|
|
Theoretical basic of the organ interpretation
Dvořáková, Jiřina ; HAVLÍK, Jaromír (advisor) ; TICHÝ, Vladimír (referee)
This work tries to explaine the history of organ interpretation and it´s evolution in Czechoslovakia between 1945 and 1989. Determining the cause of the organ interpretation, the work presents a new system ? the analysis of the musical interpretation in general. This analysis tries to describe musical interpretation as a logical and paradigmatical system based on elements of interpretation during the performing event. These elements are characterized as two hierarchical levels expalined by semantic and structural categories of the composition.
|
|
|
Organ in liturgy of Evangelical Church of the Augsburg Confession
Kopáčik, Vladimír ; TŮMA, Jaroslav (advisor) ; POPELKA, Josef (referee)
The bachelor thesis, Organ in liturgy of Evangelical Church of the Augsburg Confession, forms the historical overview of liturgical orders in Evangelical Church of the Augsburg Confession in Slovakia, as they were used in single areas of this country. Within particular liturgical orders I focus mainly on their musical aspects and I document the organ´s use in the course of. I enquiry from the period of reformation up to the period of the 20th century and I approach the organ in Slovak Evangelical Church, as it domesticated and raised an important position. As the initial liturgical order for Slovak Lutherans I introduce the liturgical order of German Evangelica Church of the Luther reformation´s period. In other chapters I mention spe cific areas of Slovakia and the final chapter is set-in the present day and the recent organ´s use within the Evangelical Divine Service.
|
|
|
Organ Works on Theme B.A.C.H.
Gricová, Táňa ; POPELKA, Josef (advisor) ; TŮMA, Jaroslav (referee)
Subject for the following work provided the idea of uses cryptogram in music. There are many cryptograms but we will only deal with one and most important, the shape of which gave the name completer of the Baroque era. J. S. Bach was organist and he was and still is an inspiration especially for organists. We deal with the only the compositions for organ which use his cryptogram.
Based on the analysis of several works we want to point out the different ways of working with the same theme and the distinctive style of each composer. We focus on the most famous authors and their works created on the theme B-A-C-H from the Romantic period, i.e. from the rediscovery of Baroque genius.
A part of the work is a complete list of compositions on this theme, which states K. Beckmanns the publication Repertorium Orgelmusik. Its dimension it would certainly be surprising for each.
|
|
| |
|
|
Tradition in interpretation of Czech organ repertoire of the 2nd half of the 20th century
Kubátová, Jarmila ; ČERNÝ, Pavel (advisor) ; POPELKA, Josef (referee)
The thesis provides a list of the most important organ compositions written in second half of the 20th century by several Czech composers. The second chapter analyses Kabeláč?s 4 Preludes for Organ and Mácha?s set 3 Toccatas for Organ. The notes about registration are attached as well as other instructions about the sheets interpretation based on the experience and whitness of the performer, who personally attended premieres of these compositions. The third chapter captures Associate professor Václav Rabas?s authentic observations.
|
|
|
JIŘÍ REINBERGER´S PERSONALITY AND HIS CONTRIBUTION TO THE CZECH ORGAN WORLD
Michalovičová, Ivana ; TŮMA, Jaroslav (advisor) ; ČERNÝ, Pavel (referee)
Abstract
This text describes the organist Jiří Reinberger´s personality, deals with his life and different fields of his activities and summarizes Reinberger´s contribution to the Czech organ Word in the 20th century which follows from his pedagogical, interpretative, organological aktivity and from organ music popularization. This thesis also describes how Reinberger influenced contemporary composers and his students. A valuace source of informatik about Reinberger is the inheritance of Reinberger which is stored in Czech Museum of Music.
|
|
|
Organ Culture of Rakovník
Nosek, Aleš ; ČERNÝ, Pavel (advisor) ; POPELKA, Josef (referee)
My diploma work named Organ culture of Rakovník dealt in the first chapter with the oldest known music formation in an area of the town. Mainly about those, which has their origin in the saint (St.) Bartholomews church, where besides most of the music in the history carried out and where also was and is the centre of the organ culture in the surrounding of Rakovník. I mention first organists, who studied the organ mainly at the Prague organists school or later on the Conservatoire. But they almost did not promote by the church and finally they leave the town completety.
The second chapter briefly dealt with the self history of the St. Bartholomews churých. And after it mainly about the organs, which were situated here starting with the 16th century over the 17th ? the organ of Tobiáš Hanzal from the year 1610. Then disputable epoch of the 18th century, where sources of information diverge in the origin of the baroque organ. And the sub-chapter is ended with the current instrument from the year 1896 from the Prager organist Emanuel Štěpán Petr op. 94.
In the third chapter I write about the organists and organs, which are found in the close surroundings of the town Rakovník. The canton is, for better ilustration, described from more points of view. It is dealt with various outer-region organ companies, which has built their instruments in our canton. Important company in our region is the organ-clan of Guth.
|
|
|
Position of church Organist in the czech Lands
Kšica, Přemysl ; POPELKA, Josef (advisor) ; TŮMA, Jaroslav (referee)
Nowadays we can be witnesses of an opinion, that in czech country was always in the area of czech church music strong tradition amateur musicians´ influence. Supposedly, that it ever was, is correct, that it is still also today. An aim of this work is not to declaim a role of amateur musicians, but an effort to point to aspects, when is required, even irreplaceable a profesionality. It should be awarded a proper significance, which is unfortunately not always well understanded. In a church praxis is often made a difference in an attitude, if it is about amateur organist or profesionalist, and not just in a financial apprasial point of view.
|
|
|
Richard Wagner and Organ
Bártek, Michael ; ČERNÝ, Pavel (advisor) ; TŮMA, Jaroslav (referee)
The Czech organist Michael Bártek presents the thesis Richard Wagner and the organ. Penetration of the Work of the Genius from Bayreuth into the Music for Organ as a graduate master thesis in studies on musical faculty of the Academy of Performing Arts in Prague.
This thesis concerns itself with the relationship between Richard Wagner and the organ, a relation which is, despite no specific composition from the maestro for organ, surprisingly rich, and which seems thus far unexplored. Considering the impending bicentenary of the composer (and the 130th death anniversary), the theme deserves to be elaborated on.
The author reviews the direct relationship of Wagner and the organ, with his influences on composers for organ, as with, for example, the issue of transcription, at first more general, later more focused on Wagner.
|
|
| |
guest ::
