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The Problems of Interpretation of the Songs making Mikulas Schneider - Trnavsky
Nociar, Juraj ; Tuček, René (advisor) ; Kaupová, Helena (referee)
This thesis deals with the interpretation of the songs composed by the Slovak composer Mikuláš Schneider - Trnavsky. It summarizes important information, analysis and semantic interpretations, under which the reader has an insight into these songs. The objective of this thesis is to highlight the aspects leading to their proper interpretation concept. The methology of the research is based on the collection of theoretical knowledge of the composer in guestion, how the composer was included in his generation context and stylistic features of his vocal works. However, at the core of this work is musical, semantic and interpretative analysis of individual songs from the cycle Tears and Smiles ( Slzy a úsmevy). On the basis of this analysis ultimately refers to the specific interpretative nuances of Trnavsky´s "artificial" songs, with which must the artist, while maintaining the purity of style, cope.
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Gustav Mahler production of songs
Kučerová, Martina ; Tuček, René (advisor) ; Tuček, René (advisor) ; Přívratská, Jiřina (referee)
The First Chapter content of paper is Gustav Mahler´s personality development, family atmosphere influence on his production, time period and models influencing his work. In the second chapter I was dealing with Gustav Mahler´s song cykles in general and in particular with analysis and interpretation of "Song of wandering journeyman " and " Songs of dead children". The third chapter is closing summary of Gustav Mahler musical heritage in the world, in the Czech Republic and for next generations.
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THE LIFE AND WORKS OF GIUSEPPE VERDI FOCUSSING ON THE OPERA DON CARLOS
Urbánek, Miroslav ; Podskalský, Miloslav (advisor) ; Podskalský, Miloslav (advisor) ; Tuček, René (referee)
Giuseppe Verdi is amongst one of the greatest opera composers of the nineteenth century. Despite his life's tragic fates he was full of energy which transpired into his operas. His work stems from a strong Italian operatic tradition and culminated to became the peak of Itatian of the ninteenth century. His beginnings were still in an tradition we he left to create a new. He began to write through composed, large scale works with dramatic content to match. Thw works of Berlioz and Wagner had a large influence onVerdi but even as such he did not allow his music to be taken over stylisticly but rather held to his own.The greates treaures in Verdi's music are the beautiful melodic lines of witch he was a master the ever creative rhythmic motives. He uses speaks to the listner through its simple and clear nature. Verdi lifted Itatian opera to a new and higher level. He intentionally chose materials and subject matter that were close to his individual creative person and didn't entertain subjects which were not. Dispite his inovativness he strongly believed that to the leave the Italian operatic tradition was amongst one of the greatest dangers. His operas today belong amongst some of the most played of operas ever written.
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Jóža Jelínek : Lyric songs op.6
Brindzák, Jozef ; Tuček, René (advisor) ; Tuček, René (advisor) ; Kusnjer, Ivan (referee)
The essay is concipated as a methodical text for the interpret of these songs.The main topic is analysis of these songs, C.V. of the composer. The assay is also about other people musicans named Jelínek and the poets A. Velhartický, Jar. Havlíček, Jul. Skarlandt.An important part of this assay is also a compact disc with recording of this songs. Recorded by author of the assay.
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G.Mahler: Das Lied von der Erde
Škarka, Josef ; Tuček, René (advisor) ; Hajóssyová, Magdaléna (referee)
I would like to explaine and remind for modern interprets jewell at world lied music by my work for the theme Das lied von der Erde, just one piece from late works from Gustav Mahler. I still interpret two vocal cycles by Gustav Mahler with piano accompaning - Das Kindretotenlieder and Des Knaben Wundernhorn, we can classify these two pieces as great world vocal music,but we think, that Das Lied von der Erde has a spacific position at Mahlers componist work.Maybe it was determinet by the text, which was arrange from a bigger part by Gustav Mahler, maybe it was difficult living situation, and anothers of factors, bring for this music a more individuality and a more introvertive expression. It is as Mahlers own words presents by his mounth.
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Rossini opera festival in Pesaro
Morávek, Jan ; Podskalský, Miloslav (advisor) ; Podskalský, Miloslav (advisor) ; Tuček, René (referee)
The presented work turns in detail to Rossini Opera Festival, an annual international exhibition of the Italian artist Giachomo Rossini´s stage works. The bachelor thesis describes the roots of the festival, explores the motivation of its founders, talks about the organization structure, ways of its funding, current agenda and capacities which the festival disposed. in the chapter "Chronologie" readers can learn about festival events and artists who participated in them.The main theme is accompanied by Rossini´s biography and a short text about Pesaro - a town where the festival is held.
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Antonio Salieri (1750 - 1825) - Life and Work
Hájková, Lucie ; Kniplová, Naděžda (advisor) ; Kniplová, Naděžda (advisor) ; Tuček, René (referee)
In the introduction I describe my reason to write about an.italian music composer,Antonio Salieri. In the following chapter, Opera in Italy, I briefly describe the history of opera, from the beginning in 16th century, I wrote a little bit about a composer C. Monteverdi and about the expansion of operta to the other places. Then I continue with opera of 18th century and end with verism and with its the most wellkonown composers. In the following part, Antonio Salieri ( 1750 - 1825) - his Life and Work, I describe in detail his life ( from the nativity in 1750 in Legnano near Venezia, in Italy ). Then I continue with his studies of music, his berth at the court of Josef II.This chapter ands in the year 1825, when Salieri died. In the chapter Antonio Salieri, his operas, there is a list of all his operas, with the names of librettists, there are also the dates of premiere of the operas. Where it is known, I write the titels of theaters, places of the first opening his works.In the part named Opera Falstaff - ilustration of his music talent, there is Salieri described as an important composer of his age. I analyse this opera as a music work, I deal with the theme of the opera and with its libretto.In the folllowing chapter Mozart versus Salieri I describe the legend of Mozart's fatality.The fame,that Salieri poisoned Mozart, originated after Mozart's exit.In the hooked ilustration there are the portraits of Antonio Salieri, there is also a picture of La Scala etc. At the I briefly describe the content of my work.
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