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Slovinské umění po roce 1980 a skupina Irwin
Sadovski, Katarina ; Dvořák, Tomáš (advisor) ; Silverio, Robert (referee) ; Klaricová, Kateřina (referee)
Ve své diplomové práci se zabývám slovinským uměním po roce 1980. V první části přibližuji politické pozadí tehdejší doby a jeho vliv na Interrupted Histories, subkultury a slovinské umělce, kteří vzešli z této scény. Ve druhé části hodnotím NSK a NSK state, skupinu Laibach a především kolektiv Irwin, kterému věnuji ve své práci větší pozornost. Zaměřila jsem se na jejich činnost a na jejich hlavní myšlenku, která říká, že žádný totalitní systém se nesmí opakovat. Snaží se přenášet svůj uhel pohledu na veci tím, že oživují původní totalitní systémy. V roce 1980 získala slovinská fotografie svou nezávislost.
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Forgotten Carinthian Photographers
Golob, Rok ; Scheufler, Pavel (advisor) ; Silverio, Robert (referee)
Photography is one of the media of mass reproduction of the artwork in the era of industrial society, accompanying one of the most unpeacefule time in the history. My master degree work follows the developement of photography in Carinthia from the end of 19th century up to the 1996 in the light of historical, political, social changes and the development of photographic artisanship. Following the work of local photographers as Ferdinand Andreiz, Franc Chovník (1881 ? 1971), Stanko Chovník, (1927), Maks Dolinšek (1910 ? 1987), Maks Kunc (1930 - 1997), Dr. Hans Harpf (1866 ? 1938) I found some technically and thematically excellent photographic works, but I also stated their basic tendence to document static views of Carinthia rather than its stormy history.
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Romani Theme in Czech Photography
Kubíčková, Dora ; Musilová, Helena (advisor) ; Silverio, Robert (referee) ; Grygar, Štěpán (referee)
Romani people have been a popular subject of Czech photography, mainly the documentary one. This theme is very attractive both by its exoticism and availability. The focus was mainly in the research of sources. We targeted the photographers of the twentieth and twenty-first centuries for whom this theme was crucial - whether they dealt with it on a long-term basis or it appeared in just one of their series.
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EMPIRE
Babuščák, Ladislav ; Pospiszyl, Tomáš (advisor) ; Silverio, Robert (referee)
The subject-matter of this bachelor thesis, is a film by an American artist Andy Warhol called EMPIRE, which I subjected to a detailed analysis from a formal and significant stand point. The following chapters elucidate the EMPIRE in various connections with a film medium, it´s history, it´s link with a state of an American society, but also in connection with other artists or particular art works. Analysis of this movie is interconnected with hypothesis and contemplations over possible meanings, or symbols of the film.
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David LaChapelle
Malý, Jan ; Silverio, Robert (advisor) ; Ptáček, Josef (referee)
In my work i am engaged at life and work of american photographer David Lachappelle. In first part i compare Lachappelle creation accordingly along mode and portrait with historical connections in photography. I present him in the kontexts with american popculture and his progress from childhood to present. I describe his character of his work, style how he forms his style. And how he edge in portraiture celebrities.
In second part i occupy one´s mind after "samet" revolution prograssion of czech society and accesion of popculture in to the film, theatre and media. Follows his biography in which i describe Lachappelle progress - effect of his mother and his illness.
His life in studies to meet with Andy Warhol.
And start of his career upon this day. His actual work. I have there collage contains as in-person bearings, tact, all over himself ingress to creation and life. I was finding causes about facts, who these pictures are rised and who is that, who made these pictures.
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