National Repository of Grey Literature 2 records found  Search took 0.01 seconds. 
The Open Work? Swann in love and its film adaptation (1984)
Bőhmová, Veronika ; Voldřichová - Beránková, Eva (advisor) ; Šuman, Záviš (referee)
(in English): Our thesis is titled The Open Work? Swann in love and it's film adaptation. Our primary aim is not only to summarize the most famous theories about the openness of the work but also to apply these theories directly to the book Swann in love and subsequent comparison of the literary and film adaptation of the story. We have divided the thesis into three chapters. The first one is methodological overview. In our thesis we will deal with several phenomena from the field of literary science. We will be interested mainly in the character of the reader and the author and the different roles attributed to them by different theories. We will look closely at the differences between the empiric and model reader and the author, deal with the openness of the work, the difference between the subjects of the author, the narrator and the main characters, and we will also look into the theory of fictional worlds. We chose the work of Umberto Eco as a theoretical basis, but we also draw some ideas from the work of other literary theorists. In the second chapter, these theories will be applied to the specific passages of the book Swann in love. Let's get into the fictional world of Swan's love and watch the surroundings. We will try to conclude what the reader of this work should be, what mistaken...
Karel Caslavsky's documentary aktivities on TV
Faeklová, Eliška ; Lokšík, Martin (advisor) ; Bednařík, Petr (referee)
The submitted paper deals with the work of the significant film historian Mr. Karel Caslavsky and focuses on his auctorial series Hledání ztraceného času (Searching the Lost Time). In the first part, I will briefly describe the early phase of his life and the beginning of his professional work in the Czechoslovak Television. Further, I will write about the show Videostop in which he was recognized by the public for the first time. The main intention is the detailed analysis of the series Hledání ztraceného času which will be supported by the solitaire episodes, mini-series and, especially, two unique cycles Co viděly americké kamery v Čechách (What the US Cameras saw in Bohemia) and Vltava v obrazech (The Vltava River in Pictures). I will focus on the preparation process, the work with the archive materials, the way of realization or the importance of his work for the Czech public as such. There are interviews with the close colleagues of Mr Caslavsky as part of the study.

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