National Repository of Grey Literature 18 records found  1 - 10next  jump to record: Search took 0.00 seconds. 
Historical roots of the conemporary minimalistic cinema
Böhm, Michal ; HOLÝ, Zdeněk (advisor) ; BOUDA, Marek (referee)
Mimalism represents a film style which still partially predominates on the contemporary art festivals although it reached its peak during in the beginning of the 21. century. Minimalism is a style which supresses the pallete of formalistic tools, expressive elements and typical narative structures and drama. It also works extensively with time and the depiction of everyday. Minimalistic cinema experience thus stimulates the audience to make their own interpretations of the story and the form altogether. The aim of this work is to analyze those historical cinema tendencies that bear most resemblance to the modern style of minimalism. I consider these films (and styles) to be the most predetermenative to the style of minimalism: Italian neorealism, spiritual work of Ozu and Bresson, experimental structural movies, the cinematic masterpiece Jean Dielman, 23 Commerce Quay, 1080 Brussels from Chantal Akerman and Antonionis movies with their narative structure.
Prescription of norms of film narrative and dramatic structures in confrontation with deviations from these structures in the work of selected European filmmakers
Janáček, Tomáš ; HENDRICH, Vladimír (advisor) ; BOUDA, Marek (referee)
This thesis concerns the literature that discusses the construction of a film drama, and often is used in connection with the process of screenwriting and dramaturgy. Models and theorems contained in such literature are confronted with the significant work of European cinema. Discrepancy between the dramatic conventions and selected movies is further interpreted. The goal of this work is to offer a broader perspective on the possibilities of cinematic storytelling, and to understand how such deviations from narrative conventions can enrich cinema.
Sade and film
Pech, Štěpán ; BOUDA, Marek (advisor) ; Brázda, Mikuláš (referee)
The bachelor thesis titled "Sade and film" deals with some aspects of Sade's work, which are analyzed in the first part of the work, to examine their appearance in the second prat on four different movies - Salo, or the 120 days of Sodom, Howls for Sade, Anatomy of Hell and In the Realm of the Senses. Basic question of the work is what quality emerges in the contact of two worlds - Sade's work and cinematography.
Image regimes
Hofman, Jan ; BOUDA, Marek (advisor) ; MAREK, Petr (referee)
This bachelor thesis is dealing with use of surveillance systems in the film Enemy of the State (1998) and how these systems help to create image regimes. The thesis perspective consists of two approaches, first approach is ontological in a sense, that there coexist images with different characteristics (digital/analog) in one platform of the film. The second approach is ideological, because these image regimes create hierarchy and thereby create referentiality/truth and topology in film narration.
Montage of mise-en-scene
Březina, Jan ; MAREK, Petr (advisor) ; BOUDA, Marek (referee)
The present thesis discusses the specific features in the use of montage within the shot as a stylistic device in film directing. Analysing the work of selected directors and their films, the thesis proposes a system of classification, introducing several key categories based on function.
Who sow the Wind, reap the Whirlwind
Maráky, Daniel ; BOUDA, Marek (advisor) ; VALAK, Radim (referee)
The thesis focuses on various aspects of the origin of assassination. Using the depiction in feature films as examples it analyzes the diversity of approach in stylization and in authenticity.
Terrence Malick's Days of Heaven
Volek, Jiří ; VALAK, Radim (advisor) ; BOUDA, Marek (referee)
Thesis on Terrence Malick's Days of Heaven. Analysis of basic dramaturgical structures that link the film to the biblical stories of Ruth, Abram and Israel's Exodus from Egypt.
Dead time in the works of Nuri Bilge Ceylan
Wiński, Tomasz ; Bouda, Marek (advisor) ; Valak, Radim (referee)
In my thesis I was trying to analize Nuri Bilge Ceylan´s feature films in chronological order, focusing on the possibilities and limitations of non-narrative and purely cinematic ways of expression - like the mis-en scené, editing, framing or creative sound editing. I wrote about all the five movies of the famous Turkish director, which were recently awarded with numerous awards in the most important film festivals: "Kasaba" ( "The Small town" ), "Mayis sikintisi" ( "Clouds of May" ), "Uzak" ( "Distant" ), "Iklimler" ( "Climates" ) a "Üç maymun" ( "Three Monkeys" ). In my analysis I focused on strictly formal film sequences - but I also tried to take a closer look at the coexistence and influence of the dead time sequences on the elements of dramatic narrative in these movies.
Creative Way of Work with the Sound Components in Film
Dzurenková, Viktória ; Vihanová, Drahomira (advisor) ; Bouda, Marek (referee)
Confrontation between two authors' approaches in creating an audio component in the films of Robert Bresson and the selected films of czechoslovak new wave.
Term "Organic" in the Film Terminology of S.M. Eisenstein and A. Tarkovsky
Vlčková, Jana ; Bouda, Marek (advisor) ; Bagdasarov, Georgy (referee)
In the first part this text deals with more thorough explanation of concepts such as analogue environment, digitalization or analogue and digital code in the cultural context. For example the difference between analogue and digital abstraction. It also points out the possibility of a pure analog transmission and record, as a counterpart of of selective and examining digitalization. Via these terms the interpretation of the film starts: Eisenstein's and Tarkovsky's approaches as the example of dichotomy of two ?natural? or ?organic? ?philosophies? in film theory. Eisenstein as a representative of digitization and Tarkovsky as an advocate of an analogue approach. Thesis leads into utopian micromanifest of the organic film.

National Repository of Grey Literature : 18 records found   1 - 10next  jump to record:
See also: similar author names
1 Bouda, Martin
2 Bouda, Michal
2 Bouda, Milan
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