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Early work of Sebastiano Luciani called del Piombo in Venice till 1511
Pokorná, Barbora ; Zlatohlávek, Martin (advisor) ; Nespěšná Hamsíková, Magdaléna (referee)
The baccalaureate dissertation "The early-maturing work of sebastiano Luciano (called del Piombo) till 1511 in Venice" deals with the problem of early maturing period of Sebastian's work in Venice before he left to Rome. The first part of the dissertation presents basic information about Sebastian's life, work and a review of his major works. The main part of the dissertation is focused upon Sebastian's younghood and the development into genious artist by confrontation with simultaneous artists and their influence. This period brought him acknowledged position between other artists in Venice and Rome. Another part of the dissertation presents the review of art pieces that he made during his early maturing period in Venice and their influence in the work of other artists. The dissertation is concluded by Venice art work catalogue.
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Drawings Filippino Lippi's for the frescoes in the chapel Strozzi and Carafa
Kolomazníková, Karina ; Zlatohlávek, Martin (advisor) ; Nespěšná Hamsíková, Magdaléna (referee)
The Barchelor thesis "Drawings Filippino Lippi's for the frescoes in the chapel Strozzi and Carafa" is devoted to the Italian Renaissance painter and draftsman Filippino Lippi. Mainly his drawings for the frescoes in the Strozzi and Carafa Chapels. After the basic informations about his life and work, with summary of his basic work, Lippi is treated as draftsman. There is captured his workshop experience as well as several important drawings, which he made. The main part of this thesis discusses the frescoes in the Strozzi Chapel in the Florentine church Santa Maria Novella and in the Carafa Chapel in the Roman church Santa Maria sopra Minerva and about extant and so far assigned drawings for these Filippino Lippi's frescoes. There is also mentioned several drawings, which is reltated to these wall painting and they were made by the other artists. In the conclusion of this thesis there is attached a catalogue of Lippi's preparation drawings for these frescoes.
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The Prague painting Saint Luke painting the Virgin by Jan Gossaert called Mabuse
Hamrlová, Anna ; Zlatohlávek, Martin (advisor) ; Jarošová, Markéta (referee)
The National Gallery in Prague conserves an important masterpiece of the Fle- mish mannerist Jan Gossaert. The panel painting Saint Luke painting the Virgin was originally determined for the cathedral of Saint Roumboult in Mechelen in Belgium. The artwork represents one of the first applications of Renaissance style behind the Alps. Gossaert was educated in this new style during a visit to Italy several years earlier and combined it with traditional Flemish art. The artist worked for the court of Margaret of Austria in Mechelen around the year 1513, the year the painting originates. His traditional style became influenced by the techniques used in Mechelen by foreign artists. The theme is painted the tradi- tional manner of work on an oak panel. Renaissance and Gothic architecture is decorated by " en grisaille" sculptures. A seemingly simple theme is given deeper meaning thanks to these objects containing hidden meanings. There are also some prints from the time the panel was in the Saint Vitus Cathedral in Prague due to which we can contemplate the progress in presentation of the painting during centuries. 1
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Typology of Renaissance portico of royal works around mid - 16th century in Bohemia. Kostelec nad Cernymi lesy, Podebrady, Brandys nad Labem
Čermáková, Lucie ; Jarošová, Markéta (advisor) ; Zlatohlávek, Martin (referee)
Renaissance arcades typology of royal architectural works in Bohemia around 1550 A.D. Kostelec nad Černými Lesy, Poděbrady, Brandýs nad Labem. Chateaux owned by ruler Ferdinand I. and situated outside of Prague served as a hunting residences. The buildings became king's property in the 1540th . Various reasons for rebuilding led to conversion from gothic castles to comfortable renaissance chateaux. Renaissance appearance of chateaux with an emphasis on the form of courtyards and arcade's corridors are the main topic of this thesis. Types of arcades are examined on three selected buildings, chateaux in Brandýs nad Labem, Kostelec nad Černými Lesy and Poděbrady. For entire overview of morphology used in renaissance arcades passages it is important to point out noble mansions in whose courts the arcade's corridors were used as well. This thesis specifically attempts to bring the analogy to the selected buildings in the Czech environment and also in foreign countries. The examples in the treatises and the inspiration for certain types of arcades from Antique to the Renaissance period are also reminded.
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Martinic Palace in Prague during the ownership of George Bořita of Martinic and his follower Jaroslav Bořita of Martinic. Its architectural form and decoration
Poláčková, Daniela ; Nespěšná Hamsíková, Magdaléna (advisor) ; Zlatohlávek, Martin (referee)
Bachelor thesis "Martinic palace in Prague during the ownership of George Bořita of Martinic and his follower Jaroslav Bořita of Martinic. Its architectural form and decoration" is based on the Martinic palace in the Hradčany square during the ownerships of George Bořita of Martinic and Jaroslav Bořita of Martinic. At the beginning you can find the list of the owners, who owned the palace, during this there appeared important changes not only architectural, but also in decoration. The first cheapter is devoted to the list of the owners who owned the palace. The next cheapter is about the architectural appearance of the palace, that is about the inside and outside. There is also a cheapter, devoted to the Martinic family, the first of all about the two owners of the palace, which where pround to be discendents of this family. They are George Bořita of Martinic and Jaroslav Bořita of Martinic, who made important changes of the palace. Among them also sgraffitos on the main frontage in the direction of Kanovnická street. There are elaborated Joseph stories. Another sgraffitos was used on two walls of yards frontage, where you can see Samson's deeds and Hercules acts. We must not forget the sgraffito on the southern wing of southern wall, where is perhaps the old story. Because of the damage we cannot say,...
