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Remnants of Nestorian Christianity in Inner Mongolia
Chudá, Lucie ; Zikmundová, Veronika (advisor) ; Oberfalzerová, Alena (referee)
The remnants of nestorian christianity in Inner Mongolia This thesis is focused on the tradition of nestorian christianity in Mongolia, especially in Inner Mongolia region. It summarizes available information about nestorian effect among the tribes of steppe until the 14th century and their influence on the tradition of these tribes. The thesis analysis nestorian situation at The Mongolian royal court during the biggest expansion of The Mongol Empire. The work furthermore also summarizes nestorian monuments and relics discovered within the area of Inner Mongolia where the Ongut tribe, known for their relation to christianity, settled.
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Dolonnuur monastery and relations between the Qing court, Inner Mongolia and Khalkha in 17th-19th centuries reflected by selected archive materials
Srba, Ondřej ; Luvsandorj, Jugder (advisor) ; Zikmundová, Veronika (referee)
This thesis deals with selected forms of the Manchu court influence on the relations of Khalkha and Inner Mongolia, eventually Northern China. It describes mainly the influences in the field of Buddhism (sir-a-yin šasin). It underlines the development of cultural-religious relations, phenomenon of pilgrimages, particularly the pilgrimages to Wutaishan, but the main topic is the role of Dolonnuur monastery and Dolonnuur municipality in the religious relations between Khalkha, Inner Mongolia and the Manchu court. Author points out, how the transitional period of these relations is reflected in the stories of Dolonnuur monks and in the increasing importance of Dolonnuur as a center of Chinese trade. This analysis is based on the local archive sources unpublished so far, especially the correspondence diaries of Dolonnuur monastery administrative bureau.
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The Dynamics of the Borrowed Vocabulary of Modern Mongolian
Kapišovská, Veronika ; Vacek, Jaroslav (advisor) ; Hoffmannová, Jana (referee) ; Zikmundová, Veronika (referee)
The aim of the work is to describe, based on material of contemporary Mongolian language, the acceptance of foreign words into the contemporary Mongolian language and particular aspects of their adaptation as a dynamic and constantly developing process, in which, apart from regularities stemming from the nature of the predominantly recipient language, as well as the source language, the complex of non-linguistic factors plays an important role. The loanwords that were received into the Mongolian language during the period of close relations between Mongolia and Russia or the Soviet Union and in the period following the fall of the communist regime up to the present day are examined from the phonetic, morphological, semantic, lexical, and spelling points of views, all with respect to diachrony and synchrony. The aim is also to put the borrowing and presence of loanwords in the Mongolian language into a broader historic and social context and to characterise the current attitude of Mongolians to loanwords and to certain phenomena related to the loanwords.
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Contemporary Art in Ulaanbaatar
Prachařová, Rebeka ; Oberfalzerová, Alena (advisor) ; Zikmundová, Veronika (referee)
The B. A. thesis deals with research of the art scene in Ulaanbaatar, specializes in painting and presents an analysis of its current condition. At the beginning it briefly describes the history of Mongolian painting since the 16th century and the origin of the traditional Mongolian paint- ing. The following two chapters focus on the description of the painting scene of Ulaanbaatar through nine artists. They define the main genres and topics of contemporary works of art. The thesis is supplemented with the information about institutions and associations of the contem- porary artists in Ulaanbaatar. The ending of the thesis compares historical influences on the contemporary creation, parallels with the modern Europian painting and current tendencies of the painters of Ulaanbaatar. Key words art movement art style artist artwork contemporary art scene exhibition areas fine art modern art Mongolia painting of Tibetan buddhism SUIS - Mongolian University of Art and Culture themes of paintings traditional Mongolian painting - mongol zurag Ulaanbaatar
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The Becomings of Narrative: Transformation and Transmutation in the Tibetan and Mongolian 'Enchanted Corpse' Cycle
Mikos, Rachel ; Oberfalzerová, Alena (advisor) ; Zikmundová, Veronika (referee)
The goal of this thesis is the investigation of the narratives of the originally Indian cycle of tales of the Enchanted Corpse (Sanskrit: Vetālapañcavinśati, Tibetan: ro sgrung, Mongolian: siditu' kegu'r-un u'liger) in their translation and cultural transmission to Tibet and Mongolia. Primarily, this work addresses these tales from a theoretical standpoint based on the writings of French philosopher Gilles Deleuze, whose idea of "nomadology" appears highly suitable for investigating the striking differences of all of the various linguistic mutations. In particular, Deleuze's analysis of language, nomadic space, "becoming" (devenir), the body without organs (corps sans organs), speech and silence, can be very effectively applied to the interpretation of these tales in the new cultural environments of Mongolia and Tibet.
