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Forms of the national myth: Slovak painting of the 30's and during World War II
Beličáková, Viktória ; Konečný, Lubomír (advisor) ; Klimešová, Marie (referee)
This Bachelor thesis Forms of the national myth: Slovak painting of the 30's and during WWII is focused on the issue of creating Slovak myth in painting in the interwar period with an emphasis on 1930's and World War II, when the national style culminated and afterwards transformed in the time of the first Slovak state. The aim of this work is overview of development process of national myth with emphasis on key figures and description of its different forms and influences. Alongside is this work focused on description of the main topics that Slovak myth include and highlight their meanings.
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The Saatchi Phenomenon
Škvárová, Tereza ; Klimešová, Marie (advisor) ; Rakušanová, Marie (referee)
This bachelor thesis focuses on Charles Saatchi, who will be presented here as an important figure among contemporary art collectors. Not only the biography, which is written in the following chapters, but also Saatchi's art collection, buying strategies and the Saatchi Gallery are mentioned. This thesis examines possible connections between Saatchi's acquisitions and the art market. Besides these is written more about the influence of Charles Saatchi on Young British Artists, a loose group of artists. This bachelor thesis presents also Saatchi's relations to the other art collectors.
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Contemporary Art Market in Selected Regions of the Middle East
Patrášová, Katarína ; Klimešová, Marie (advisor) ; Bielický, Viktor (referee)
The bachelor thesis Art Market in the Middle East creates a basic scheme for understanding the art market in the Middle East. It deals with the specifics of the region encountered in the field of art market, establishment of museums and connections between art and market development. The approach is mainly historical, following the cultural and political context and addressing the highly relevant question of authenticity. The paper consists of two main chapters. The first one deals with the development of art market in Egypt - since the end of the 19th century until today. It describes private and public art institutions in Egypt and discusses the presentation of Egyptian art abroad. The second chapter presents examples of some local peculiarities of the Middle Eastern art market and institutions which are unique in the world-wide context because of the specific interaction of global and local factors.
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The Thermal hotel in Karlovy Vary
Donátová, Markéta ; Biegel, Richard (advisor) ; Klimešová, Marie (referee)
This thesis focuses on the complex of The festival cinema and hotel Thermal in Karlovy Vary especially in the historical and artistic context. The basic structure is divided in two fundamental parts - historical context and artistic context. The first one contains texts about history of locality and the story of how the komplex was built. The second one is made by texts about building, arts and desrciption of how they collaborate.
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Ana Mendieta - Adriena Šimotová. Various forms of the female principle in art
Prášková, Zita ; Klimešová, Marie (advisor) ; Rakušanová, Marie (referee)
(in English): This article examines life and work of Ana Mendieta and Adriena Šimotová - two women artists, who worked during the same era but on the other halves of the hemisphere. They had never met and moreover, they didn't know about each other and their art pieces. Their work is different, it differs in ideas, used artistic materials and especially in the social and political environment it was created in. The goal of this article is to put the approach of both of the artists in interaction, to compare their art pieces and to interpret parallels that lead to the connecting moment of their work. This moment is in this case called the feminine principle.
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From landscape to rationality - landscape bases of the Czech neoconstructivism
Dudr, Karel ; Klimešová, Marie (advisor) ; Pospiszyl, Tomáš (referee)
This bachelor thesis deals with Czech artists whose work of art imply the development from landscape- painting to rational and constructivist tendencies. Thus it emphasizes four distinctive constructivist artists - Zdeněk Sýkora, Karel Malich, Vladislav Mirvald and Kamil Linhart - and their development until the end of 1960s. The distance from the interwar movements and difference from foreign simultaneous constructivist and rational creation give even greater importance to the proper landscape basis which influence on the particularity of the work of Czech constructively oriented creators is discussed in this thesis. In connection with it the work focuses on the role of Salcman's school or the group called Křižovatka. For the overall insight the work refers to the artists who represent wider range of this phenomenon due to their individual approach to the constructivism and complicated direction from the landscape to the rationality. Powered by TCPDF (www.tcpdf.org)
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Statue, location, relation - Bohemia in 80's of the 20th century
Péčová, Kristýna ; Klimešová, Marie (advisor) ; Prahl, Roman (referee)
As a subject to my bachelor's thesis I chose the sculptures and installations made by Czech artists during the period of 1980s, which were created with the aim of exterior placement, out of the traditional exhibition spaces represented by museums and galleries. The keynote of my work will be the relation and interactions between a piece of art and its surroundings as well as the concept of space itself and its overlooked qualities that art may help to reveal. I decided to focus on the exhibition known as Malostranské dvorky, which took place in Prague in 1981. The idea that has led to the organization of the exhibition and its specific circumstances will be my main interest alongside the description of the particular works of art displayed and their destiny during and after the official end of the exhibition. Furthermore, I will compare the exhibition held in the intimate and unique atmosphere of the old Prague quarter with art that was produced in the same period of time within the official state commissions for newly constructed housing estates and public buildings, such as department stores, hospitals and more. Last but not least, both phenomenons of Czech outdoor sculpture will be compared in more global context with site-specific artworks. Powered by TCPDF (www.tcpdf.org)
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