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The chapter about puppets, manequins and other creatures in theatre of Michel de Ghelderode
Petružela, Jan ; Pavlovský, Petr (referee) ; Hyvnar, Jan (advisor)
The diploma work "The chapter about puppets, mannequins and other creatures in theatre of Michel de Ghelderode" presents in the beginning a short overview of life and work contexts of Michel de Ghelderode and a selection from literature. The main chapter treat a different approaches to aspect of puppet in the relation with a man in plays of author. These apects are analyzed mainly in formes of mannequin, automat, animal and others. This work concern certain concepts of mannequins from Bruno Schulz's work and the power of mannequin hiden in his man's "double" character. The chapters "Ghelderode in the world" and "Ghelderode in Czech republic" presents shortly a panorama of theatrical reception. The supplements (I-III) contains: I. Chronology of Michel de Ghelderode's plays, II. Bibliography of czech translations of his plays, III. List of theatre realizations of his plays in Czech repubic till these days.
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The Czech stagings of Sergej Fedotov (1997-2006)
Lanta, Petr ; Pavlovský, Petr (referee) ; Hyvnar, Jan (advisor)
Režisér Sergej Fedotov vstoupil do českého divadelního světa jako blesk, který rozžehnul plameny víry v možnosti divadla po staveného na hercích ajejichjednání. Přišel, aby připomněl, na co se téměř zapomnělo v době svévolného a téměř mechanického vytváření divadelních inscenací pomocí nejrůznějších scénických efektů, povrchních aktualizací, komplikovaných obrazů plných racionálního uvažování na straně jedné, případně nudného, mrtvolného nastudování textů, které jsou divákovi "krásně" odříkány a doplněny nevzrušivým pohybem. Fedotov se svým usilováním pokouší vrátit divadlu autentičnost, ale i tajemství a magii. Patřím k těm, kteří Fedotovovu cestu po Čechách sledují již od samotného počátku. Na jaře roku 1995 totiž došlo v mém životě k zásadnímu setkání, do mého rodného podkrkonošského městečka Úpice' přijel hostovat ruský divadelní soubor z Permi.2 Dávali tehdy Panočku a byl to nejen pro mne skutečný divadelní zázrak, něco podobného jsem do té doby nikdy neviděl: jeviště plné slámy a stromů, postavy na něm ze tmy záhadně vystupovaly a v ní také náhle mizely, stejně tak jako plameny svíčky, či zapálená dýmka v jejich rukou, vůně sena se vznášela ve vzduchu, zvuk cvrčků vytvářel ospalou letní náladu, aby v zápětí mocné akordy varhan a ke stropu létající rakev s mrtvou změnily zcela atmosféru v horor, v němž...
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Pantomime and dance in the interwar period
Šírková, Kateřina ; SOPROVÁ, Jana (advisor) ; HYVNAR, Jan (referee)
This thesis deals with the status of pantomime and dance in the period
between the wars. It examines the connection between the two genres.
First it explains the basic concepts such as: pantomime, expressive dance
and the interwar period. After that it is exploring the status of these art
genres in Czechoslovakia. Furthermore it outlines several important
personalities of the dance art which influenced the pantomime and the
mimic theater with their actions.
At the end, the work focuses on the importance of the dance for the mimic
theater artists and it also examines the impact of an avant-garde art on the
contemporary artistic creation.
