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Czechoslovak modernist Illustration of the 1950s and 1960s and Its Influence on the Identities of Contemporary Czech Artists>
Šrámek, Jan ; Horáček, Radek (referee) ; Sylvestrová, Marta (referee) ; Pospiszyl, Tomáš (referee) ; Stratil, Václav (advisor)
A doctoral thesis “Czechoslovakian modernist illustration of the 1950s and 1960s and its influences in the contemporary Czech visual culture” is focused on how a modernist illustration of the 1950s and 1960s influences Czech contemporary authors, especially illustrators. We can witness a particularly strong influence of the above mentioned modernist illustration and visual culture of that period in general among producers employing digital tools and vector graphics served. The thesis contains a historical study which follows developments of the visual language of graphic arts (illustration in particular) in the 1950s and 1960s in relation to fine arts. There is a special focus on a position of the 1960s’ modernist illustration within the applied arts of the period. Biographical study dedicated to illustrator M. Šašek introduce key figure of the (late) modernist period.
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Spectres and Illusions
Arendárik, Ján ; Stratil, Václav (referee) ; Artamonov, Vasil (advisor)
The subject of my practical diploma thesis is a painting reaction to the photographs from years 1915 to 1930. I see them as a " photographs of dead(lost) world. The photographs of people whose dont live in present but the photographs are evidence of their existence in the past.
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Trends in Contemporary Art
Janovská, Anna ; Ptáček, Jiří (referee) ; Stratil, Václav (advisor)
Diploma work consists of 4 oil paintings on canvas and 10 paintings on paper. Abstract character of these paintings defines their dreamy atmosphere, which was created in Intermedia department and captures autor’s approach towards painting. This diploma work has ambitions to belong to contemporary art scene, especially in the context of contemporary painting. Author reflects that art scene and is aware of its tendences and trends. There might be few questions; what are these trends? what is their meaning and how can they be reflected by curators and critics? Will these trends persist and will they become classified? Simultaneously author perceives the autonomy of Intermedia department and its liberty. Collection entitled „ARE“ was created with awareness of the fact, that everyone can see their beings in their own eyes. Author created them by her own eyes and by that she claims they „are“.
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