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Haptic model for the blind and partially sighted according to the image of the Madonna of Vyšší Brod
SVOBODA, Jaroslav
Bachelor thesis is processed in theoretical-practical form. The theoretical section deals with the understanding and functionality of Gothic paintings in connection with the medieval mentality. It also outlines the interconnectedness of artistic currents in Europe and the Czech lands. The most important historical motives and the most important preserved murals and plate paintings in the Czech lands are mentioned. The work also deals with the independent subject of madonnas and their significance for medieval society. In the subsequent part of the theoretical work, the plate image of the Vyšebrod Madonna is analysed in connection with its location in the Cistercian monastery in Vyšší Brod. With regard to the practical part, the issue of perception of works of art by people with visual impairment and their appropriate compensatory devices is mentioned, including haptic models primarily designed for the blind and partially sighted. The aim of the practical work is to transfer the plate painting depicting the Vyšebrod Madonna into relief to meet the requirements of the compensatory aid.
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The Pilgrimage Church of Our Lady in Kájov and its liturgic equipment in the Late Middle Ages
BERNARD, Markéta
The aim of the bachelor thesis will first be a brief summary of the late medieval construction development of the Pilgrimage Church of the Assumption of Maria in Kájov. The student will also summarise the existing knowledge of the preserved mobile late medieval equipment of the church, which is stored in various museums and galleries. Finally, in her text, the author will try to create a hypothetical reconstruction of the original appearance, or liturgical use of the late medieval sacral interior of a major South Bohemian pilgrimage church. It can use a number of newer studies not only for the late medieval art of Southern Bohemia, but also texts about the later Baroque glory of the Kájov pilgrimage complex. It will also be able to rely on some detailed foreign studies on the issue of the authorship of the statue of Our Lady of Kájov from around 1500 or texts to the newly discovered Kájov indulgence plates.
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Processing of Haptic model of fresco of Pieta and Madonna for visually impaired people
DVOŘÁK, Vít
The theoretical and practical diploma thesis deals with the Gothic style in the theoretical part, first from the perspective of the medieval society in three basic roles. In the first chapture there is a description of several contexts of the development of society through the spiritual, knightly and peasant class trought the general foundations of the Gothic style in the level of socio-cultural progression are sought. The work focuses mainly on painting and representation of Virgin Mary with Jesus. In connection to the practical part of the thesis there is also provided the necessary information concerning the ergonomic criteria of haptic aids for visually impaired persons and the location of the original fresco.The purpose of the practical part of the thesis is to transform the mural painting on the wall of the Presentation of the Blessed Virgin Mary on the Piarist Square in České Budějovice into a 3-dimensional haptic aid for visually impaired people. The mid-relief models are made of ceramic casting material using plaster molds. The base is a colored attached polychromized woodboard.
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Madonna and Pieta (Vesperbild) : The modifications of its depictures in medieval art
Dráždilová, Martina ; Synecký, Jakub (advisor) ; Daniel, Ladislav (referee)
Martina Dráždilová: Madonna and Pieta (Vesperbild). The modifications of its depictures in medieval art /Diploma thesis/ Prague 2011 − Charles University in Prague, Faculty of Education, Department of art education, 179 pages . Enclosures: 6 original paintings on canvas, combination technology. CD with inspiratory educational project. Diploma thesis is focused on thematic antithesis Madonna and Pieta and the modifications of its depictures in medieval art. The intention of work is to present theoretical knowledges of art history in kontext with art education and to describe the limits od educational work with religious topics. The first part presents the concept of cultural christianity and its position in czech curiculum. The second part presents historical study focused on iconografy of Madonna and Pieta, and the modifications of Madonna and Pieta in medieval ithalian painting in 13th and 14th century. On the knowledges of theoretical study is based educational project for grammar school students. Vizual problems of this the project are tested in specific artistic work. Enclosure presents quantitative research of positions of kultural christianity between grammar school students. Key words Visual art, Madonna, Pieta, ithalian gothic painting, cultural christianity, educational project,...
