National Repository of Grey Literature 283 records found  beginprevious248 - 257nextend  jump to record: Search took 0.01 seconds. 
Preschool children and theatre performance
HLAVSOVÁ, Tereza
This bachelor's thesis examines the preschool children and theatre performance. The aim of this work is discover whether children benefit more from a theatre performance they themselves playact in, or from one which they watch. The thesis also focuses on behaviour and dressing of children in theatre premises. The theoretical section of the work focuses on definition of the term 'drama' and it's various parts. Further, it examines emergence and history of drama and dramatic guilds. In this section, drama is subdivided into two parts: acted theatre and puppet theatre. The practical section uses observational and conversational research methods to investigate reactions and behaviour of children during a performance, which they either take part in or watch. It further focuses on child behaviour in the premises of kindergarten and theatre, where the performance takes place.
The Cyprus Passion Cyclus or Byzantine liturgical Theatre?
Šípová, Pavlína
The Cyprus Passion Cycle is a unique evidence of byzantine theatre in greek speaking territory.
Theatre as a fine art medium
Täubelová, Kristýna ; Kalfus, Pavel (advisor) ; Preková, Jana (referee) ; Matásek, Petr (referee)
In my thesis I am analyzing scenographic creation from the point of view of the fine artist, who is working with tools typical for the theater, which means that they are using theater as a fine art medium. This also touches upon a specific trend in contemporary theater practice, in which there is an intermingling of fine art and theatrical elements
Theatre as a media
Žantovská, Irena ; Císař, Jan (advisor) ; Hyvnar, Jan (referee) ; Huk, Jaroslav (referee)
Dissertation thesis was focused on issue of theatre as a media communicationand contemporary position of theatre communication in the context of other media. Thesis was focused mostly on specificity of theatre performance as a unique act between the stage and auditorium. It was divided into theoretical and research part. Theoretical chapters went into characteristics of the theatre as a way of communication and theatrical communication as a unique social interaction, unique features of theatrical communication, problems of the audience with accentuation of theatre-goers argument as an anthropological quality and mapping of social determinants of contemporary theatre work
Is it possible for a theatre to become a cultural centre?
Šesták, Jiří ; Gajdoš, Július (advisor) ; Srstka, Jiří (referee) ; Herman, Josef (referee) ; Gregorini, Jindřich (referee)
This thesis ? within the efforts to research implications and range of cultural management issues employed in theatre ? attempts to answer the question in the title: Is it possible for a theatre to become a cultural centre? Gradual clarifying this aim, the connections and both immediate and oblique assumptions of such a tendency interconnected with the issues of an open-air theatre space, specifically the possibilities of Revolving Theatre based in chateau gardens in Cesky Krumlov. In my opinion the invention of the scenographer Joam Brehms owing to its original contribution to European theatre includes the possibility of how to get closer to reaching the aim I have kept thinking about through development of those which have emerged from the history of South Bohemian Theatre. The role of an artistic director and also the position of a director in South Bohemian Theatre made me consider further the issues regarding the management of a complex theatrical organism, especially on the changed market conditions.The issues of management in an artistic or cultural institution and various solutions of which I learned myself first as an actor and later on I have had to make myself in various situations in my managerial positions formed the other part of my studies.
FROM ACTRESSES OF J. K. TYL TO SKLENÁŘOVÁ- MALÁ
Marková Chválová, Lenka ; Sílová, Zuzana (advisor) ; Císař, Jan (referee) ; Hyvnar, Jan (referee) ; Šípek, Jiří (referee)
This dissertation thesis describes in detail the evolution of the feminine acting and changes of the image of womanhood in drama and theatre of 19. century in Bohemia, from the formation of the first Czech professional actor?s ensemble in the forties, to the greatest Czech actress of the 19. century ? Otýlie Sklenářová-Malá and it describes all that in direct context and connection with the formation of the Czech drama from J. K. Tyl up to the playwrights of the Prague Provisional theatre ? V. Vlček and E. Bozděch. The study follows the creative cooperation of the exceptional artistic personalities at theatre and it engages in forms and sense of actor?s dramaturgy as the way to develop the original talent and the deep theme hidden in the actor. The thesis proceed mainly from the authentic period evidence and it overcomes some repeated preconceptions of the theatrical history.
Possibilities of theatre financing: Non-professional scene in Prague
Babíčková, Kateřina ; Riedlbauch, Václav (advisor) ; Malcová, Zuzana (referee)
This bachelor's thesis deals firstly with the definition of amateur and professional theatre, provides a typology of theatres and is also engaged in various legal forms, which theatres could be. It also touches on the transformation process, focusing on theatres in the City of Prague. The second chapter is devoted to the possibilities of theatre financing from public, private and their own resources. The emphasis is placed on the role of the state and its cultural policy. There are also provided statistics on the number of theatres, their legal forms and methods of financing over the last few years. The third chapter discusses the specifics of the financing of theatres in Prague. Finally, there is an example of amateur ensembles in one part of the City of Prague, in the Horní Počernice.
Culture and Ritual
KOLESOVÁ, Lucie
The work deals with whole description of ritual theory. The first chapter focuses on ritual from point of view its function, rise and meaning in culture. The part two deals with ritual as performance, first of all relation ritual and theatre. The third chapter states some of typology of ritual and important representatives who occupies with ritual and some of theirs main opinions and ideas. The next chapter completes anthropological approaches to ritual with others important anthropologists, who represent this approaches. The fifth chapter devotes other types of ritual, as burial rituals, healing rituals, annual rituals, which are complete with description visual examples.
Analysis of motivational factors for visits to cultural events
Krčmářová, Vanda ; Černá, Jitka (advisor) ; Roll, Marek (referee)
The thesis investigates the motivation structure of cinemagoers and theatregoers. Its theoretical part examines the concepts of motivation and culture. Its marketing research part consists of a questionnaire inquiry, which forms the core of the analytical part of the thesis. The objective of the paper is to determine the key factors motivating people to pay a visit to a theatre or a cinema. The practical part of the thesis consists of the questionnaire development, distribution and processing, with an emphasis on the practical application of the acquired data by the relevant cultural entities.

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