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Mongolský tradiční oděv
Havlíčková, Veronika ; Oberfalzerová, Alena (advisor) ; Zikmundová, Veronika (referee)
This work focuses mainly on describing Mongolian traditional costume. The structure and style of Mongolian deel are presented. The work discusses Mongolian traditional costume in different historical periods which were essential for its development, and describes the traditional costumes of several Mongolic ethnic groups, including their footwear, headdress, jewels, and other accessories, and some specific ritual costumes. It also features the production of traditional clothing materials in Mongolia, particularly, leather tanning and felt manufacturing. Lastly, a glossary, images of some studied exhibits from Náprstkovo Museum, and paper-cut model of traditional deel are included in the appendix.
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Labour migration of the Hawan Ha Clan Mongghul to Aksu in Xinjiang
Ha, Mingzong ; Zikmundová, Veronika (advisor) ; Oberfalzerová, Alena (referee)
Labour Migration of the Hawan Ha Clan Mongghul to Aksu in Xinjiang Abstract: The current work focuses on the ongoing labour migration of the Mongghul Ha Clan from Hawan, Gansu Province to Aksu in southern Xinjiang. It presents the motivation for the migration, and examines the social, economic and cultural changes the migration has catalyzed. Impacts on local Uyghur engendered by in-migrants are discussed. The work also features an overview and a generalization of the contemporary labour migration in China and Xinjiang in particular. Interviews with migrants are transcribed in Mongghul and translated to English and serve as an important source for the work.
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Mongghul Ha clan oral history
Ha, Mingzong ; Zikmundová, Veronika (advisor) ; Oberfalzerová, Alena (referee)
The current bachelor thesis focuses on the oral history of Mongghul Ha Clan (in Hawan Village, Tiantang Township, Tianzhu Tibetan Autonomous County, PR China). The clan's migration from the acenstral homeland of Xihajia in the contemporary Huzhu Tu Autonomous County, Qinghai Province to the current place of residence in Gansu Province in three waves from 1918 to 1942 is examined. Interviews with clan elders, transcribed in Mongghul and translated to Czech are an important part of the study. The clan's family chronicle and oral legends are also dealt with. The introduction features an overview of related, relevant previous work and the concluding chapter describes the impact migration has brought to the clan.
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Mongolian traditional footwear
Havlíčková, Veronika ; Oberfalzerová, Alena (advisor) ; Zikmundová, Veronika (referee)
This work deals mainly with the description of the Mongolian traditional boots, which is presented in the first and the largest chapter. Different parts of the boots, their decorations and socks worn together with the boots, are described. Subsequently discussed is the ornaments primarily used on the shoes. The next chapter focuses on the differences of the Mongolian traditional footwear and other styles found among the Mongolian people. The work then describes the production of the material Mongolian boots are made from. The largest part of this chapter describes the traditional felt making. The next chapter talks about the practices that are associated with the boots and the last chapter, which is drawn from my personal research for this work, presents an introduction of some of the exhibits from Náprstkovo Museum in Prague .
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The Mongolian cinematography in years 1936-1991
Chačatrjan, Arevik ; Zikmundová, Veronika (referee) ; Oberfalzerová, Alena (advisor)
Cílem této práce je popsat vznik a vývoj mongolské kinematografie od začátku 20. století do roku 1991. V první kapitole jsem rovněž stručně popsala vývoj mongolské kinematografie po rozpadu socialismu v roce 1990 a její nové cesty v hledání demokratické společnosti. Pokusila jsem se postihnout širší kulturní a etnografická východiska, jimiž se mongolský film inspiroval, včetně obrovského vlivu, který měla sovětská kinematografie na vznik a formování kinematografie mongolské. Ve druhé kapitole jsem představila současného významného mongolského režiséra, scénáristu a filmového vědce G. Džigdžidsiirena a jeho uměleckou tvorbu. Ve třetí kapitole jsem seřadila filmy podle základních filmových žánrů a uvedla jejich obsah s komentářem. Powered by TCPDF (www.tcpdf.org)
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