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Poetry in czech film
Bromová, Žofie ; Peterka, Josef (advisor) ; Mocná, Dagmar (referee)
The theoretical introduction characterizes difference between film art and literature. It tries to define its specifics which movie makers have to deal with. The last chapter is devoted to outline problematic of poetry adaptation. The practical part of the thesis is based on confrontational analysis, for which I choose two contrast and well made film adaptations. The thesis compares original poetry: F. Hrubín's Romance pro křídlovku and K. J. Erben's Kytice with movie adaptation of O Vávra's and F. A. Brabec respectively. Firstly I tried to grasp basic and the most important characteristics of both originals. The second goal was to highlight parts of original poetry which were most and least suitable for movie adaptation. Objective of the conclusion was to compare movie adaptation of Kytice and Romance pro křídlovku, to show different relation between original pieces and their movie adaptation and to find differences in approach of Vávra and Brabec. Finally I tried to evaluate adequacy of solutions their chose.
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Josef Formánek prose write (talented, admired, cursed)
Petříková, Lucie ; Peterka, Josef (advisor) ; Mocná, Dagmar (referee)
This thesis aims to introduce a new figure in Czech prose, Josef Formanek. The focus is predominantly on the interpretation and evaluation of the novel Mluviti pravdu. Other parts of the thesis deal with a comprehensive characterisation of individual works of the author. The outcome is to depict how Josef Formanek is placed in the context of contemporary Czech literature. The aim of the thesis is to provide a monography about the new author of Czech prose ,whose monography hasn't been written up as of yet.
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Representation of the sixties of 20th century in literary autobiography
Procházková, Lucie ; Kubíček, Tomáš (advisor) ; Mocná, Dagmar (referee)
This work is an attempt to gain a deeper understanding of the 1960s through an in-depth analysis of selected literary autobiographies. The first section is devoted to the theoretical foundation for exploring the chosen four texts of autobiographical literature. It is based on the analysis and subsequent comparison diaries of Ivan Diviš and Pavel Juráček and the memory of Vaclav Černý and Ota Filip. Additionally, this paper examines how these writers created an image of the 1960s and early 1970s.mFurther exploration includes narrative elements, for example, by what means texts are constructed, character space time, composition, and relationship to the audience. Moreover, the meaning of writing autobiographical literature, specifically the selected works, will be explored. Lastly, these major themes set the stage for the comprehensive analysis of the authors' works, revealing the creative design, history, society and culture of their time.
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Neruda's love at novels
Kozlová, Eva ; Mocná, Dagmar (advisor) ; Hrabáková, Jaroslava (referee)
The thesis titled Neruda's love in novels is dealing with the so- called second life of Jan Neruda and his appearance in the biographical novels. The first part try to describe how (according his letters and poems) probably looked his emotional life and what character had his relations to Anna Holinová, Karolína Světlá, Terezie Marie Macháčková, Anna Tichá a Božena Vlachová. The second part examines how is their concept in the fictional world of four novels (Černý Honzík, Démantová spona, Blonďatá Kerolajn, Lásky Jana Nerudy). They were read and confronted with correspondence and biography of Jan Neruda and it was investigated, where and how authors draw their inspiration. The next question is how they represent main hero and the bond between them. Each novel has been analyzed and mutually they were compared. The author found that all writers in varying degrees familiar with Neruda leaves and leaves are also used in their books as a source of information and words in the dialogues. Parts of them they also publish. Démantová spona and Lásky Jana Nerudy are most based on the letters. Ivo Pelant and Jaromíra Kolárová also come from many other sources. View at the figure of Anna Holinová the most changed - she was unsympathetic in the Černý Honzík and worked best in the Lásky Jana Nerudy. Novels devote most...
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Transformations of poetics in Václav Řezáč's novels
Peterka, Radek ; Janoušek, Pavel (advisor) ; Mocná, Dagmar (referee)
The main objective of this diploma thesis is description of poetics in Václav Řezáč's (1951-1956) novels. It 's especially interested in transformations of poetics between three periods of Řezáč's literary production. Vaclav Řezáč's novels influenced by literary tradition and time period he lived in. That's why we have analyze also novels by other writers. It is believed that Řezáč's evolution was rather cyclical; his novel Nástup in a way refers to some techniques of his previous work Slepá ulička, although with quite different ideological message.
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Short Stories by Božena Němcová
Gavendová, Petra ; Mocná, Dagmar (advisor) ; Brožová, Věra (referee)
This diploma thesis is focused on a comprehensive analysis of the characters in the stories by Božena Němcová. The theoretical part is devoted to the theory of the formation of literary figures. In the practical part we follow the characters affected by mutual relations, environment and the society in which they live. We concentrate on the most important author's stories: Pomněnka šlechetné duše, Baruška, Chudí lidé, Sestry, Dobrý člověk, Divá Bára, Karla, Chyže pod horami, Cesta z pouti. In the stories Němcová offered a view of the Czech country people, patterns for her work Němcová acquired during her travels and from the telling of local residents. In her works, Němcová leaves her characters speak the local dialect, picturing local costumes, customs and culture. The characters are emotionally rich, elaborated, credible, partly idealized. In the work the author expressed several ideas which the society should follow.
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Allusions of fantastic German literature of the romantic period in fantastic proses of Jakub Arbes and Julius Zeyer
Cingrošová, Veronika ; Brožová, Věra (advisor) ; Mocná, Dagmar (referee)
- Aj In this work we focused on the literary genre of the fantastic short story, a genre that has its specific features, working with mystery and ambiguity, and relying on the interactive relationship between the reader and the text. We looked at terms fantastic literature, fantastic short story and we studied which attributes are typical for this literature (such as individual motifs, composition, atmosphere and language-specific resources). Than we were looking for the presence of these attributes in individual works of selected authors. The most important representatives of Czech fantastic stories were compared with selected German Romanticists who were the inception for our authors who followed them and in whose work we find the fantastic phenomena. Then we tracked the similarities and differences in work of these authors. We found, that despite substantial conformity in the use of specific attributes of fantastic stories, the individual works of our authors differs significantly, not only in the frequency of use of these attributes, but also in the overall tone of the work and its effect on the reader. To better understand all the work, we have included in addition to the parts of the works and typically observed phenomena, the key biographical details of all authors, because as it was finally...
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