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The City of Copenhagen as a Topos in Contemporary Danish Literature
Stanjurová, Martina ; Březinová, Helena (advisor) ; Humpál, Martin (referee)
(in English): he aim of the thesis is to analyze the City of Copenhagen as a topos in contemporary Danish literature taking the example of the literary work of two contemporary Danish authors, Jan Sonnergaard and Katrine Marie Guldager. In the first chapter the authors and their short story collections (Kobenhavn and the Radiator trilogy) are briefly introduced. At the theoretical level, the work deals with the structure of the literary space, the literary concepts of topos and chronotope. A separate chapter discusses the depictions of urban space in literature based on the ideas of Daniela Hodrova. The interpretive part focuses on the specifics of each of the authors and the procedures which are used for this purpose, eg. the motif of meeting other people and moving around the city at Guldager. At Sonnergaard, there is a noticeable difference between the center and the periphery and between the changes in urban structure. The authors consistently show Copenhagen as a dynamic city, which is, however, showing signs of provinciality.
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The Poetics of Space in The Alexandria Quartet.
Malý, Lukáš ; Bílek, Petr (advisor) ; Pokorný, Martin (referee)
Poetics of space in The Alexandria Quartet is created by multilevel structures. This poetics is closely connected to the main space of the story - Alexandria, which is at the same time one of the novel's topics. Each level is suggested in connection to various theoretical conceptions which are subsequently used for my own analysis. Alexandria is initially an aesthetic coulisse of the story which is portrayed by descriptive passages. Strongly subjective and lyrical descriptions of the city establish overall impression of the story and potentially support reader's experiential illusion. Alexandria and its specificity is further modulated and thematised by its special macroscopic conditions which border Alexandria as an autonomous fictional space with its own rules within the novel's fictional world. Part of poetics of the space in this novel is also portraying spatio-temporal aspect of the reality (chronotope) no only on the level of the story, but also on the level of storytelling. Alexandria is further explicit rhetoric and also through semantic indexation personified and enters semantic relations with the main characters and events. Each level is complementary to another and all are part of the semantic gesture of the novel. Alexandria becomes a separate symbol, mythical entity which importance is...
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Characters of Space in the Trilogy Trýznivé město by Daniela Hodrová
Macháčková, Klára ; Bílek, Petr (advisor) ; Wiendl, Jan (referee)
This bachelor thesis aims to interpret the trilogy Trýznivé město (subsuming parts called Podobojí, Kukly and Théta) by the Czech novelist and literary scholar Daniela Hodrová. A complex structure of the novel is in the analysis "opened" through the categories of space and characters; an axis of the thesis is the idea that in the poetics of D. Hodrová, some places can acquire certain features of living creatures (such as memory, free will, temper etc.) and vice versa, that some characters can coalesce with the space they inhabit. In spite of a firm mutual connection between the two categories, they will be discussed separately, in the following order: after having defined the background (using mainly theoretical works of D. Hodrová as secondary sources), firstly, we will focus on the localization of particular topoi (i.e. "literary loaded" places, e.g. the mountain, the pass, the abyss etc.) and on the description of their connotations in terms of the general sense of the trilogy; the attention will be also given to the non-topographical places (i.e. objects or parts of the body). Then, we will consider the issue of characters, primarily their ambivalent status between personalities, though fictional, and mere literary constructs performing certain functions, and also their transformations...
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The Place of the Forest in Fourteenth- and Fifteenth-Century Literary Sources, a Czech-French-English Perspective
Turek, Matouš ; Nejedlý, Martin (advisor) ; Woitsch, Jiří (referee)
The master thesis presents and analyses a range of different ways in which the motif of the forest was treated in late-medieval literary sources as an element of thematic and compositional construction of the text. At the theoretical basis of the thesis is the concept of diachronic text reception and adaptations which bring along the transmission and simultaneous transformation of the use of topoi, while this process is being related to the development of the literary chronotopos signalizing a change in the public's horizon of expectation. The majority of sources for analysis are drawn from Czech sources of the long 14th century - courtly and chivalric romance, the Old Czech verse legend of St. Procopius and the Dalimil Chronicle - while a shorter part of the thesis is devoted to the presentation of individual tendencies in the development of the use of the forest topos in English and French literary allegory of the 14th and 15th centuries. In detailed comparison of specific passages from Old Czech texts with their actual models in other languages (Old Middle German, Latin), the thesis demonstrates, upon the example of the forest topos, that topoi do not represent fixed, inalterable clichés, but actually exhibit intense shifts in function, content and theme.
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