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Feedback
Smolek, Adam ; Suchánek, Jiří (referee) ; Šrámek, Jan (advisor)
The topic of the thesis is feedback, understood literally as a technical principle in the creation of an audiovisual work, but also as a general principle of reflexivity. In this way, the dramaturgical, curatorial and production activities of the author are included in the framework of the diploma thesis, which are understood not only as autonomous creative outputs, but also as feedback systems. The result of the work is an author's tool operating with image and sound data derived from records of completed projects in the field of creating exhibitions, cultural and musical events. On the one hand, the work seeks to evaluate the realized projects by shifting to the meta-level of the work of art, its output is the creation of an audiovisual tool itself, but the conceptual level of using the feedback mechanism to reflect on oneself in interpersonal relationships is also essential.
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Harmonies
Mucha, Petr ; Suchánek, Jiří (referee) ; Gabriel, Michal (advisor)
The Monade sculpture from a series called Harmonies is a 350 cm tall steel object made of welded metal plates, representing harmonic intervals applied to idealised proportions of the human figure. The impetus is a need of transcendency and meaning in perception of reality. Creative strategies are reduction, abstraction and remediation.
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RLXY
Sedláček, Tomáš ; Suchánek, Jiří (referee) ; Krekovič, Slavomír (advisor)
The project is conceived as audiovisual performance using own author´s software. The project is focused on experiments with transfer of three-dimensional data, two-dimensional image into the sound and on the contrary. The goal of the project is to explore medium itself and to find new solutions.
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Mechanical waves of air particles set in motion by a vibrating body
Coufalová, Kristýna ; Suchánek, Jiří (referee) ; Klodová, Lenka (advisor)
The work deals with the sound in its various forms outside the music scene in connection with fine arts. Experimentally modulates different positions between visual and audio elements. Do the musical components of shows and exhibitions only serve to manipulate emotions, or are they original autonomic works? The artistic result will be the creation of an experimental situation of direct confrontation of sound with live action. The work was significantly affected by the coronavirus pandemic, so it deals more specifically with sound/music in the virtual space and the issue of their transmission.
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Remote Nature
Richtr, Pavel ; Suchánek, Jiří (referee) ; Krekovič, Slavomír (advisor)
In my thesis I deal with the interactivity between the weather and the virtual model, whose main output is sound. I'm trying to create generative installation where reacts virtua oraganism with real environment and generates signals that can be interpreted in a sound to explore the aesthetic relations of that connection.
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Vizual Representaion of Selected Electronic Music Styles
Chlebus, Jiří ; Suchánek, Jiří (referee) ; Houf, Václav (advisor)
This work is the result of the transfer of the author's musical experiences, perceptions and ideas to a static visual form. Selected electronic music styles like Dubstep, Breakbeat, Drumandbass, Trance, Techno, Psytrance have some typical characters that the author tries to capture in visual form. The result is a set of computer work that represent the musical styles and express the author's visual ideas that gets through the listening of the musical styles.
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Exploring the means of collaborative music sharing and its alternatives
Mikač, Jan ; Suchánek, Jiří (referee) ; Kubíková, Zuzana (advisor)
The bachelor thesis deals with the topic of sharing, streaming and archiving music in the internet environment and the design of a platform that is an alternative to the existing ones. Nowadays, when there are countless streaming services, I miss a space dedicated to music sharing, regardless of the preferences of these particular streaming services, both from the users and the performers. Beyond that, however, I would like to create a space for meaningful archiving and categorization of music with maximum personalization for individual users. In the text, I will therefore describe my own motivations, inspirations, individual features, but also my own experiences with using existing streaming platforms, or tools that are currently widely used, but also those that are less well known and operate on open-source or user-made principles. I then use this experience as a basis for the prototype itself (working name of the prototype - MSP).
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