of "not-knowing", where the logical reason can not impenetrate. This sphere of excess is not only out of logical concept, but also out of our life, i. e. before our birth and after our death. In an organized society this sphere is forbidden. The tabu that guards it protects us from the destructive forces of chaos which could appear through the death rage, violent sexual passions, cruelty and evil. Human desire to see what is in this sphere comes from his nostalgia for a naturalness which had been lost when we changed from animals into human beings. The animal does not obey any rule and in ancient societies it used to represent the divinity. The lost intimity of present instant, as explained in Lascaux or Literature et le Mal, is mediated to us through religious transgression of law (sacrifice) or as fiction in art (transgression in modus "a like") or through destruction of academic forms. Such moments are always accompanied by...
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Kundera's Theory of Art
ČERNOŠKOVÁ, Barbora
This bachelor thesis deals with analysis of texts written by Milan Kundera, especially with his essays. The aim of this thesis is to find the key topics of his theoretical reflection essays and to evaluate whether it heads towards a coherent art theory. The main topics include general reflections on art, novel, lyric poetry, music, critics and "existentials", which are analysed in a complex way. This thesis also considers the level of coherency of topics and themes generally used in the work of Milan Kundera.
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