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Copies, Reproductions, Casts, Prints
Buddeus, Hana
The Covid-19 pandemic has once again drawn our attention to the importance of thinking through various aspects of remote access to originals or second-hand spectatorship within art history. Thanks to graphic prints, reduced or reproduced sculptures, various souvenirs and especially photographic reproductions printed in magazines, calendars, books, posters or hung online, art is circulating, leaving the elite environment of collections and gaining a new context. How can reproductions of various material forms, qualities and uses be considered within art history?
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Portrait and Identity in Art Education
Tomková, Zuzana ; Fišerová, Zuzana (advisor) ; Francová, Sylva (referee)
NÁZEV: Portrait and identity in Art Education AUTOR: Zuzana Tomková, BcA. DEPARTMENT: Department of Art Education SUPERVISOR: Mgr. Zuzana Fišerová, Ph.D ABSTRACT: The goal of this diploma thesis is to create a didactic project applicable for various school types based on the knowledge from the chapter on theory. This work analyzes the evolution of portrait in the history of art, mainly photography. Further it delves into student identity and different approaches to it. The work also pursues the development of child artistic expression. Main focus is didactic project "How I perceive myself, how others perceive me" anchored in curricular papers followed by its analysis. A constituent part is an artistic chapter describing an author book "Us teachers" that pursues authors' seeking of own identity through her fellow students. Reproductions of the author book, copies of students' art works and a table analyzing these works can be found in appendix. KEYWORDS: Portrait; Selfportrait; Identity; Zuzana Tomková; Photography; Collage; Elememtary education; Jak se vidím já, jak mě vidí ostatní; "Us teachers"; 2018
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Culture of industrial, phoptpgraphy and child
Blažková, Františka ; Šmíd, Jan (advisor) ; Raudenský, Martin (referee)
from Bacheor thesis Františka Blažková THE INDUSTRIAL CULTURE, PHOTOGRAPHY AND CHILD červen 2013 In this bachelor thesis is thoroughly described a phenomenon of industrial culture with focus on two main fields: architecture and music scene. These two branches of the topic have the best correlation in the sense of architecture as a prototype and music as a mirrored image of architecture. This thesis is mapping the history if industrial architecture and its connection to history of industrial music. Besides the gathering of data concerning this phenomenon and coming to conclusions based on them this thesis also provides an unbiased opinion of the child observer, which is necessary to complete the image. The age of the children was picked according to their socio-cultural knowledge and none or partial knowledge of the topic of industrial architecture. The research was carried out as a questionnaire with attached creative task, based on the reproductions of the photographs taken especially for this thesis.
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Jan Svoboda: the dialoge of the photographer with a space object
Chlustiková, Katarína ; Klimešová, Marie (advisor) ; Lahoda, Vojtěch (referee)
(EN) The thesis was created as an analysis of the applied photography of Jan Svoboda (1934-1990). The czech art photographer whose work concludes, next to his own fine-art photographs, amount of documentary pictures of his contemporary art colleagues. Based on an inside view of his fine-art works consisting mostly of still-lifes it became possible to re-analyze large quantity of found material of his so called art reproduction photography which follows the very same principles of his own artwork. The analysis focuses only on documentation of three dimensional pieces of work. Resulting conclusion shows Jan Svoboda as an actual creative competitor of the documented artist's work. By his act of opening a dialog with the documented art piece which leads to a photograph that might have been often considered as an abuse of the particular art piece for the sake of formal qualities of Svoboda's work. The last part of the thesis aims to briefly reveal worldwide context of photographers documenting art pieces with emphasis on the medium of photography and therefore often surpassing demand for faithful depiction of the art object.
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