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Věra Špánová-Boudníková. Textile Art between Needlework and Conceptual Art
Kopecká, Tereza ; Rakušanová, Marie (advisor) ; Foltýnová, Marie (referee)
Kopecká_bakalářská práce_Věra Špánová-Boudníková. Textil na pomezí.txt ANNOTATION Věra Špánová-Boudníková. Textile art between needlework and conceptual art. Věra Špánová-Boudníková is an artist who chose textile as her artistic medium. She emerged on the artistic scene in 1960's. Her early works were influenced by studies of textile technologies under guidance of Bohdan Mrázek and Jindřich Vohánka and also by the new concept of "authentic tapestry". It was at that time when she met Vladimír Boudník. In the1970's and 80's artist's work went through several changes. Tapestry was liberated from the wall and became an object. Artist started to determinate herself against the decorative quality of Textile art. This tendency culminated in art works from 90's when she left handmade tapestries and started to use prefabricated textiles as a part of her objects. In this time period, artist's fellowship with the artistic group Žararaka and her active participation at group's symposiums played a significant role in her life and work. It was at these symposiums where Věra Špánová-Boudníková created her most conceptual objects and it is also where the biggest transformation of her artistic style took place. In my thesis, I tried to illustrate this transformation by detailed description of her artworks. Since 2000...
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Funeral art in Prague 1850-1950
Holzapfelová, Vladislava ; Rakušanová, Marie (advisor) ; Prahl, Roman (referee) ; Foltýnová, Marie (referee)
of the disertation thesis Vladislava Holzapfelová Funeral art in cemeteries in Prague 1850-1950 The thesis deals with the funeral art found in selected cemeteries in Prague during the period 1850-1950. It tries to show the progress of this branch of art from the historicist styles up to the sorela art. It describes the types of tomb stones, trends in art and activities of sculptors and architects who attended to the sepulcral orders. Beside those artists, there were also successful stonecutter workshops, whose production is found in high numbers in Prague's necropolises. The thesis also tries to explain the changes in reflection of the death in the society which came in this certain period like for example cremation or disinclining from the religion. Some chapters are also attended to the symbolical decoration of the graves or other sepulcral topics like funeral notices or titles on tomb stones. Keywords grave, tomb, tomb stone, cemetery, funeral, art, architecture, sculpture, stonecutter, symbolic
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The Ceremonial Carriages of 17 to 18 century as preserved in the Collections of the Czech Republic
Foltýnová, Marie ; Biegel, Richard (advisor) ; Adamcová, Kateřina (referee) ; Zápalková, Helena (referee)
The aim of this study is to offer a description and evaluation of the ceremonial carriages collections preserved in museums across Bohemia and Moravia, and to put them in the context of European artistic and artisan production in the 16th - 18th century. The study provides an overall account of the development of carriage from technical, as well as art history angle, together with the necessary overview of the issues of courtly hierarchies, ceremonials and visual demonstrations of the modern aristocracy, leading ultimately to the transformation of a simple personal mode of transport into a pompous work of art. Many important Baroque artists took part in carriage construction and decoration, and this study attempts to ascertain the extent of their contribution in this area. By presenting a descriptive summary of the history of the ceremonial carriages found in the collections in Bohemia and Moravia, and providing a comparison study with such carriages from other European countries, we can assert their position within the context of Europe-wide museum collections, as well as provide the opportunity for foreign scholars to take the Czech collections into account in their research.
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Funeral art in Prague 1850-1950
Holzapfelová, Vladislava ; Rakušanová, Marie (advisor) ; Prahl, Roman (referee) ; Foltýnová, Marie (referee)
of the disertation thesis Vladislava Holzapfelová Funeral art in cemeteries in Prague 1850-1950 The thesis deals with the funeral art found in selected cemeteries in Prague during the period 1850-1950. It tries to show the progress of this branch of art from the historicist styles up to the sorela art. It describes the types of tomb stones, trends in art and activities of sculptors and architects who attended to the sepulcral orders. Beside those artists, there were also successful stonecutter workshops, whose production is found in high numbers in Prague's necropolises. The thesis also tries to explain the changes in reflection of the death in the society which came in this certain period like for example cremation or disinclining from the religion. Some chapters are also attended to the symbolical decoration of the graves or other sepulcral topics like funeral notices or titles on tomb stones. Keywords grave, tomb, tomb stone, cemetery, funeral, art, architecture, sculpture, stonecutter, symbolic
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Věra Špánová-Boudníková. Textile Art between Needlework and Conceptual Art
Kopecká, Tereza ; Rakušanová, Marie (advisor) ; Foltýnová, Marie (referee)
Kopecká_bakalářská práce_Věra Špánová-Boudníková. Textil na pomezí.txt ANNOTATION Věra Špánová-Boudníková. Textile art between needlework and conceptual art. Věra Špánová-Boudníková is an artist who chose textile as her artistic medium. She emerged on the artistic scene in 1960's. Her early works were influenced by studies of textile technologies under guidance of Bohdan Mrázek and Jindřich Vohánka and also by the new concept of "authentic tapestry". It was at that time when she met Vladimír Boudník. In the1970's and 80's artist's work went through several changes. Tapestry was liberated from the wall and became an object. Artist started to determinate herself against the decorative quality of Textile art. This tendency culminated in art works from 90's when she left handmade tapestries and started to use prefabricated textiles as a part of her objects. In this time period, artist's fellowship with the artistic group Žararaka and her active participation at group's symposiums played a significant role in her life and work. It was at these symposiums where Věra Špánová-Boudníková created her most conceptual objects and it is also where the biggest transformation of her artistic style took place. In my thesis, I tried to illustrate this transformation by detailed description of her artworks. Since 2000...
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Business plan
Foltýnová, Marie ; Špička, Jindřich (advisor) ; Mikan, Pavel (referee)
The master's thesis deals with the issue of business plan for a start-up company. The theoretical part explains the business plan in terms of its content requirements and its role in business, discusses the principles of creating a business plan and describes its structure. After the initial characterization of business opportunities, the practical part presents mission and vision statements, including company's strategy, introduces readers to results of a strategic analysis and presents a marketing strategy. Based on financial planning the business plan also evaluates economic efficiency and pays attention to potential risks.
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