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Wearing Jewerly as a Performative Act
Stündlová, Barbora ; Fišerová, Michaela (advisor) ; Ivan, Michal (referee)
The concept or phenomenon od performativity occurs in different forms or terms in many humanity studies, especially in the second half of the 20th century. It interferes with linguistics, philosophy of thought, narratology, gender and cultural studies and even with epistemology and ethics. The notion of performativity appeared in philosophy and linguistics for the first time along with J. L. Austin's speech and perfomative acts. The first one describes the situation, the second one generates the situation. J. Derrida pointed out that the realization of speech acts and communication are not so obvious and depend on performance that maintains their status and identity. J. Derrida furthermore shows that performance does not only appear in the literary field; the law is for example performative in the sense that it sets itself up by a speech act. M. Foucault was interested of the role of performativity within a socially organized body and subjectivity. The performance of language and discourse is also essential in J. Butler's work which follows M. Foucault or J. Derrida and describes mechanisms for establishing gender subjectivity and physicality. She claims that the body is created simultaneously by the linguistic naming which it decribes. Butler writes up the process of gender differentiaton as...
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Humanity and animality between Heidegger and Derrida
Trnka, Jaroslav ; Koubová, Alice (advisor) ; Michálek, Jiří (referee) ; Chvatík, Ivan (referee)
This work deals with the difference between man and animal in the context of the theme of time as treated by Heidegger and Derrida. The starting point of the work is the critique of early Heidegger and his characterization of animal as poor in world. This critique targets his thinking of time and possibility. As first two chapters try to show, despite his basic emphasis on time and on the possibility character of human being, Heidegger still thinks time on the basis of presence and possibility on the basis of reality. Only after taking this step can he think animal privatively as meaningless or poor - in a certain absence of time. This critique results in looking for a more consistent thinking of time and possibility as a way to a more welcoming thinking of animal. The third chapter is concerned with Derrida's objections to searching for other time and it maps the main problems connected with this project of Heidegger. The next three chapters present the main analysis of Heidegger's later thought of time. The differences between his late and early thought are emphasized as the differences between his late speech Time and Being and the early work Being and Time. Heidegger in his later works explores the unity of the three-dimensional time and bewares to think it as presence. The ground of the unity...
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Authority and Authorship: James Agee's Let Us Now Praise Famous Men as a Work of Fictocriticism
Childs, Morgan ; Armand, Louis (advisor) ; Vichnar, David (referee)
viii Abstract This thesis uses James Agee's 1941 book Let Us Now Praise Famous Men to examine the role of so-called fictocriticism in emphasizing the immutability of an author from within a text. The thesis argues that the fictocritical text accounts for the impossibility of extricating the author from writing. Although its precursors date back several centuries- perhaps most notably to Michel de Montaigne-the term fictocriticism was coined in the mid- to late twentieth century to describe texts existing at the interstices of ostensibly fictional and factual genres of writing. Agee's text, borne out of a journalistic assignment for Fortune magazine, blends elements of long-form magazine journalism with lyric poetry with the author's famous sprawling, diaryesque prose, calling the reader to question which elements of the text are rooted in fact and which are simply the author's fabrications or, indeed, whether such a distinction can be drawn. The term can be applied only anachronistically to the 1941 book, yet as defined in these pages it is a befitting description of Agee's otherwise unclassifiable text. Fictocriticism lacks a singular definition, so the examination of Agee's Famous Men as a fictocritical work rests on a thorough revision of the term's history and its lexical implications, both of which...
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The Mestizo Consciousness
Santos Nascimento, André Luis ; Goddard, Jean-Christophe (advisor) ; Novotný, Karel (referee)
"The Mestizo Consciousness" is a research based on the work of the Mexican-American researcher Glória Anzaldúa and her definition of people who live between the borders of the dualism of society, whether they are borders of race, physical borders between countries, moral borders or political, linguistic or sexual borders. By first analysing the place of the mestizo, we will follow the development of this "non-place" from Alzaldúa onwards and the way in which it affects the individual and society. To do this, we will draw on the thought and experience of the authors we have called upon, such as Alzandúa herself, Derrida in "The Monolingualism of the Other" and the life and philosophy of the indigenous Yanomami people, starting with Davi Kopenawa's "The Fall of Heaven". We will show that dualism has been and continues to be present in our society, how it directly affects the life and philosophy of each individual and we will think about the empowerment of those who are outside this model, which passes less through the recognition of this dualism, than through the affirmation, acceptance and admiration of each characteristic that defines the individual in his or her difference. KEY WORDS: ANZALDÚA, DERRIDA, KOPENAWA, METIZA, CONSCIOUSNESS, DECOLONISATION, BORDERLANDS
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How to think Architecture in a new way. Late though of Peter Eisenman and his critical theory of architecture
Tourek, Jiří ; Říha, Cyril (advisor) ; Pětová, Marie (referee) ; Zervan, Marian (referee)
Dissertation thesis "How to think Architecture in a new way. Late though of Peter Eisenman and his critical theory of architecture" tries to summarise and analyse the key thoughts of architect and thinker Peter Eisenman in his late oeuvre. The point of departure of his theoretical thinking seems to be refusal of any timeless essence of architecture and a will to "dislocate" architecture from influence of metaphysics. The way to this is "criticality", a notion constituted with three basic terms: interiority (the interiority of architecture defines the discipline, what it is that makes architecture singular), exteriority (external concepts that change architecture by being internalised into the discipline and changing it) and anteriority (anteriority is the sedimented history of architecture; history of interiority). These three terms are according to Eisenman connected in a notion of "undecidability" that serves as a central criterium to criticality and in a "diagram" that is a mean to overcome metaphysical implications of architecture. At the end of the thesis there is a summary of Eisenman's theoretical work and its importance and an attempt is made to set so conceived whole in its entirety to the thought of "end of metaphysics". In this context is Eisenman seen to be in a position similar from...
