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Hyperspeed Reach - Audiovisual Performance
Kočišová, Lenka ; Vojtěchovský, Miloš (referee) ; Skočovský, Luděk (referee) ; Palla, Marian (referee) ; Ruller, Tomáš (advisor)
This dissertation thesis describes the phenomenon of audiovisual performance in different connotations. A substantial part is devoted to psychological survey into my own subconscious and subsequently to metaphorical processing of this introspection. An important part of the work is a resume of the general knowledge of the physical properties and its metaphorical application on mental and creative processes. This analysis and explanation of internal cognitive models are implemented in terms of the study of relationships, interactions based on cooperation or confrontation, but also the inability to grasp the objective reality from the subjective position due to the merged distinctions of real and fictional. The importance of audiovisual performance is also studied in linear perspective of history, in order to point out the general principle of repetition patterns, which reveals that audiovisual performances is an activity which is a necessary expression of life itself and not just the concept in the field of arts.
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The Electrical Enterprises of the City of Prague and Avant-garde Films
Krejčová, Kateřina ; PETŘÍČEK, Miroslav (advisor) ; VOJTĚCHOVSKÝ, Miloš (referee)
This paper, based on archival and period media research, tries to describe the relationship between the Electrical Enterprises of the City of Prague and the Czechoslovak avant-garde in the 1920's and 1930's. The Electrical Enterprises of the City of Prague helped to carry out several exceptional film and intermedia projects through their regular advertising contracts, including the film Praha v záři světel (Prague by Night, 1928), Zdeněk Pešánek's light-kinetic sculpture (1930) or the short experimental film Světlo proniká tmou (Light that Penetrates Darkness, 1931). There are also screenplays in the company archives which have never been realized but demonstrate much about the relationship between advertising and art in the interwar period. The author emphasizes the role of the public's general fascination with electrification, artificial light in the modern city and new forms in the collectively shared public space.
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Human Voice Phenomenon in contemporary audiovisual art
Abrahám, Stanislav ; VOJTĚCHOVSKÝ, Miloš (advisor) ; BLAŽÍČEK, Martin (referee)
This diploma thesis develops the theme of the bachelor thesis: Human voice, artificial speech ? vocal speeech and the context of its representation through technical tools. In bachelor thesis I created a clear structure of concepts and categories of the ways in which people spread their voice speech through Information and Communication Technologies. I also dealt with the nature of the changes that happen to the human voice in the process of its representation. In diploma thesis I apply the theoretical basis of my bachelor thesis when analyzing specific works of contemporary audiovisual art. I reflect the broad contexts of the phenomenon of the human voice in selected artistic concepts through the analysis of practical examples. Key terms are words remediation, phonography, sound installation, performance, artistic concept.
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The fujara and the shakuhachi
Matvija, Marek ; BENDOVÁ, Helena (advisor) ; VOJTĚCHOVSKÝ, Miloš (referee)
Ve své bakalářské práci srovnávám dva hudební nástroje, japonskou flétnu šakuhači a slovenskou fujaru. Oba nástroje hrají významnou roli pro stavbu identity jejich hráčů a jsou znakem mužského genderu. Toto je v práci prokázáno skrze rozbor jejich současných i historických sociálně kulturních kontextů.
Zatímco společenský kontext flétny šakuhači postupně vedl k vytvoření eroticko-sexuálních konotací, které se v běžné japonské vizuální i verbální komunikaci stali primárním významem slova "šakuhači", u fujary jsou tyto konotace pouze sekundární. Naopak fujara se jako endemický slovenský hudební nástroj stala důležitým symbolem slovenského národního diskurzu a uvědomění. Kdežto šakuhači není v současné době využívána jako proponent nacionalistických tendencí v japonské společnosti.
Práce sleduje různé estetické a kulturní mechanizmy, které, byť podobné, vedly k rozdílným významům obou nástrojů v jejich "domácích" společnostech.
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Creative use of audiovisual technologies in contemporary czech alternative theatre
Kalivoda, Jan ; VOJTĚCHOVSKÝ, Miloš (advisor) ; HORÁKOVÁ, Jana (referee)
The use of modern audiovisual technologies, in particular digital technologies and new media is an inseparable part of contemporary theatre. It is apparent that most progressively it has been developing in post-dramatic theatre forms such as modern dance, performing art, motion, art and experimental theatre which were labeled in our country (quite inaccurately) as an "alternative theatre".
The first part of my bachelor thesis follows the development of different uses of audiovisual technologies in Czech theatre. It shows that Czech avant-garde theatre experiments in the examined field of study belonged until the 1950ies to the most progressive worldwide movement and at the same time it looks for the reason why the use of technologies in contemporary theatre falls to a large degree behind the world trends.
The second (principal) part of the thesis is aimed at the survey of contemporary progressive trends in the Czech alternative theatre. Two theatre groups that continuously deal with the use of technologies were selected to a thorough analysis. The first one is Antena Theatre Groupe led by Petr Krušelnický, the other one is Handa Gote ? Research and Development.
One of fundamental aims of the thesis is to point out the fact that quality and technologically innovative theatre works have been recently created practically solely off the "mainstream", in the margins of public and media attention as well as state institutions supporting culture.
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