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Audio signal transmission over a standard Ethernet network
Rubínek, Tomáš ; Jaššo, Kamil (referee) ; Bayer, Robert (advisor)
The work describes digital audio networks for audio signal transmission. Describes the various types of digital networks and describes them. It deals in more detail with digital networks for audio signal transmission over a standard Ethernet network and compares their possibilities and uses. It compares several types of digital networks for audio signal transmission over a standard Ethernet network: Dante, AVB, Ravenna and AES67. It also compares these networks in terms of scalability and other possible uses. The practical part of the thesis is then focused on the configuration and settings of devices in the Dante network. There are stated examples for usage of the Dante network in model situations including examples of the concrete Dante devices connected to the network. In the last part of the thesis is described the realization of Dante network in the recording and postproduction room.
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Audio signal transmission over a standard Ethernet network
Rubínek, Tomáš ; Jaššo, Kamil (referee) ; Bayer, Robert (advisor)
The work describes digital audio networks for audio signal transmission. Describes the various types of digital networks and describes them. It deals in more detail with digital networks for audio signal transmission over a standard Ethernet network and compares their possibilities and uses. It compares several types of digital networks for audio signal transmission over a standard Ethernet network: Dante, AVB, Ravenna and AES67. It also compares these networks in terms of scalability and other possible uses. The practical part of the thesis is then focused on the configuration and settings of devices in the Dante network. There are stated examples for usage of the Dante network in model situations including examples of the concrete Dante devices connected to the network. In the last part of the thesis is described the realization of Dante network in the recording and postproduction room.
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Political Motives in Dante's "Divina Commedia"
Szkanderova, Marie ; Pelán, Jiří (advisor) ; Žáčková, Magdalena (referee)
The aim of this thesis is to sumarize the elemets of Dante's political ideas, to order and to highlight them according to the evolution of Dante's political belief was evolving via the Divine Comedy where we can see the beggining of his political opinion, which is slowly taking form as he continues his work until the end when Dante forms his theory completely. Apart from the Divine Comedy which is the main book of this thesis we will also work with his important political treatise De Monarchia, where he gradually explains and defends his opinion. Whole thesis is divided into three key parts according to the evolution of Dante's political ideas; the city, the empire and the papacy. Each part includes brief political and historic context of the medieval Italy and then in each part we will focus on some of the important personalities. We will introduce them in short biographical openings and then with the help of Dante's references we described them, we determined his relation to these personalities and thus we stressed out their political profile and importance. At the end, we summed up the evolution of Dante's political idea and we compared it to the modern era. Powered by TCPDF (www.tcpdf.org)
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Seven deadly sins in the italian literature of Trecento
Šilarová, Veronika ; Pelán, Jiří (advisor) ; Žáčková, Magdalena (referee)
The aim of this work is to present depiction of seven deadly sins in the Italian literature of 14th century. To achieve this goal the thesis analyses the writings of the three most important writers of that period. The main texts that are analyzed in this work are: an allegorical epic poem La divina commedia (The Divine Commedy) by Dante Alighieri, a collection of novellas Il Decameron (The Decameron) and allegorical poem Ninfale d'Ameto (The Comedy of Fiorentine Nymphs) by Giovanni Boccaccio, and last but not least Francesco Petrarca's latin writing Secretum meum (My Secret Book). The thesis is divided into eight chapters. The first three chapters have an introductory character. There is introduced the concept of sin in general, the traditional catholic concept of seven deadly sins, as well as the historical context of Italy in 14th century. The fourth chapter is the beginning of the focal part of the thesis. There are subsequently presented Dante, Boccaccio and Petrarca, and their concept of deadly sins, their ideas on the relationship between the sins and love, on the relationship between the sins and the virtues, as well as their thoughts on causes of deadly sins and on possible ways how to avoid them. The thesis is then concluded with eighth chapter, which summarizes what has been found in the...
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Political Motives in Dante's "Divina Commedia"
Szkanderova, Marie ; Pelán, Jiří (advisor) ; Žáčková, Magdalena (referee)
The aim of this thesis is to sumarize the elemets of Dante's political ideas, to order and to highlight them according to the evolution of Dante's political belief was evolving via the Divine Comedy where we can see the beggining of his political opinion, which is slowly taking form as he continues his work until the end when Dante forms his theory completely. Apart from the Divine Comedy which is the main book of this thesis we will also work with his important political treatise De Monarchia, where he gradually explains and defends his opinion. Whole thesis is divided into three key parts according to the evolution of Dante's political ideas; the city, the empire and the papacy. Each part includes brief political and historic context of the medieval Italy and then in each part we will focus on some of the important personalities. We will introduce them in short biographical openings and then with the help of Dante's references we described them, we determined his relation to these personalities and thus we stressed out their political profile and importance. At the end, we summed up the evolution of Dante's political idea and we compared it to the modern era. Powered by TCPDF (www.tcpdf.org)
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Zahradníček's Sign of Power
Svárovská, Nicol ; Novák, Aleš (advisor) ; Chavalka, Jakub (referee)
The aim of this thesis is to interpret Jan Zahradnicek's spacious poem The Sign of Power. The interpretation crystallizes around the motifs of dehumanisation (connected with Nietzsche's motif of nihilism and of the last man) of a man, the loss of a word, discontinuity, the loss of time, the human face, nothingness (specific Nothingness) and the possibility of salvation, connected with an awakening of the sight. There are two semantic lines essential for enlightening these motifs: Dante's Divine Comedy and Picard's works of the late 40s. Zahradnicek wrote The Sign of Power during 1950-1951, at the time of his intense work on the translation of Dante's Divine Comedy. The purpose of the first part of this thesis is to illustrate how strongly the Divine Comedy influenced the key motifs of The Sign of Power. The purpose of the second part of the thesis is to uncover a new semantic context for the interpretation of Zahradnicek's poem; the works of Swiss essayist, philosopher and poet Max Picard, which were of great importance for Zahradnicek's poem. I see the exposition of Picard's specific grasp of the key modern phenomena, which penetrated to Zahradnicek's poem, as the further objective of the work. The thesis is guided by the fundamental question of The Sign of Power - "what happened with a man" -,...
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Societ\`{a} Dante Alighieri and her part in the diffusion of Italian culture
MIKUNDOVÁ FEŠAROVÁ, Leona
The aim of the thesis is analyzing in details the activities of Dante Alighieri Society: from the foundation in 1889 up to the present days. The main purpose is to introduce the organization, its main aims and ways of achieving them. A part of the thesis describes the Society structure, another part is dedicated to Dante Alighieri Society of Prague and its activities. Then, one of the chapters describes the official website of Dante Alighieri Society and the information a services it offers. In the final part, the said Society is compared to similar world organizations dealing in a certain language and culture diffusion.
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