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Wearing Jewerly as a Performative Act
Stündlová, Barbora ; Fišerová, Michaela (advisor) ; Ivan, Michal (referee)
The concept or phenomenon od performativity occurs in different forms or terms in many humanity studies, especially in the second half of the 20th century. It interferes with linguistics, philosophy of thought, narratology, gender and cultural studies and even with epistemology and ethics. The notion of performativity appeared in philosophy and linguistics for the first time along with J. L. Austin's speech and perfomative acts. The first one describes the situation, the second one generates the situation. J. Derrida pointed out that the realization of speech acts and communication are not so obvious and depend on performance that maintains their status and identity. J. Derrida furthermore shows that performance does not only appear in the literary field; the law is for example performative in the sense that it sets itself up by a speech act. M. Foucault was interested of the role of performativity within a socially organized body and subjectivity. The performance of language and discourse is also essential in J. Butler's work which follows M. Foucault or J. Derrida and describes mechanisms for establishing gender subjectivity and physicality. She claims that the body is created simultaneously by the linguistic naming which it decribes. Butler writes up the process of gender differentiaton as...
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Authority and Authorship: James Agee's Let Us Now Praise Famous Men as a Work of Fictocriticism
Childs, Morgan ; Armand, Louis (advisor) ; Vichnar, David (referee)
viii Abstract This thesis uses James Agee's 1941 book Let Us Now Praise Famous Men to examine the role of so-called fictocriticism in emphasizing the immutability of an author from within a text. The thesis argues that the fictocritical text accounts for the impossibility of extricating the author from writing. Although its precursors date back several centuries- perhaps most notably to Michel de Montaigne-the term fictocriticism was coined in the mid- to late twentieth century to describe texts existing at the interstices of ostensibly fictional and factual genres of writing. Agee's text, borne out of a journalistic assignment for Fortune magazine, blends elements of long-form magazine journalism with lyric poetry with the author's famous sprawling, diaryesque prose, calling the reader to question which elements of the text are rooted in fact and which are simply the author's fabrications or, indeed, whether such a distinction can be drawn. The term can be applied only anachronistically to the 1941 book, yet as defined in these pages it is a befitting description of Agee's otherwise unclassifiable text. Fictocriticism lacks a singular definition, so the examination of Agee's Famous Men as a fictocritical work rests on a thorough revision of the term's history and its lexical implications, both of which...
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Shoes in van Gogh's oeuvre New interpretationes from Derrida to present day
Zachariáš, Jan ; Konečný, Lubomír (advisor) ; Prahl, Roman (referee)
Resumé Presented thesis is dedicated to specific problems of van Gogh's art. In the first chapters I investigate Heidegger's philosophy of art and his philosophical interpretation of van Gogh's painting Old shoes. Second chapter is dedicated to the critical reaction of distinguished art-historian Meyer Schapiro. Schapiro wrote two short texts, where he attacked Heidegger's way of interpretation of the painting. But Schapiro did not take into account Heidegger's philosophical arguments and completely misunderstood Heidegger's essay. Third chapter is dedicated to the "conclusion" of the conflict of interpretations. In late seventies French philosopher Jacques Derrida published an article (Restitutions), which deals with previous contributions. Derrida seriously attempted to investigate philosophical principals of Heidegger and Schapiro and he suggested, that both authors have the same tendency to appropriate the shoes to some person, in Heidegger's case to peasant woman in that of Schapiro to van Gogh. Derrida tried to leave the "theory of appropriation" by saying that the shoes belong to the painting. I also added two appendices dedicated to specific problems of van Gogh's painting. In first appendix I investigated the role of synthesis of painting and drawing in van Gogh. In second appendix I trace the...
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How to think Architecture in a new way. Late though of Peter Eisenman and his critical theory of architecture
Tourek, Jiří ; Říha, Cyril (advisor) ; Pětová, Marie (referee) ; Zervan, Marian (referee)
Dissertation thesis "How to think Architecture in a new way. Late though of Peter Eisenman and his critical theory of architecture" tries to summarise and analyse the key thoughts of architect and thinker Peter Eisenman in his late oeuvre. The point of departure of his theoretical thinking seems to be refusal of any timeless essence of architecture and a will to "dislocate" architecture from influence of metaphysics. The way to this is "criticality", a notion constituted with three basic terms: interiority (the interiority of architecture defines the discipline, what it is that makes architecture singular), exteriority (external concepts that change architecture by being internalised into the discipline and changing it) and anteriority (anteriority is the sedimented history of architecture; history of interiority). These three terms are according to Eisenman connected in a notion of "undecidability" that serves as a central criterium to criticality and in a "diagram" that is a mean to overcome metaphysical implications of architecture. At the end of the thesis there is a summary of Eisenman's theoretical work and its importance and an attempt is made to set so conceived whole in its entirety to the thought of "end of metaphysics". In this context is Eisenman seen to be in a position similar from...
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