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Minimization of risk of pesticide residues in fruit production: certified methodology
Kocourek, František ; Falta, Vladan ; Stará, Jitka ; Holý, Kamil ; Horská, Tereza ; Vávra, Radek
The publication is intended for fruit growers who are included in integrated fruit production systems. The information and the recommendations presented in the matarial can help them to minimize risk of residues of of of pesticides on non-target organisms, mainly natural enemies. In addition, the minimizing of pesticide impact on human health is considered. All recommendations are in the accordance with requirements of legislation which will be in force from 2014 for IPM and also for convention regimes of fruit protection. The spray scheduling is based on the knowledge of pesticide pre-harvest period coupled with the information about their side effects on non-target organisms. Environmental behaviour of pesticide residues from the application to the harvest is desribed for each active ingredient allowed in the Czech Republic in apples and pears. These data enable to assess the action pre-harvest periods for the both low-residual and non-residual fruit production. Information about side effect on natural enemies of pests and other non-target organisms have been worked up for each active substance of pesticides allowed in fruits in the Czech Republic. This knowledge allows us to classify pesticides into three groups marked as a so called green, yellow and red list for IPM growing systems. The possibilites of the use of biological and biotechnological methods are outlined at the end of the publication.
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Theatrical Distribution of Czech Feature Documentary Films
Kubečková, Pavla ; HORSKÁ, Tereza (advisor) ; DANIELIS, Aleš (referee)
This thesis aims to describe the current theatrical distribution capabilities of Czech documentary films in cinemas. The starting point is the description of the model of a theatrical distribution on the Czech market and also collected facts and statistics about the attendance of documentaries in cinemas in the period of the years 2000-2013. These are used for subsequent consideration of the potential of documentary films in cinemas, on the possible benefits of film festivals on the way of the film to the audience and also on which films are suitable for distribution in cinemas. The work also includes a case study and comparison of the distribution of two documentary films that were shown in the Czech cinemas in 2013. The aim is to reflect on the current situation and to find ways to improve the position of documentary films in the context of theatrical distribution. Another objective is to outline future prospects.
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Producer of a Long-term Observation Documentary Film
Třeštíková, Hana ; Strnad, Pavel (advisor) ; Horská, Tereza (referee)
This thesis introduces and describes the problematic of the long-term observation documentary films from the producer?s point of view. Further, it presents the history of this type of documentaries in the Czech republic, along with economical aspects of its production and following distribution.
The thesis is divided into five parts. The first part focuses on the explanation of the terminology used in this thesis. The second and third part describe the history of Czech documentary film with special regard to the long-term observation documentary film. The key part of this thesis is the fourth one. It contains description of the funding system as well as problems connected with production and exploitation of this particular kind of documentary. The last part examines several case studies that describe concrete issues of concrete long-term observation documentaries.
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International Market Production Strategies for Documentary Films
Císařová, Markéta ; Prenghyová, Andrea (advisor) ; Horská, Tereza (referee)
This thesis seeks to analyse a producer?s thinking about the making of a creative ducumentary on the international market. It aims to do so through the analysis of strategies used by specific producers in the Central and Eastern Europe.
The project describes the particularities in making the of as well as financing a creative documentary and its development in the last two decades. It examines the producer?s relationship towards the director and the extent to which he can creatively participate in the process of creation and the subsequent presentation of the film work. This thesis also tries to describe the choice of available production strategies which can very fundamentally determine the success or the failure of the film.
The term strategy describes a collection of personal practices and important decisions made by individual producers based on either their good intuition or an extensive experience. It could be described as a mosaic of skills that creates the art of production.
To achieve the objectives of the thesis, the chosen research method is based on facts and personal observations of the author. For the purpose of this project she choose four diffrent producers from the formel Eastern Block. All of them tend to think comprehensively about their work and often produce films for the international market; an ambition, that is also reflected in the funding of the projects. At the same time, they are all very renowned producers in their own countries, actively encouraging the domestic authors of mostly documentary films. Naturally, each of these producers has his or her unique approach to film production and this difference is the author?s main focus.
Selected producers: Jiří Konečný (endorfilm, Czech Republic), Martichka Bozhilova (Agitprop, Bulgaria), Anna Wydra (Otterfilms, Poland) a Alexandru Solomon (HiFilm Productions, Romania).
The data was collected from articles and publications but mainly in the form of interviews with the producers themselves and their local film makers. In an attempt to describe the film market in which the producers operate, each chapter is introduced with the characteristics of his homeland. This should help to set his work and thinking in the appropriate socio-economic context. An important part of the thesis represent the case studies of selected film producers. Here, the analyses of specific films are an attempt to better explain the issue. The characteristics of each producer helps to provide a deeper individual analysis, considering not just the nature of their work, but also their personal history and any other significant characteristics.
The creation of a how-to-become-a-successful-producer manual is certainly not the aim of this work. It is rather a deeper analysis of this profession based on the author?s personal observation. The project tries to compare different ways of producer thinking with the consideration of their advantages and drawbacks. Finally, it seeks to estimate the further direction and find out more about plans and visions of the contemporary producers of creative documentaries.
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One World Film Festival Vs. IDFF Jihlava - Comparison Of Two Czech Film Festivals, With Focus On Media Response
Mašková, Tereza ; Miloševič, Ivana (advisor) ; Horská, Tereza (referee)
My final thesis compares two documentary film festivals taking place in the Czech Republic: The Jihlava International Documentary Film Festival and the International Human Rights Documentary Film Festival One World.
The thesis examines the differences between the goal setting, the priorities of movies selection and media and Public Relations strategies of these two festivals.
As a major source for the description, the interviews with the festival founders and current leaders are mainly used. Furthermore, I have studied documents provided by the festivals organizers as well as documents available from the Internet websites.
The media response analysis compares the content of chosen Czech media using the simple quantitative and qualitative research methods.
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