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Cries Unheard
Dudová, Kateřina ; HAVELKA, Jiří (advisor) ; ADÁMEK, Jiří (referee)
The thesis describes in detail the study period spent on Theatre Faculty of the Academy of Performing Arts in Prague (DAMU)/
Department of Alternativ and Puppet Theatre while doing a course of play direction and dramaturgy.
It fo-cuses on the progress of creating and staging the own copyright playwright "Cries Unheard".
This text was based on a story of child murder whose name is Mary Bell.
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ACTOR AND IMPROVISATION
Adamová, Sofia ; KROBOT, Miroslav (advisor) ; HAVELKA, Jiří (referee)
The subject of this thesis is to assess a theatrical improvisation and to
present it from many different points of view. It contains a
cmprehensive description of improvisation and it is also presented as a
specific way of thinking and acting. An The act of dramatical
improvisation is also shown as one of the posibilities how to invent a
concrete dramatic character.
It also analyze some of its components which includes fear,
happyness, the present moment etc.
Eventually the author elaborates the issue subjectively. Therefore,
there are mainly reflected and submitted author's experiences and
thoughts.
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Development priorities township Dolni Cerekev the eyes of citizens
Havelka, Jiří ; Syrovátka, Oldřich (advisor) ; Tyráček, Petr (referee)
The aim of this thesis is to find out which shortages in a municipality the local people feel, and to offer suitable, economically acceptable measures that will improve the quality of life in context with sustainable development of the municipality. The theoretical part is going to explain the basic terms with which I am going to work later in the practical part. In the theoretical part I am going to concentrate on the issue of sustainable developmnet, municipality development, a questionnaire survey, and, partially, on the issue of town sociology. In the practical part, I am going to describe a municipality, the questionnaire survey that I am going to make, in the summary I am going to offer measures that should contribute to the sustainable development in a municipality.
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WHEN ACTOR WRITES A PLAY
Kubátová, Barbora ; TOŠOVSKÝ, Jan (advisor) ; HAVELKA, Jiří (referee)
This work named When actor writes a play is mostly dedicated to the Authorial theatre and the Authorial acting. I tried to describe the creation and the production of graduate and other authorial performances that I personally contributed to. I also described the creation of the play Siegfried´s Idyll, which I wrote and staged. The original text of the play is included in my dissertation work. By writing the paper I recapitulated my present theatre life and hopefully I learnt my lesson for the future career.
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Freezing Fresh Fruit
Havelka, Jiří ; Schmid, Jan (advisor) ; Etlík, Jaroslav (advisor) ; Mikeš, Vladimír (referee) ; Hořínek, Zdeněk (referee)
My doctoral thesis is actually divided into three parts. In the first one called The Theatre Context I am trying to prove the exclusivity of this living art form among other artistic forms. I am looking for new essential reasons to vindicate validity of theatre work in the age of electronic medias and virtual reality. On the base of a playfulness I examine the border between the real reality and the theatre one. I focus on the audience?s point of view, on their ability for active imagination ? the basic element creating the theatre performance.
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The Influence Of the Secondary Communication On the Collective Creation Rehersals
Dušková, Linda ; Havelka, Jiří (advisor) ; Makonj, Karel (referee)
This bachelor thesis attemps to show the possible problems of communication in a personal relationship between a director and actors and to find their origin in the psychology. The thesis is primary based situations that appeared during the collective creation rehersals in a university environment of DAMU, mainly during the rehersals of performance Nesladim (premiere January 19th 2011). One of the main aspects of the communication is the manipulation in all its forms. The thesis is focused on interpersonal manipulation, from actor to director and in daily personal and professional life. The problems are analysed on the examples from direct experience, supplemented with the socio-psychological point of view.
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Why and for Whom to Play
Kubištová Máčiková, Adriana ; Kočvarová, Markéta (advisor) ; Havelka, Jiří (referee)
In my work I focus on the basic motives for playing the theatre from actors view. I analyse these motives following to my own experience and at some points with help of literature. I mention the spectator as the main argument for playing theatre. I entitle here individual kinds of spectators according to my observation of my surroundings. I devote myself to basic theatre relationship between the actor and the spectator. I think about its possibilities and about possibilities of their communication. I understand as very important part of the function of the theatre the space where the performance takes place in. Its influence on the actor-spectator relationship is enormous. Mentioned thoughts are supported by experiences from my theatrical praxis. At the end I ask myself, whether all the reason for playing are sufficient.
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Authenticity
Reif, Petr ; Havelka, Jiří (advisor) ; Schmid, Jan (referee)
This diploma work attempts to explore important aspects of actors work which lead to the ability to act on stage here and now, live, authentically. I divided the work into two main parts. In the first part I tried to describe the circumstances which influence the actors authenticity on stage through my theoretical knowledge and practical experience or the experience of other actors. In the second part I tried to point out the problems of authentical acting on a few video shots of one scene recorded within a prolonged period of time from the performance Ťapákovci, see the attached DVD.
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Genesis of performance Člověče, zkus to
Bohadlo, Martin ; Havelka, Jiří (advisor) ; Makonj, Karel (referee)
Summary
In this thesis, I am attempting to look into the genesis of the author performance Člověče, zkus to from the beginning to its realization. I am interested in resources and methods used during the production of the play. As an actor I am analyzing the different work process and trying to discover new actor dimension. I also want to show the performance as an organic and living unit.
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