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The Madona from Augustinian Monastery in Třeboň
Hladká, Kateřina ; Homolka, Jaromír (advisor) ; Ottová, Michaela (referee)
Anglická anotace The Madonna from Augustinians Monastery in Třeboň The limestone statue of beautiful Madonna from the Monastery of Augustinians friary is standing near the column in the middle of the church. This statue is in many wiews very remarkable artwork. In her drapery are included compositions of two famous Madonna statues - Madonna from Český Krumlov and Madonna from Wroclaw. Influence of the Madonna from Třeboň on the next evolution of czech gothic sculpture wasn't insignificant. Its place in the czech Beautiful Style is very important, because this work is standing between top and the late phase of this art epoch. Similar it is with Madonna from Vimperk from the time befor 1400. On the end of Beautiful Style is standing Madonna from Chlum sv. Maří, which was probably created on the beginning of fifteenth century and which represents the keywork to the Late Gothic. International Gothic - Internacionální gotika Beautiful Style - krásný sloh S-shaping - esovité prohnutí free-standing figure - volná socha bend - záhyb
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Land Estates, Courts and Residences of Prague Bishopric in the Time of Tobiáš of Bechyně
Spoustová, Ludmila ; Kubín, Petr (advisor) ; Homolka, Jaromír (referee)
Résumé Land Property, Courts and Residences of Prague Bishopric in the Time of Thobias of Bechyně The institution of Prague Bishopric has owned quite large land property since the beginnig; it growned during the time, and by the end of 13th century Prague bishops, with their own courts and showy mansions, belonged to the greatest landlords. The land property was scattered all over the whole diocese. Economic yields from several farms were concentreted in central points of each territory. This central points were also administration, ecclesiastic and cultural centres; some of them had as early as in the middle of the 13th century the status ot the city. In general, wooden or stone stronghold, in some cases a castle, and a church were present; the market privilege was as well essential. Important roads often crossed these places; mills and inns are mentioned. At the end of the 13th century, during the episcopate of Thobias of Bechyně, Bohemia suffered from great distress caused by the civil war. The property of the Church was particulary subjected to destructive invaders, and even the bishopric's property was considerably damaged, despite all protective efforts of bishop Thobias. Thus when the peace had been again restored, thorough repair was necessary. Thobias's forms book and a fragment of a land census...
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Medieval sacral architecture in the Upper Otava until 1420
Bartová, Veronika ; Kuthan, Jiří (advisor) ; Homolka, Jaromír (referee)
Medieval religious architecture in the upper Otava until 1420 The diploma thesis the medieval religious architecture in the upper Otava region until 1420, and aims to put it into a historical context. The review of the existing literature sources leveraged understanding of the architectural movements used before 1420: the Gothic and Romanesque styles. These styles posses certain significant characteristics that can be used to map their development, as well as comparison of those two. The objects can be split into categories based on those characteristics. This paper looks at those categories and studies the development within.
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The Master of the Madonna of monastery Seeon and his resources. Problems of his hypotetical workshop in Salzburg
Hladká, Kateřina ; Ottová, Michaela (advisor) ; Homolka, Jaromír (referee)
Kateřina Hladká Resumé diplomové práce Mistr Madony ze Seeonu a jeho východiska. Otázky jeho hypotetické salcburské dílny Diplomová práce se zaměřila na sochařství období dvacátých a třicátých let 15. století v okolí Salcburku a Mühldorfu am Inn. Havním cílem bylo upřesnit dosavadní připsání sochařských děl Mistru Seeonské madony a jeho dílně, nastínit vývoj dílny v kontextu ostatní místní sochařské produkce a lokalizovat sídlo dílny. Na tomto základě vyplynula východiska Mistrova stylu, jehož dozvuk nalézáme ještě dlouho v umění pozdní gotiky. Hlavním dílem, podle něhož Mistr získal svoje pracovní jméno, je trůnící madona z kláštera Seeon, dnes umístěná v Bavorském národním muzeu v Mnichově. Socha trůnící madony s dítětem, které drží otevřenou knihu, se vyznačuje neobyčejnou kvalitou a rafinovanou kompozicí, pro kterou se těžko hledají analogie. Má navíc výborně zachovanou původní polychromii. Její datace se pohybuje v nevelkém rozmezí let 1428 - 1433, kdy byl přestavován seeonský klášterní kostel. Domnívám se ale, že socha byla pořízena do rodinné kaple Leimingerů až po dokončení stavebních prací. To dokazuje i srovnání s další sochou, která je připisována stejnému autorovi, s madonou z Weildorfu. Tato socha korunované Assumpty na půlměsíci je totiž datována díky svěcení oltáře, na němž stála, do roku...