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Coronation of images of Virgin Mary in Central Europe in 17th - 18th century
Vrabelová, Dana ; Royt, Jan (advisor) ; Kořán, Ivo (referee) ; Buben, Milan (referee)
1 Summary The thesis, Imago gratiosa - Crowned Madonnas in Central Europe in the Baroque Period presents original research results primarily focused on the Madonne Coronate collection in the Archivio Capitolo di San Pietro at the Vatican Library, which was realised as part of Charles University grant project no. 356911 Coronation of Merciful Marian Imagos in Central Europe in the 17th and 18th Century. To become merciful (imago gratiosa) or miraculous (imago miraculosa) a Marian imago must demonstrate divine mercy (save lives during a disaster, cause miraculous recovery from illness, conception, etc.). The greatest expression of veneration and devotion to a merciful or miraculous imago or statue of the Virgin Mary is its coronation. The theological basis of this liturgical ceremony is the coronation of the Virgin Mary on her assumption to heaven. On earth, the Virgin Mary was crowned with imitations of the crowns of worldly monarchs and her crowned imago placed on a royal throne or altar, usually made especially for this occasion for greater honour and glory. This was always the exquisite work of goldsmiths and silversmiths, which if not preserved until today, we can see in numerous manuscripts, prints and engravings specially published to mark the coronation. The nature of the coronation ceremony developed...
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Coronation of images of Virgin Mary in Central Europe in 17th - 18th century
Vrabelová, Dana ; Royt, Jan (advisor) ; Kořán, Ivo (referee) ; Buben, Milan (referee)
1 Summary The thesis, Imago gratiosa - Crowned Madonnas in Central Europe in the Baroque Period presents original research results primarily focused on the Madonne Coronate collection in the Archivio Capitolo di San Pietro at the Vatican Library, which was realised as part of Charles University grant project no. 356911 Coronation of Merciful Marian Imagos in Central Europe in the 17th and 18th Century. To become merciful (imago gratiosa) or miraculous (imago miraculosa) a Marian imago must demonstrate divine mercy (save lives during a disaster, cause miraculous recovery from illness, conception, etc.). The greatest expression of veneration and devotion to a merciful or miraculous imago or statue of the Virgin Mary is its coronation. The theological basis of this liturgical ceremony is the coronation of the Virgin Mary on her assumption to heaven. On earth, the Virgin Mary was crowned with imitations of the crowns of worldly monarchs and her crowned imago placed on a royal throne or altar, usually made especially for this occasion for greater honour and glory. This was always the exquisite work of goldsmiths and silversmiths, which if not preserved until today, we can see in numerous manuscripts, prints and engravings specially published to mark the coronation. The nature of the coronation ceremony developed...
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Madonna and Pieta (Vesperbild) : The modifications of its depictures in medieval art
Dráždilová, Martina ; Synecký, Jakub (advisor) ; Daniel, Ladislav (referee)
Martina Dráždilová: Madonna and Pieta (Vesperbild). The modifications of its depictures in medieval art /Diploma thesis/ Prague 2011 − Charles University in Prague, Faculty of Education, Department of art education, 179 pages . Enclosures: 6 original paintings on canvas, combination technology. CD with inspiratory educational project. Diploma thesis is focused on thematic antithesis Madonna and Pieta and the modifications of its depictures in medieval art. The intention of work is to present theoretical knowledges of art history in kontext with art education and to describe the limits od educational work with religious topics. The first part presents the concept of cultural christianity and its position in czech curiculum. The second part presents historical study focused on iconografy of Madonna and Pieta, and the modifications of Madonna and Pieta in medieval ithalian painting in 13th and 14th century. On the knowledges of theoretical study is based educational project for grammar school students. Vizual problems of this the project are tested in specific artistic work. Enclosure presents quantitative research of positions of kultural christianity between grammar school students. Key words Visual art, Madonna, Pieta, ithalian gothic painting, cultural christianity, educational project,...
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