|
|
Ten years of the art group Rafani
Štroblová, Kateřina ; Pech, Milan (advisor) ; Czumalo, Vladimír (referee)
After the fall of communist regime in 1989, in Czech countries many art groups appeared (e.g. Luxsus, Bezhlavý jezdec, Kamera Skura, Pode Bal, Guma Guar, Ládví and others). The art group Rafani was founded in 2000 by former students of the Fine arts academy in Prague. From the beginning its activities were focused on artistic reflection of social problems and phenomena, especially of local character (Nazi holocaust and Sudetenland, the rise of ultraright parties, forming and perception of democracy etc.). Rafani are operating at the background of strong theoretical platform and clearly given methodical and fundamental bases. The group is often called as politically engaged and its actions are perceived as controversial. Today is one of the best known and most respected subjects on Czech artistic scene. This thesis describes monografically the ten years' history of the group Rafani. The introductory chapters are focused on the issues of terms political and engaged art, its breef history and progress in world as in Czech art. Based on the theoretical background of the art group Rafani, the thesis illustrates the principles and methods of its work, such as the ideological basements of its actions. It assesses the progress of the themes and artistic media from he art historian way and attemps to...
|
|
|
Christologic motives in the modern Czech painting and graphic art
Krtička, Jiří ; Pech, Milan (advisor) ; Hlaváčková, Miroslava (referee)
The thesis maps the occurrence of christological motifs in the Czech painting and graphics after 1900 and compares approaches of artists of different generations to their depiction. Selected christological art works are analysed from three main aspects: 1. iconography, 2. style and form, 3. philosophical and psychological resources. A particular chapter deals with christological motifs in modern liturgical art. The conclusion of the work evaluates the significance of the christological theme in context of the modern Czech art development.
|
|
|
Language of light in the public space
Žaludová, Klára ; Pech, Milan (advisor) ; Novotná, Eva (referee)
RESUME V diplomové práci, Řeč světla ve veřejném prostoru, zpracovávám otázku role světla a světelných reklam ve vztahu k architektuře a volnému umění na území dnešní České republiky. Zajímám se o celkovou estetiku, ale i dobové podmínky, které tuto oblast ovlivnily, ať již umělecky, nebo technologicky. Pokouším se situaci v tehdejším Československu uvést do celosvětového kontextu. První část je věnována období největšího rozkvětu světelné reklamy, tedy dvacátým a třicátým letům. Pokouším jsem se o zmapování celkového vývoje světelné techniky a osvětlování vůbec. V uvedené době byla světelná reklama úzce spjata s architekturou. Na konkrétních příkladech staveb poukazuji na roli denního i umělého světla. Zmiňuji zde také dobové příklady volné umělecké tvorby, související se světlem. V druhé, obsáhlejší části, se zabývám světelnými reklamami především v období padesátých a šedesátých let, s ohledem na tehdejší ekonomickou, hospodářskou a politickou situaci, která úzce souvisela s tímto uměleckoprůmyslovým odvětvím. V průběhu výzkumu jsem dospěla k tomu, že role světelných reklam v sedmdesátých a osmdesátých letech klesla na minimum. Popisuji zde, proč se tak stalo a jak v této době vypadaly a v jaké nové formy se přetransformovaly. Závěrem své práce ve stručnosti popisuji situaci devadesátých let, kdy...
|
|
|
History of "Paris avenue" and art fate
Košťálová, Michaela ; Kuthan, Jiří (advisor) ; Pech, Milan (referee)
The main meaning and message of this intended absolvent work is primary dedicated to an understandable analyses trying to rationally concentrate on relevant artistically historical values of one of the most controversial and problematic avenue of Prague Capitol - "Paris avenue". The work tries to follow also the broader historical cultural analyses reflecting the destiny of Prague Old town since the existing Jewish City to those days of great Prague architekt transformation until the admired and also at the same time damned boulevard reflecting the Paris pattern Champs Élysées. The work also concetrate on detailed actual description of selective houses and buildings closely connected with therespective avenue.
|
|
|
OK 1934-38: The Prague Intermezzo of Oskar Kokoschka
Foschiová, Regina ; Rakušanová, Marie (advisor) ; Pech, Milan (referee)
OK 1934-38: The Prague Intermezzo of Oskar Kokoschka The bachelor's thesis deals with the Kokoschka's Prague period between years 1934-38. First, it is focused on the cultural and political background of 1930's in Europe and on artist's life and work in Prague. Subsequently, it considers the influence of notable Czech figures on Kokoschka's activity. Kokoschka fled Austria for Prague in 1934 as a 48-year-old man. There his name was adopted by the Oskar Kokoschka-Bund, founded by other expatriate artist, although he declined otherwise to participate. The landscapes that he painted in Prague belong to the greatest of his work. He also met Olda Palkovská there, who was later to become his wife, and painted the portrait of Thomas G. Masaryk, President of Czechoslovakia (1935-36). His work was showed in the Degenerate Art Exhibition in Munich in 1937 and more than four hundred of his works were therefore removed from German museums. In response, he painted his self portrait as a degenerated artist. A year later the artist immigrated to London, where allegorical subject matter with political thematic overtones began to inform his pictures. In 1953 he founded his summer academy "School of Seeing" at the castle of Hohensalzburg, which he managed as a director until 1963. His thinking was deeply influenced...
