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Is it possible for a theatre to become a cultural centre?
Šesták, Jiří ; Gajdoš, Július (advisor) ; Srstka, Jiří (referee) ; Herman, Josef (referee) ; Gregorini, Jindřich (referee)
This thesis ? within the efforts to research implications and range of cultural management issues employed in theatre ? attempts to answer the question in the title: Is it possible for a theatre to become a cultural centre? Gradual clarifying this aim, the connections and both immediate and oblique assumptions of such a tendency interconnected with the issues of an open-air theatre space, specifically the possibilities of Revolving Theatre based in chateau gardens in Cesky Krumlov. In my opinion the invention of the scenographer Joam Brehms owing to its original contribution to European theatre includes the possibility of how to get closer to reaching the aim I have kept thinking about through development of those which have emerged from the history of South Bohemian Theatre. The role of an artistic director and also the position of a director in South Bohemian Theatre made me consider further the issues regarding the management of a complex theatrical organism, especially on the changed market conditions.The issues of management in an artistic or cultural institution and various solutions of which I learned myself first as an actor and later on I have had to make myself in various situations in my managerial positions formed the other part of my studies.
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FROM ACTRESSES OF J. K. TYL TO SKLENÁŘOVÁ- MALÁ
Marková Chválová, Lenka ; Sílová, Zuzana (advisor) ; Císař, Jan (referee) ; Hyvnar, Jan (referee) ; Šípek, Jiří (referee)
This dissertation thesis describes in detail the evolution of the feminine acting and changes of the image of womanhood in drama and theatre of 19. century in Bohemia, from the formation of the first Czech professional actor?s ensemble in the forties, to the greatest Czech actress of the 19. century ? Otýlie Sklenářová-Malá and it describes all that in direct context and connection with the formation of the Czech drama from J. K. Tyl up to the playwrights of the Prague Provisional theatre ? V. Vlček and E. Bozděch. The study follows the creative cooperation of the exceptional artistic personalities at theatre and it engages in forms and sense of actor?s dramaturgy as the way to develop the original talent and the deep theme hidden in the actor. The thesis proceed mainly from the authentic period evidence and it overcomes some repeated preconceptions of the theatrical history.
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Analysis of the system of subsidies to the theater in Prague
Švecová, Eva ; Slintáková, Barbora (advisor) ; Jílková, Petra (referee)
The content of this thesis is the description of the grant system in the capital city of Prague , and as one of the possible funding options theaters with regard to the financing of culture . The way financial support is strongly influenced by cultural politics in Prague. The main purpose of the grant system is a description of Prague as well as comparing the two management allowance organization representing the theaters of the city and limited liability company . A sub- goal is to describe the transformation of Prague allowance organizations , theaters. In this work the method used comparative analysis between the railing and theaters without railings.
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Possibilities of theatre financing: Non-professional scene in Prague
Babíčková, Kateřina ; Riedlbauch, Václav (advisor) ; Malcová, Zuzana (referee)
This bachelor's thesis deals firstly with the definition of amateur and professional theatre, provides a typology of theatres and is also engaged in various legal forms, which theatres could be. It also touches on the transformation process, focusing on theatres in the City of Prague. The second chapter is devoted to the possibilities of theatre financing from public, private and their own resources. The emphasis is placed on the role of the state and its cultural policy. There are also provided statistics on the number of theatres, their legal forms and methods of financing over the last few years. The third chapter discusses the specifics of the financing of theatres in Prague. Finally, there is an example of amateur ensembles in one part of the City of Prague, in the Horní Počernice.
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Culture and Ritual
KOLESOVÁ, Lucie
The work deals with whole description of ritual theory. The first chapter focuses on ritual from point of view its function, rise and meaning in culture. The part two deals with ritual as performance, first of all relation ritual and theatre. The third chapter states some of typology of ritual and important representatives who occupies with ritual and some of theirs main opinions and ideas. The next chapter completes anthropological approaches to ritual with others important anthropologists, who represent this approaches. The fifth chapter devotes other types of ritual, as burial rituals, healing rituals, annual rituals, which are complete with description visual examples.
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Analysis of motivational factors for visits to cultural events
Krčmářová, Vanda ; Černá, Jitka (advisor) ; Roll, Marek (referee)
The thesis investigates the motivation structure of cinemagoers and theatregoers. Its theoretical part examines the concepts of motivation and culture. Its marketing research part consists of a questionnaire inquiry, which forms the core of the analytical part of the thesis. The objective of the paper is to determine the key factors motivating people to pay a visit to a theatre or a cinema. The practical part of the thesis consists of the questionnaire development, distribution and processing, with an emphasis on the practical application of the acquired data by the relevant cultural entities.
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The Native Theatre, a Business Plan
Tauberová, Kateřina ; Švecová, Lenka (advisor) ; Martínez, Felipe (referee)
The thesis focuses on setting up a business plan for The Native Theater. The theater aims to be the first theater in Prague to perform plays in their original language which should be conducted by its own ensemble as well as in cooperation with foreign theaters. In the first part the thesis focuses on theoretical questions regarding a business plan and its requirements. The second part discusses single practical features as they were introduced in the theoretical part. The thesis looks particularly into the market environment which the theater enters to, the marketing activities of the newly established company as well as on the financial plan of a theater that should exist independently of municipal grants.
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