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The Reception of Karel Čapek´s Works Staged in the Countries of the Former Yugoslavia
Zahirović, Hasan ; SÍLOVÁ, Zuzana (advisor) ; HYVNAR, Jan (referee)
In the countries of the former Yugoslavia , the works of Karel Čapek (1800-1938) are considered "complex but eternal" This is evidenced by the large number of articles about him and his work in newspapers and othe publications. Although better known today for his children´s books, even now, more than seventy years afte his death, Čapek continues to be read and enjoyed in general because of his artistry, his vision, and the originality of ideas. Čapek´s works became available very early, in 1921, in the countries of the former Yugoslavia . He was best known as a playwright at first and his six plays were repeatedly staged at all Yugoslav theatres
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Czech - French Interaction and its significance for modern Czech pantomime
Vizváry, Radim ; PETIŠKOVÁ, Ladislava (advisor) ; HYVNAR, Jan (referee)
The work examines Czech ? French relations and its impact on modern Czech pantomime after 1945 in three respects. The aim of this work was to create an overview mapping French contacts with leading figures of modern Czech pantomime. The first section is concerned with historical perspectives. Based on the direct testimony of participants, research, and the discovery of yet unpublished archive material, I introduce new facts and verify the historical context during the renewal of interest in pantomime art in Czechoslovakia after 1945. While I was guided by historical events in interpreting this considerable body of material, I endeavored to record and develop the most significant events in broader and deeper contexts. The second aspect of my research focuses on a comparison of individual French mime techniques which have been and continue to be used here. I then attempt to compare these with my own method. I particularly understand them from a practical point of view, as I have learned and mastered these approaches and even adopted some for my own performing and teaching. In the third section, I assess the influence of French mime art on my artistic activity with respect to my teaching practice and own artistic work. This was most evident in the creation of Mesdames & Messieurs, Deburau!, where I played the main character, and while directing the opera Theater Beyond the Gate by B. Martinů.
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Movement in drama and opera - work of Robert Wilson
Waidingerová, Andrea ; SOPROVÁ, Jana (advisor) ; HYVNAR, Jan (referee)
Most of us try to do performance in pure style (mime, drama, clownerie, slap stick, physical theatre, opera, musical, ballet). I am interested in mixing of these styles. Robert Wilson works this way. For him movement is one of the basic means of communication. He works ? as mime theatre does ? with images (pictures). He works with hyperbole and big stylization, that is close to mime theatre. This thesis is interested in mime theatre or theatre of movement and its relation to other elements of theatre. The thesis also deals with the work of Robert Wilson and tries to show the interaction of the elements he uses for the stage image. A how he touches the audience with his work.
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Jean - Luis Barrault
Svoboda, Vojtěch ; PETIŠKOVÁ, Ladislava (advisor) ; HYVNAR, Jan (referee)
This work discusses the life and work of Jean-Louis Barrault, one of the most significant french theatre artist. Barrault is known as an excellent actor, mime, directer and theatre theorist. His contribution to the development of Europian theatre in the last century is very important, especially to mimic theatre styles. The thesis shows Barraults personality and art with a focus on his contribution to pantomime. Another task is to explore influence of different personalities on the artistic development of Jean-Louis Barrault.
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Theatre as a media
Žantovská, Irena ; Císař, Jan (advisor) ; Hyvnar, Jan (referee) ; Huk, Jaroslav (referee)
Dissertation thesis was focused on issue of theatre as a media communicationand contemporary position of theatre communication in the context of other media. Thesis was focused mostly on specificity of theatre performance as a unique act between the stage and auditorium. It was divided into theoretical and research part. Theoretical chapters went into characteristics of the theatre as a way of communication and theatrical communication as a unique social interaction, unique features of theatrical communication, problems of the audience with accentuation of theatre-goers argument as an anthropological quality and mapping of social determinants of contemporary theatre work
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Psychological context of scenic production
Šípek, Jiří ; Vostrý, Jaroslav (advisor) ; Hyvnar, Jan (referee) ; Gajdoš, Július (referee) ; Hančil, Jan (referee)
This dissertation thesis investigates selected (but substantial) topics of scenic art. It is based on theoretical work of prominent art and theater personalities (Frejka, Hilar, Zich, Vostry and others). Emotions, empathy, inner touch perception and distance are discussed in detail. In empirical research part there is studied a special way of art personality reaction in situation of meeting uncertainty. To process it Rorschach projective method was used.
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