|
|
|
Artuš Scheiner
Martinovská, Zuzana ; Rakušanová, Marie (advisor) ; Pech, Milan (referee)
Resumé Artuš Scheiner Subject of this bachelor work comes from my interest in art at the turn of 19th and 20th century. Most of artists who were living in this period, are usually mention and in most of these cases were their creation already cultivated. That is way I concentrate my work on personality of Artuš Scheiner (1863-1938), though he was very appreciated in his period as a draftsman and ilustartor and his extensive activity wasn't elaborate until these days. In separated chapters I focuse at first on questions of book production in the turn of the 19th and 20th century and I marginally mention some secession ilustrators and therefore contemporary of Artuš Scheiner. Further I write about life of Artuš Scheiner, how he became reputable artist from self-taught, of his drawing were interest in far foreign country. In another chapter I focuse on Scheiner's wide production for then czech magazines such as Světozor, Švanda dudák and so on. In my studie I focused only on Scheiner's early production and his supreme creation such was numerous ilustrations of books I mentioned only marginally. It discuss with wide dilema, which I want to focus on in the future. This work is trying to refer to Scheiner's early production from 1888-1902, which opened him doors to another creation way he bring himself to notice...
|
|
|
Karel Štika, the Painter and the Graphic Artist
Svatušková, Anna ; Rakušanová, Marie (advisor) ; Pech, Milan (referee)
Karel Štika, the painter and the graphic artist In my bachelor paper I describe life, education and works of Karel Štika, Czech painter and graphic designer. He was teacher of drawing and aesthetics too. He was publicist in graphic and artistic sphere. His stories and entries are in magazine Hollar mainly. Theme of his artistic production are social motives in his early works and landscape in his late works. He used various graphics technologies. He did also illustrations for many books of Czech and foreigner authors.
|
|
|
Josef Holub. Life and Work.
Obrazová, Martina ; Rakušanová, Marie (advisor) ; Pech, Milan (referee)
ANGLICKÉ RESUMÉ Josef Holub. Life and Work. The theme of this Bachelor Thesis rises from my interest in the landscape painting and in the art of the turn of 19th and 20th centuries. Nowadays, the art historicians dwell on the students of Julius Mařák, but Josef Holub still stays in the shadow of his more famous schoolmates. That is why I have decided to refer to the life and work of this painter. The part of my Bachelor Thesis will be the catalogue of Josef Holub's works in the inheritance of Městské muzeum in Kralupy nad Vltavou. Josef Holub was born in 1870 in Slaný and the local landscape was often theme ( subject ) of his paintings. Due to the financial problems of his family he could not start immediately his studies at Academy of Art in Prague, so first he had been trained as decorator. He entered the Academy of Art not before 1889/90. He has been studying by professor Julius Mařák until 1894, but already in the year 1893 he received the graduating certificate and he stayed at Academy until 1896. In the same year he received Hlávka's scholarship, which he used for his journey to Dalmácie (Dalmatia) and Černá Hora (Black Mountain). During his studies he has been drawing attention to himself at many Prague exhibitions. He has exhibited his works on shows of Krasoumná jednota pro Čechy v Praze, Umělecká...
|
|
|
Otto Gutfreund
PECH, Milan
This thesis examines a psycho-sociological context of Otto Gutfreund´s sculptures and drawings. In the first stage author surveys memoirs of sculptor´s contemporaries, his family history and his early childhood development to find out Gutfreund´s psychological dispositions and dymanics of his personality. After that he deals with sculptor´s artistic style development in connection to his living conditions. He focuses on Gutfreund´s artistic expression and its changes. Autor shows that sculptor´s turn to Cubism (1910-1911), to Social Civilism (1919-1926) and his return to cubistic creative principles are not only determined by art-historical context but psycho-sociological context, as well.
|
|
|
Adaptation of marketing strategy of internationally operating company
Bílá, Veronika ; Halík, Jaroslav (advisor) ; Pech, Milan (referee)
Diplomová práce v teoretické části popisuje působení zahraničně operujících firem na mezinárodních trzích a možnosti adaptace jejich marketingového mixu. Praktická část je věnována působení konkrétní nadnárodní společnosti a adaptaci jejího marketingového mixu podle potřeb trhů, na kterých je přítomna, se zaměřením na trhy střední a východní Evropy. Závěr práce hodnotí přístup společnosti a navrhuje změny.
|
guest ::
RSS feed.