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CASTLE ZDISLAVICE - CONCEPT OF RECOVERY OF CULTURAL MONUMENTS
Valentová, Veronika ; Pospíšil, Zdeněk (referee) ; Boháč, Ivo (advisor)
The task of this thesis is the concept of restoration of the castle Zdislavice and its new use as a literary hotel, focusing on the personality of a prominent Austrian writer Marie Ebner-Eschenbach, née Dubská. My goal was to find use, which could be revived and could thus be preserved for future generations. Thanks to the personality of the writer, I decided to create site devoted to literature. I designed hotel for literary enthusiasts, linguists, copywriters and professionals. But also for visitors who are interested in the person of Marie Ebner-Eschenbach. There is also a restaurant, a literary cafe with an associated museum of the writer, chapel, banquet halls with potential uses for conference and library (three libraries). Part of the area is used as a park. It is designed as an English park, but part of the area closest to the castle is designed as a French garden. The tomb of Marie Ebner-Eschenbach is near the castle and is accessible via a staircase. Connection between tomb and castle is shown in the situration plan.
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Ink
Vomelová, Lenka ; Rydval, Michal (referee) ; Macháček, Mikuláš (advisor)
-ink- ink is a small independent publishing house, that is aiming to publish student-written literature with graphic design and illustrations made by young designers and artists. Main goal of the publishing house is to support, execute and spread projects of young, not yet estabilished authors and artists and thus develop the contemporary art scene. The visual identity of the publishing house is left open, it is going to be created in time by the books that are going to be published by ink. The logo is often used as a background to posters, or a stamp over photographs. I'm letting the content to speak for it's brand, not the logo. I created business cards, bookmarks, a stamp, wrapping papers that are used for parcels as well as a background for posters, and stickers. Novel Devil Novel Devil is a first book published by ink. Author of the book is Jan Smutný, recent graduate of Faculty of Fine arts in Brno. Illustration and the overall design of the book are made by me. The design is inspired by gothic books written in textura or bastarda and illustrated with woodcuts. My aim was to create a book clearly referencing this visuality, but not a „retro“ or a historicist book. I tried to create a classical book with a modern twist. That's why I chose new, modern typefaces Enigma and Lapture and the illustrations are just vector lines. Because of the theme I work only with black and and background white colour. The book was published in 200 copies.
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Live typeface
Jiříček, Milan ; Špiřík, Jan (referee) ; Rajmic, Pavel (advisor)
The work describes the theoretical foundations of modern methods of creating new fonts, that is, using information technology, specifically vector programs. It also marginally shows the history of the font, Roman writing, the basic division of its compositions and describes its individual elements. The next part of the project focuses on creating digital fonts and continues with bringing it to live using algorithms and methods that can easily be processed in Matlab programming language. The method of implementation of the bringing the typeface to live is described and presentation of the generated results are then shown in few examples. Attention is also paid to the coordinates system, which is very important to solve geometric transformations, and two-dimensional vector graphics, which are widely used in the design and to render the fonts. Bézier curves and cubic Bézier curves are described in further detail along with vector graphics rasterization. One part of this text describes very important de Casteljau algorithm. The last chapter focuses on implementation in Matlab programming language, the creation of curves, that means single font characters, and the ways of how the algorithm works with transformations. Some sample images showing transformations using different input arguments are displayed in this section as well. There is evaluation of the contribution of this application and the possibilities of further expansion at the end.
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Design and typography of Wedding Prints
Kopecká, Barbora ; Khabirova, Maja (advisor) ; Bubeníček, Jan (referee)
In this thesis I describe the design of three sets of wedding prints. Every set is created within its own unique visual identity and consists of several different types of prints. In the theoretical part of the thesis I define key terms, analyze the factors influencing the design and I describe the process of creating a publication. In the practical part I design three sets of prints for the bachelor's project GetWed - a company specializing in wedding invitations and prints. Before the design itself I analyze the competition in the field and in the Czech republic. The output is a product with an unique design that respects the rules of publication-creating and meets the requirements of the Czech market.
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Detekcia a korekcia typografických jevov v značkovanom texte
Makeš, Dominik
In this thesis, I am dealing with an design and implementation of finite deterministic automaton. Its role is to process the ConTeXt input file and make a decision about its typography correctness. In next step, it will offer the recommendation how to correct the mistake and will be able to make simple automatic correction. Thesis is also including the comparision with existing programs and the tests on real documents. Thesis is also including theoretical subscription of formal languages and finite automaton.
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Multimedia presentation of organization
KUBINČIAK, Jan
This thesis summarize knowledge of the range of multimedia, their definition and use in presentations. For this purpose it prepares guidelines established as appropriate for designing and creating presentations. It lays down rules to be observed due to the different purposes and forms of presentation in the organization. The acquired knowledge is summarized in the model demonstrated a multimedia presentation created in Adobe InDesign.
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John Wyndham - The Day of the Triffids. Artist´s book
RŮŽIČKOVÁ, Eliška
This thesis consists of two parts ? theoretical and practical. The theoretical part is focused on the topics of beautiful book ? i.e. bibliophilia, artist?s book, illustration, and overall literary art. The basis for the practical part of this thesis is figure and work, namely ?The Day of the Triffids? by John Wyndham, as well as meaning and place of science fiction in the world of art. The practical part consists of set of illustrations, a cover design and a typographical solution of the book ?The Day of the Triffids? The aim of this work was to create a book, which could be classified as valuable literature, not only by its contents, but by its appearance as well.
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Traditional Type in the Digital Era
Weinzettelová, Silvia ; Gray, Simon (advisor)
The first part of this paper briefly reviews the history of typography and the ways how the traditional typefaces had been modified in order to ensure high readability and legibility. Semiotics of type, as well as the importance of positive emotional response to UI and UX, are discussed in the second part, highlighting the important patterns in the user’s comprehension and emotional responses. In the third place, the shift towards the “mobile first” approach is emphasized, and the importance of adopting the appropriate methods and techniques which would ensure the optimal representation on information on small screen handheld devices is justified; the problems caused by type scaling and reading patterns, screen resolution, pixel representation, and backlit environment are identified. Furthermore, the optimal characteristics of screen fonts are explained. Last but not least, the present and future of typography on small screens is discussed.
Fulltext:  PDF
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Significance and Design of The Logo
Markvart, Jiří ; Čermák, Radim (advisor) ; Bedřichová, Jana (referee)
This bachelor thesis is devoted to the logo as an important element in the presentation of the company, organization, product, and, in some cases, also social and cultural events or people. The thesis is divided into two parts. The theoretical part explains the importance of the logo itself and describes its role in visual presentation. The differences between logos are discussed according to logos' purpose and design. Attention is paid both to logos in the commercial sector and of municipalities and state institutions, where visual presentation has made significant progress in recent years. The practical part is devoted to the creation of the logo itself and describes the methodology from the client's assignment of the project to the release of the style guide. It describes all important steps in the creation of a logo and discusses different options and variations that may occur during the process. The purpose of this thesis is to establish a clear overview of the significance of the logo as a major element in the visual presentation of a company or an organization, followed by guide to the entire process of creating a logo. Both parts together should provide the reader with a sufficient basis for understanding this issue.
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