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Human-like bot
Dufek, Jan ; Kadlec, Rudolf (advisor) ; Dvořák, Filip (referee)
The main goal of my thesis is to create a bot for Unreal Tournament 2004 whose behaviour will be as similar as possible to human controlled players. At the beginning, I measured game play data from both humans and bots. Then, I chose one initial bot and I did five iterations of comparing bot data with humans data, selecting one difference, improving the bot with the aim to eliminate the difference and measuring data again. The successful improvements I made were removing rotations during running, adding reactions on hit and better weapon switching. The improvements that did not make a difference were adding a camping and roaming objective and evade using visibility module. In the end, believability of the bot was tested during a study with human players. The bot will take part in a human-like bot competition named the 2K BotPrize.
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German and Czech logistics terminology
Dufek, Jan ; Vachková, Marie (advisor) ; Berglová, Eva (referee)
V předkládané rigorózní práci se zabývám lingvistickou analýzou německého a českého terminologického systému v logistice. Tato práce se skládá ze dvou částí, teoretické a praktické. V teoretické části nejprve objasňuji, co se rozumí pod pojmem odborný jazyk a terminologie a zkoumám, jakých výsledků bylo v oblasti terminologické vědy a výzkumu odborného jazyka dosaženo. Opominout nelze ani lingvistickou práci v oblasti logistiky a problematiku vztahů mezi termíny, které představují metodiku této práce. V praktické části je prováděna analýza německé terminologie v logistice pomocí sémantických vztahů mezi termíny. V popředí těchto rozborů stojí vztah celku a části, který je dále ještě determinován specifickým příznakem. Na tuto empirickou část navazuje kontrastivní analýza německé a české terminologie v logistice, v níž se kromě rozdílů sémantických bere zvláštní zřetel na odlišnosti v počtu jednotlivých komponent příslušného termínu jakož i na slovotvorné rozdíly při konstrukci názvosloví v obou jazycích.
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Construction of a gag in the works of Monty Python
Sláma, Matěj ; DUFEK, Jiří (advisor) ; DOLENSKÝ, Martin (referee)
The goal of this thesis is analysis of Monty Python’s comic. I do analyse the functionality from the dramaturgical point of view on the one hand and the formal structure on the other hand, that is slightly different in the film production and in the TV production. I am focusing on the gag structure, following the tradition of the mute slapstick comedy, where you can also see their specific point of view of this film genre. Gag is the smallest part of this genre. In the first part of my thesis, there is an analysis of the gag principle in general, in the second part I compare how is this British humour group working with gag and I illustrate it on the examples from the TV serial and from the movie.
From the analysis, I realized that it’s not the absence of the point, but the distancing effect, what makes Monty Python’s gag so original.
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What turnes Bluebeard into killer
Jarošová, Andrea ; DUFEK, Jiří (advisor) ; VAJCHR, Marek (referee)
Bluebeard is a killer, whose reason for the killing differs in every adaptation of his story. Along with Bluebeard's motivation for murder is changing not only the degree of his guilt, but also the importance of his existence. He is not even always taken as a real chcaracter, in some interpretations he is understood as a manifestation of destructive processes in the girl's mind. The work deals with the examination and comparison of these different approaches. I am exploring how to build a character in a adaptation, it the story of the character is missing in the original tale.
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Being scriptwriter
Parkanová, Beata ; MAŠEK, Vojtěch (advisor) ; DUFEK, Jiří (referee)
The goal of my Master thesis is to sketch requirements and possibilities in scriptwriters profession and to find out, what options student have in order to work as a scriptwriter professionally. What can Department of Screenwriting and Script-editing offer to the students in order to prepare them to be successful in this field.
My work is based on interviews with active professional screenwriters, questionnaires of students and last but not least, my own experience from being student and becoming professional.
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Elements Of The Road Movie Genre Focusing On The Theme Of Family In Contemporary Cinematography
Honzková, Aneta ; DUFEK, Jiří (advisor) ; MRAVCOVÁ, Marie (referee)
In the bachelor thesis I am focusing on the modifications and use of the road movie genre focusing on the theme of family.
Road Movies have variety of forms, but they all have one exact rule - moving from point A to point Z. What is going to happen on the road, that is unknown. I will try to demonstrate - on the examples of contemporary road movie - how our generation is losing conslusions, dreams and goals. What do we want, when do we want, why do we want? What are we searching for. Our generation is led to reach the most in the minimum of time. The most as fast as possible.
It only leads to the rebelion, we are becoming the same anti-heroes as we know from the road movies. And we are getting on the road, searching for that "something" that will give us the meaning of our lives.
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Film as an organism and as a machine
Šindelka, Marek ; DUFEK, Jiří (advisor) ; BERNARD, Jan (referee)
Abstract
The thesis focuses on comparsion of theoretical aproaches of Sergei Eisenstein, Dziga Vertov and Andrei Tarkovsky, as a three completely different positions on a scale between organic and mechanic film. Each of these positions has its own specific temporality, according to editing method used by the artist: Eisenstein's dialectic montage in the mode "human-nature", Vertov's dialectic montage in the mode "eye-material", and Tarkovsky's antidialectic montage of self-generating film structure based on time pressure within the shots.
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Significance of characters in modern cinematic fairy-tale by Ota Hofman
Pařízková, Tereza ; DUFEK, Jiří (advisor) ; DUTKA, Edgar (referee)
In this work I deal with analysis of purport of magical characters in Ota Hofman's work.
Hofman is a founder of modern cinematic fairy-tale in Czechoslovakia and his work cinematic and literary is known worldwide. My aim is to describe and categorise his world in its own developmental stages and peripeteia, showing intensity of authorship in his work. Connecting children's psychology with behaviour and motivation of his characters, I would like to show the children's world as seen through Ota Hofman's eyes.
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