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Master of Madonna from Michle and his workshop
Hrabovská, Tereza ; Homolka, Jaromír (advisor) ; Mudra, Aleš (referee)
The Master of Madonna from Michle and his workshop By the progressive art-historical research on Czech, Austrian and Lusatian area several wooden sculptures from 14th century had been discovered. The sculptures are so style-similar, that it is almost sure, that if they haven't been created by the same author, they have surely arisen from the same workshop. They are ascribed to anonymous author, who is called after his most important sculpture - The Madonna from the parish church in Michle, Praque - The Master of Madonna from Michle. Because no documents about his identity or place of his activities are kept, it is possible only to determine the most probably hypothesis according to the analysis and localization of his works. To this Master the most quality works are ascribed, other works to members of his workshop and descendants. It is very difficult to point out, which works have been created by the hands of the Master or in his workshop, and in this question the researchers are not in unity (and never have been). It is not possible to result only from the typology of the sculptures, because this Master was an artist always looking for new ways of artistic expression. This work tries to bring the review of discovered works of this Master so far and to resume the opinions on their belonging to the...
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The Establishment and Primary Development of Sacral Centre at St. Nicolas Church (today St. Giles) in Royal Town Nymburk
Veselá, Tereza ; Scholz, Stefan (advisor) ; Homolka, Jaromír (referee)
Resumé: The Establishment and Primal Development of Sacral Centre by the Saint Nicolas Church {today St. Egidius} in Royal Town Nymburk The study is based on cross-disciplinary methodic, on work with written and unwritten founts relating to beginnings and development of sacral centre by the St. Nicolas Church in Nymburk in the 13th and 14th century. St. Nicolas Church {today St. Egidius} has not already regular constructional and historical research. The study endeavors to ascertain amount of presumable appearance of the presbytery of the church. It aims to size up, which ones from the architectonical wholes or details should be original, historical and what times they could have been from. Long-term transformation of the church building can be research from the unwritten founts and single building. The latest discovering of old remains of constructional phases of the church appertains to Hilbert's restoration. The quantity of his plans and drawings has not already been studied in detail and there have not been any criticism of them. In this set there is both documentation of foregone state and materials relating to restoration. He had discovered many elements and restored some of them, but there are others which were appended by him. The study also enlarges about the Gothic brick architecture and...
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Two Bavarian Pietas against a background of artistic and historical relations of Bavaria and Bohemia during the 2nd half of the 14th and the beginning of 15th Century
Kvapilová, Ludmila ; Homolka, Jaromír (advisor) ; Royt, Jan (referee)
Viděli jsme, že kompozičním a motivickým východiskem piet v Landshutu, Mnichově a Hagelstadtu byly horizontální piety 70. a 80. let 14. století. Piety v kostele St. Blasius v Landshutu a v kostele Panny Marie v Mnichově navazují na starší české horizontální piety přímo a nelze vyloučit, že vznikly ve stejné huti. Sídlem hutě byla s největší pravděpodobností Praha. Vzhledem k vyzrálé krásnoslohé typice tváří hagelstadtské piety a vzhledem k řadě zjednodušení a nepochopení v drapérii a ve výstavbě sochy je třeba v jejím případě počítat s větším časovým odstupem od základní skupiny horizontálních piet a s možností vzniku v jedné z domácích bavorských hutí. Dvě mnichovské sochy, pietu v kostele Panny Marie a pietu ze Seeonu, spojují gesta, typ Mariina obličeje blízký tvářím ženských postav Mistra Třeboňského oltáře, výstavba trůnu a téměř shodná kružba postranic. Na druhé straně představují piety v Bavorském národním muzeu a v kostele Panny Marie dva odlišné kompoziční typy a dva stupě vývoje krásnoslohé piety. Pieta v mnichovské Frauenkirche je starší. Uzavřenou kompozicí, robustnějším Kristovým tělem a fyziognomií tváří ještě velmi připomíná horizontální piety. Seeonská pieta patří k výše uvedeným pokročilým rysům vrcholné fázi krásného slohu.
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The Church of St Mauritius
Bartová, Veronika ; Kuthan, Jiří (advisor) ; Homolka, Jaromír (referee)
1 SUMMARY Church of St Mauritius The Bachelor's thesis on the Church of St Mauritius pursues the history of the Sušice region and the associated reign of the Counts of Bogen, the medieval communications in South-West Bohemia, history of the village of Mouřenec, description, architectonic and historical study of the Church of St Mauritius, as well as ground-plan disposition analogies to the church of St Mauritius in Bavaria and Upper Austria. The Counts of Bogen significantly influenced the history of the Czech Kingdom and mainly the history of the Sušice region. This noble family was close-knit with the Premyslide dynasty, both by marriages and assistance in armed conflicts. During their rule until their die- out in 1242, the Counts of Bogen built up a considerable territory that became one of the most important basis for the territory ruled by the Wittelsbachs. We can learn more about the Šumava paths since the 11th century, from where origin the first verified records. According to these written records, the oldest paths across the Šumava Mountains are the St Vintíř Path and the Golden Path. These historical paths connected Bohemia with the Danubian regions around Regensburg (St Vintíř Path) and around Passau (Golden Path). The Church of St Mauritius is situated on a perch above the Otava River near the...
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