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The Italian Architects from the second half of the 16-th century in the South Bohemia with regards to work of Antonio Ericeri and Baldassare Maggi at the castle buildings in Jindřichův Hradec and Telč
Mach, Pavel ; Nespěšná Hamsíková, Magdaléna (advisor) ; Zlatohlávek, Martin (referee)
Vlašští stavitelé druhé poloviny 16. století v jižních Čechách se zvláštním zřetelem k práci Antonia Ericeri a Baldassara Maggiho na zámeckých stavbách v Jindřichově Hradci a Telči. Diplomová práce. Pavel Mach vedoucí práce: Mgr. Magdalena Nespěšná Hamsíková, Ph.D. - Praha, 2011 - 163 s. Abstract The residences of the Czech and Moravian nobility were form way back symbols of power, representativeness and wealth. As well as it happened in the case of the castle buildings of the Rožmberks and the Lords of Hradec in Jindřichův Hradec and in Telč. Rows of Vlachs and other masters, who transformed the character of the then towns in the new renaissance direction according to the desires of the investors and the then construction trends, were coming not only in these places. The names of Vlachs, among which the front place takes Antonio Ericer, Baldassare Maggi, Antonio and Benedetto Domenico Cometta of Giovanni Maria Facconi, ranked in their times not only among the front representatives of construction acts in the dominion of the Rožmberks and the Lords of Hradec in the south of Bohemia and Moravia, but also among the significant masters of the Czech and Moravian architecture ot the 16th and 17th centuries. The to-this-day preserved remarkable palaces and castle compounds are still surrounded with lack of...
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Giovanni Pietro Tencalla - The Church of St Anne and St James Major in Stara Voda in Libava
Lepíková, Dagmar ; Zlatohlávek, Martin (advisor) ; Horyna, Mojmír (referee)
Giovanni Pietro Tencalla -The Church of St Anne and St James Major in Stara Voda in Libava This diploma thesis deals with the construction development of the Church of St Anne and St James Major in Stara Voda in Libava from the original project made by G. P. Tencalla to the present time. This church was built on the oldest pilgrimage place of St Anne in Bohemia under the episcopal rule of Charles II. of Liechtenstein-Castelcorn, Bishop of Olomouc. It was permanently damaged during the second post-war period in the 20th century. The cause of this situation was the establishment of the Military Training Space in Libava. The church started to dilapidate and the pilgrimages were stopped. There was the damage on purpose to this church and its existence was even threatened. The effort of the public authorities to destroy it or to save it on the contrary is described in detail. The last chapters of the diploma thesis describe the restoration of the church after 1989 and include thoughts of its future use and the way of it is repaired. Keywords: Church of St Anne and St James Major in Stara Voda Giovanni Pietro Tencalla Charles II. of Liechtenstein-Castelcorn, Bishop of Olomouc Destruction Restoration
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Bartholomeus Spranger in the collections in Czech Republic
Liška, Jan ; Zlatohlávek, Martin (advisor) ; Nespěšná Hamsíková, Magdaléna (referee)
Diploma work contains the description of the personality of the painter Bartholomeus Spranger and his work in the Czech collections. The portrait painter Bartholomeus Spranger lived from the year of 1546 to the year of 1611. He was born in Antwerpen and afterwards he was travelling around the Europe. At first he was going to the France ( Paris and Lyon ) and then he was going to the Italy ( Parma, Milano and Roma ). In the year 1575 he is called up to the Vienna and afterwards in the year 1580 to the Prague. The object of this work is an analyse of production in Czech collections and evaluate of their authorship. Futher on then the object of this work is exploration the sources of Documentary and also a critical evaluation of the used literature.
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Inspiration by Albrecht Dürer by in the art of Hans Hoffmann. So called Dürer's Renaissance at court of Rudolf II.
Lišková, Barbora ; Nespěšná Hamsíková, Magdaléna (advisor) ; Zlatohlávek, Martin (referee)
The Bachelor thesis is focused on the inspiration of Albrecht Dürer in paintings of Rudolphin's painter Hans Hoffmann with a particular consideration to his painting The hare in a forest (1585). Based on what will be the centroid of the work, I would like to outline broader contexts of the role which Dürer's art played on the Rudolph's court. Next to the fundamental chapter containing an compendious characteristic of the A. Dürer's personality and art will be the part of work an epitomize disquisition about Rudolph II.'s admiration to this Renaissance master and about his successful efforts about an acquirement of his arts into Caesarian collections. The labor will also include an epitomize disquisition about Dürer's inspirations by another artists of Rudolph II.'s sphere.
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