|
|
CV of Jára Cimrman
Zetková, Klára ; Mocná, Dagmar (advisor) ; Peterka, Josef (referee)
This writing deales with the genesis of characters of Jára Cimrman. From his plays arranged chronoligically are extracted the most important points of his life, which should be used to assess, if it creates consistent, finished komplex of literary figure in the literary fiction. At the same time, the data are used to assess how the character was developping, if Mr. Zdeněk Svěrák and Mr. Ladislav Smoljak had predeterminated direction, which they sould také or if they had not and Jára Cimrman was developed play by play. Before the practical part there is mentioned in the writing theoretical part, dealing with literary fiction, literary mystification and literary figure.
|
|
|
Language and style of the plays written for Jára Cimrman Theatre
Kojetínová, Martina ; Mareš, Petr (advisor) ; Lehečková, Eva (referee)
Language and style of the plays written for Jára Cimrman Theatre This magister thesis deals with language analysis of the stage plays of Jára Cimrman Theatre. The opening chapter describes general information about the theatre and it's authors as well. The thesis is divided into two parts, the theoretical part and the practical part. The theoretical part is based on results of theoretical studies of different authors, especially Bohuslav Brouk, Henri Bergson, Ladislav Dvorský and Vladimír Borecký. The practical part contains the detailed language analysis of all 15 stage plays. This diploma work analyzes which types of language comic we can find there and how much are they extended. Linguistic performances are separated on the principle of linguistics on individual linguistic branches. This diploma work also discusses mystification as a common framework for realization of all comic means. Keywords Jára Cimrman, stage play, Zdeněk Svěrák, Ladislav Smoljak, language comic, intertextuality, mystification
|
|
|
Phenomenon Cimrman
Krejčí, Jan ; Mocná, Dagmar (advisor) ; Peterka, Josef (referee)
The introduction of this diploma thesis summarizes the production of , and it identifies the two following layers of authorship. The first layer is the fictional authorship of Jara Cimrman; the second layer is the authorship of the Cimrmanologists and their so-called (or fictional) reconstructions of Cimrman's work. The introduction further discusses the importance of the radio show , which gave birth to the character of Jara Cimrman. Finally, the introduction analyses various aspects of Cimrman and his mystifying character. The core of this thesis consists of an analysis of Cimrman and his relation to Czech Dream. It also studies the Czech dream and its development. The second chapter provides a study based on the play , which is looking at the relation between Cimrman and Czech history and the national myth. The beginning of this chapter offers an overview of the history of the . The chapter then continues with an analysis of Cimrman's play with a special attention to its unusual political dimension. The third chapter studies the connections between Cimrman, or his creators, and Czech national consciousness and Czech culture as they are reflected in Cimrman's play . The play is set in the context of Kainar's poem , Klusak and Remunda's film , Macura's essay , and Kaspar's book .
|
|
|
Mystification in the plays of Jára Cimrman
Švarcová, Hana ; Špirit, Michael (advisor) ; Mravcová, Marie (referee)
This bachelor thesis analyses the mystification of the Theatre of Jára Cimrman. In the individual chapters it describes the basic areas that constitute the form of mystification. In these chapters is discussed the relationship between mystification and language comic, writing plays, text-appeal, magazine Český svět and acting. At the same time common features between Jára Cimrman Theatre and radio broadcasts Vinárna U Pavouka, which the theatre took over the basic principle - mystification from are pointed out. In the conclusion which is based on the description of partial relations is discussed that the mystification of the Jára Cimrman Theatre only works if there are present all the individual components. By mutual interdependence of all components and their consistent cooperation is achieved the maximum effect.
|
|
|
Stereotypes in the Works of Jára Cimrman
Bulejová, Hana ; Bílek, Petr (advisor) ; Činátlová, Blanka (referee)
This thesis deals with the dramatic work of Jara Cimrman, which is based on the cooperation of two authors named Zdenek Sverak and Ladislav Smoljak. In the introductory chapters we analyze the genesis of mystifying legend named Jara Cimrman, then his way from the radio show to the theatre and also his own cult, which all leads to the general poetics of the Theatre of Jara Cimrman. We can find some related attributes in this theatre, like specific acting, phenomenon of their workshops and imaginative humour. All of these attributes leads to the definition of repetitive stereotypes in the plays of this theatre. In this thesis we also try to define the genre of the plays, also their subject matter, topics and their motives. The aim of this thesis is to describe these motives and also its gradual progress as in the particular dramas, so in the social atmosphere of those days.
|
|
|
Integration of catch-phrases of Jara Cimrman's plays into the everyday communication
Průšová, Pavlína ; Rýparová, Dominika (advisor) ; Mareš, Petr (referee)
Integration of catch-phrases of Jara Cimrman's plays into the everyday communication This bachelor thesis deals with a usage of catch-phrases from the Jára Cimrman Theatre plays in the context of our everyday conversation. In the theoretical part it explains fundamental basic terms, discusses the communication in general, defines common conversation. Furthermore, the text discusses the comic and its forms and briefly introduces the Jára Cimrman Theatre and its unique poetics. In the end of this part are presented conclusions about knowledge of these catch-phrases among common Czech speakers. The research answers three questions: What was the trigger to use the catch-phrase? What was the speaker's intention? What kind of influence the catch-phrase had on the listeners and the situation as a whole? Research questions are answered based on the method of participant observation and the results have shown that the main triggers are similarity of the communicative situation, linked meanings of the situation in a play and in reality or specific use of words. Speaker's meaning is the most often to entertain the addressees or to downplay the situation. This usually corresponds with the real effect of the catch-phrase usage. However, very important role plays the knowledge of the plays of Jara Cimrman - the better...
|
guest ::
