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A Journey into the Mind of Martin H.
Helán, Martin ; Houser, Milan (referee) ; Stratil, Václav (advisor)
The main aim of my thesis was to re-establish their former individual creation. When rendering images, I came from my heart that emotionally involved in deciding the final constellation of colors. The resulting series of images is processed oil painting technique using mainly medium formats. The composition of paintings based on geometric abstraction and draw on previous work by increasing the details of their own earlier paintings. The operational objective was to search for color variations that inherently express different emotional states. The work focuses primarily on finding harmonious interplay of color tones.
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Portrait of rock
Svatoš, Jan ; Mikolášek, Martin (referee) ; Kvíčala, Petr (advisor)
The diploma thesis deals with the memory of the Icelandic rock through a series of abstract paintings anchored in the aesthetics of process painting. The author paints the paintings on the basis of a synthesis of personal experience, a metaphorical conception of geological processes and drawing from a digital photographic master, and observes the relationship between the painter and his painting in the sense of building a painting as an entity with subjective needs. At the same time, the work examines the overlaps and possibilities of abstract painting to stimulate an imagination that changes the resulting meaning and content in relation to its creator or viewer.
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Laying out presence
Tesařová, Anna ; Daněk, Josef (referee) ; Trnková, Barbora (advisor)
The work will consists of tarot inspired large format pictures which can be used as a traditional tarot card deck. The outcome will be installation of drawings and documentation of card/pictures reading performances.
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When letting light into the room.
Maruškevičová, Nela ; Zlesáková, Markéta (referee) ; Rathouský, Luděk (advisor)
In my diploma thesis, I am working on a series of patchworked abstract paintings on textiles which I connect with several glass objects. My source of inspiration is the materialization of my own escapism in the form of daydreaming situated in an illusory landscape/non-landscape. I do not perceive this principle as an escape from life, but as a form of sorting out one's own emotions, thoughts, and the acts of being with oneself. Repetitiveness, everydayness, intimacy and poetics are important principles with which I work when creating works and with the help of which I achieve the desired values of the image. For such conditions, in addition to the purely painting medium, I use everyday fabrics and the soothing rhythmicity of sewing, as well as the need to record using colored surfaces and lines. For me, the formal inspiration is the idea of painting in an extended field and a post-media approach to contemporary painting.
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Eva Prokopcová - painting work
KULÍKOVÁ, Markéta
The thesis seeks to introduce the life and work of Eva Prokopcova, a contemporary South Bohemain artist, with an emphasis placed primarily on her paintings while also acknowledging her drawings which represent an important part of her work. It focuses on Prokopcova's artistic career along with its critical reception and on the events in her personal life which heavily influenced her work. The chapters on paintings are presented in chronological order and deal with selected painting series. The conclusion reflects on the position of Prokopcova's work within the larger artistic context and points out its unique features and the individuality of her approach which are yet to be fully appreciated.
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Abstract Tendencies in Czech Art throughout the 1970s and 1980s.
LAZÁRKOVÁ, Simona
The diploma thesis named ´Abstract Tendencies in Czech Art in the 1970s and 80s´ is processed in both, a theoretical and a creative, practical parts. The theoretical part presents abstract tendencies in Czech art during the 1970s and 80s representing the work of artists creating pieces of a ball and a geometrical shape of a circle in both, surface as well as spacial creation. The works of Václav Boštík, Stanislav Kolíbal, Hugo Demartini, Vladimír Škoda and Woody Vasulka are presented and emphasized. The practical part is presented in the form of a graphic creation including a circular theme with a subsequent area solution in gypsum. Everything is accompanied by drawing studies, graphic examinations and gypsum castings of circular objects.
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Compliment to Karel Malich (theoretical-practical thesis)
SVOBODOVÁ, Dominika
The bachelor's thesis Tribute to Karel Malich consists of two parts, theoretical and practical. The theoretical part deals mainly with the personality, life and work of Karel Malich. It also outlines the historical and social context of Malich's work and, last but not least, deals with energy as an inspirational element in Malich's work. The practical part of this thesis extends the theoretical part by realization of paintings. It also aims to understand Malich's work and sources of inspiration.
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Between Realism and Abstraction: The Creation of Meaning in the Work of František Kupka, Paul Klee and Willem de Kooning
VANDERKOVÁ, Andrea
The main focus of this research is to clarify the relationship of František Kupka's abstract work to reality and his approach to creation and interpretation of visual meaning. In addition to Kupka's work itself, the research is also aimed to create sufficient theoretical background for following interpretation. This part of the research adresses visual communication, especially the significance of the image in relation to (non-)similarity, and the processes of identification and articulation of meaning in abstract image. This theoretical background, inspired by visual studies, include findings from several disciplines, especially semiotics, psychology and neuroaesthetics. The synthesis of these findings is specifically applied to František Kupka's abstract painting, The Cathedral. The interpretation is based on visual studies, František Kupka's own opinions, and the graduate´s own observation and reception, with the focus on the conditions of reception.
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Abstraction in Automata Algorithms
Kocourek, Tomáš ; Lengál, Ondřej (referee) ; Holík, Lukáš (advisor)
Tato práce si klade za cíl implementaci a experimentální porovnání protiřetězcových algoritmů s abstrakcí a bez abstrakce, které testují prázdnost alternujících automatů. Autor také navrhuje vlastní algoritmy s abstrakcí a navrhuje několik optimalizací pro existující abstraktní algoritmy. Práce popisuje teoretické pozadí studovaných algoritmů a navrhuje efektivní způsob implementace datových struktur, které jsou těmito algoritmy používány. Experimentální vyhodnocení na náhodných automatech ukazuje, že algoritmy bez abstrakce vykazují obecně lepší výsledky, neboť nevyužívají náročné operace průniku a komplementace shora a zdola uzavřených množin. V případě automatů s vysokou hustotou přechodů však algoritmy bez abstrakce zpomalují a algoritmy s abstrakcí naopak zrychlují.
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