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The reception of antiquity in the poetry of Jiří Karásek ze Lvovic (in comparison with Stanislav Kostka Neumann)
Sirovátka, Štěpán ; Vojvodík, Josef (advisor) ; Merhaut, Luboš (referee)
The end of the nineteenth century is in European art clearly marked with the return to antiquity. This work deals with the reception and reevaluation of the ancient tradition within the poetic work of Jiří Karásek ze Lvovic and Stanislav Kostka Neumann. The early, decadent, period of Karásek's work is characterized as a Daedalic-Dionysian model, Neumann's decadent poetry as a Dionysian-Daedalic model and the second period of Karásek's work, marked with a classicizing tendency, as an Apollonian model. These models of reception are considered complementary. As an interpretation clue to all three models the author has chosen Hocke's and Curtius' theory of a Great Mannerism, i. e. changing of manneristic and classic periods in European cultural history, and Nietzsche's dichotomy of classical antiquity as a combination of Dionysian and Apollonian element. The neomanneristic interpretation of Karásek's work is supported by the interpretation of the decadent poetics as a new gnosis, although peculiarly reciped. Therefore, in this case, reception of antiquity may be viewed very broadly as a search for a common root, a cultural or anthropological constant extending through history; not strictly as a plain reception of ancient motifs.
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Antonin Sova's late lyric poetry (1918-1928)
Raš, Jakub ; Vaněk, Václav (advisor) ; Merhaut, Luboš (referee)
In this thesis we deal with interpretation of the late lyric poetry of Antonin Sova (1864-1928). The late work is represented by collections Zpěvy domova (Songs of Homeland, 1918), Krvácející bratrství - Rozjímání ranní i navečerní (The Bleeding Brotherhood - Evening and Morning Meditations, 1920), Básníkovo jaro (The Poet's Spring, 1921), Básně nesobeckého srdce (The Poems of the Unselfish Heart, 1922), Jasná vidění (The Clear Visions, 1922), Naděje i bolesti (Hopes and Pains, 1924) and Drsná láska (The Rough Love, 1927), the posthumously released sets of Sova's poems from the years 1922 to 1928 called Hovory věcí (Talk of Things, 1929) and Za člověkem (To Man, 1930), then several poems contained in a book of Píseň o Rovnosti (The Song of Equality, 1951) and poems that Sova published between 1918-1919 in a satirical magazine called Šibeničky (The Small Gallows). Author's poetry is divided into four groups: 1) nature poetry, 2) intimate poetry, 3) social poetry and 4) selfreflexive poetry. In the analysis we focus on the lyrical subject - that is, to what is spoken (themes and motives), but also how to speak about in sense of epistemology (knowledge and their articulation) and axiology (values and attitudes), which often results in more or less complex models of the central ideas of reality like man, life...
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The first and last word. The genesis of style of Jakub Deml in the initial critical, editorial and poetic works from the years 1896-1907
Iwashita, Daniela ; Binar, Vladimír (advisor) ; Merhaut, Luboš (referee) ; Vojvodík, Josef (referee)
Zorientovat se v díle Jakuba Demla (1878-1961), které zahrnuje asi sto třicet původních knih a tisků, překlady, časopisecké publikace a obrovskou, z velké části nezpracovanou a rozptýlenou rukopisnou pozůstalost, není snadné. Od 20. let 20. století dodnes vzniklo několik studií či "orientačních popisů" tohoto díla, které ho otevřely a umožnily vidět jako celek vnitřně sjednocený, vrostlý do kulturní tradice a zároveň korespondující s poezií a myšlením současníků i následovníků. Po Vítězslavu Nezvalovi, Bedřichu Fučíkovi a Miloši Dvořákovi to byly zejména studie Vladimíra Binara, později Josefa Normona Rostinského. V době, kdy dokončuji tuto práci, se připravuje do tisku rozsáhlá monografie od německého slavisty Alexandra Wolla. Bezprostřední neodborný i odborný ohlas, který vyjadřují recenze či posudky, však dokládá, že orientaci často postrádali i čtenáři jednotlivých Demlových knih. Obtíže, které při četbě zakoušeli, se stávaly příčinou dlouhodobého odsudku, marginalizace a nepřijetí. Tyto obtíže však mohou posloužit také jako ukazatel Demlova specifického způsobu budování jednoty vlastní výpovědi. Zkoumání překážek i pozitivních ukazatelů významového sjednocení Demlova díla (a tím základních vodítek k četbě) je vlastním úkolem této práce. Powered by TCPDF (www.tcpdf.org)
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Later and Foreign Works of Josef Mach
Havlátová, Bára ; Wiendl, Jan (advisor) ; Merhaut, Luboš (referee)
The monographic thesis mainly solves poetry and prose of Josef Mach, the Czech writer, journalist and clerk. It watches literary progress of his poetics according to the era context, influenc of places, historical and social events and inspirations of other artists who surrounded him. The work look into the texts and lyrics by a diachronic and synchronic way. The section about his original works is followed by a chapter about translations of several novels, because he acted even on this literary field. Then the general outline of the reception of Mach's personality and works since the time of his life until today. The whole thesis is introduced by Mach's biography to which it returns in many topics because his works have an empiric character and it is closely connected to the life. The object of the thesis is to sum information about all these topics and give it as a base for future expert research.
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