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Oldrich John - rise and fall of a politician
Pácl, Bohumil ; Matějka, Ondřej (advisor) ; Tůma, Oldřich (referee)
This bachelor thesis deals with Oldřich John, the first chairman od The National Assembly of the Czechoslovakian republic after February 1948, as the top representative of social democracy who participated in mergering the social democracy and Communist Party of Czechoslovakia and therefore in development of totalitarian regime, which led into his political descent, also with careluf contribution of State Security. Author of the thesis establishes the key theory, that such a man, who is due to his talent, abilities and ambitions predestined to become a politician, in fact made great contribution to the victory od non-democracy regime, so this newborn regime could bring him down just for being homo politicus. The development of John's political career, evolution of his personal characteristic, qualities, ways and means of communication is described down to available sources, including eyewitness to his acting, authentic records, media resources, and also by personal profile analysis of politically active person brought by science books. On the basis of results of this thesis we may come to the conclusion about political elite's responsibility in the context of political turns in February 1948.
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Women Strike for Peace against Nuclear Arms and the Vietnam War
Kunovská, Kristýna ; Pondělíček, Jiří (advisor) ; Tůma, Oldřich (referee)
This Bachelor's thesis deals with the women's peace activist group Women Strike for Peace (WSP) and its opposition to nuclear arms and the war in Vietnam. It covers the period from 1961, when the group was founded, to the early 1970s. In my thesis I deal with WSP membership characteristics, tactics the group used to achieve its goals, important protests or other significant activities that WSP conducted in connection with its dissenting opinion on nuclear arms and the war in Vietnam. WSP held an important position in the Cold War peace movement. Already at the beginning of its activities, WSP had support from many American women and media because of its decent, respectable behavior and emphasis on motherhood. WSP used gender stereotypes to legitimize its activities, claiming, for example, that women as mothers have the right to decide on nuclear arms testing, as there are plenty of harmful substances entering the atmosphere that affect children's health. Women used the same tactics also when their sons were taken to the war in Vietnam due to conscription. However, in the second half of the 1960s, WSP protests and actions became more radical, resulting in increasing criticism from society. The original theoretical basis of WSP also questioned the fact that younger female members began to identify...
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Czechoslovak action art and performance between 1963 and 1989: was the artistic freedom restricted by the State security?
Coverini, Valeria ; Zelená, Alena (advisor) ; Tůma, Oldřich (referee)
Práce zkoumá přístup v omezování svobody umělecké tvorby Státní bezpečnosti v případě československých akčních umělců. Zabývá se obdobím mezi lety 1963 až do tzv. sametové revoluce v roce 1989. Na konkrétních reprezentativních příkladech zkoumá intenzitu a vývoj omezování svobody tvorby ze strany Státní bezpečnosti. Ze sta zkoumaných umělců jsem vybrala ty nejsledovanější Státní policií a po vyhodnocení zúžené skupiny umělců jsem vybrala čtyři umělce, kteří tvoří reprezentativní vzorek zahrnující území Česka i Slovenska, období tvorby a závažnost omezení. Vybranými akčními umělci jsou Eugen Brikcius, Milan Knížák, Alex Mlynárčik a Tomáš Ruller. Ve zvláštní kapitole rozebírám rok 1989, který se svým charakterem liší od předchozích let. Fakt, že byla svoboda tvorby akčních umělců v Českoslovenku omezována je nediskutabilní. Hlavní otázkou výzkumu zůstává, zda se omezování tvůrčí svobody akčních umělců ze strany Státní bezpečnosti lišilo v průběhu 60., 70. a 80. let, případně jestli se lišilo a jak v Česku a na Slovensku. Intenzitu omezování definuji vězněním, omezením cestování, pokutou, žádostí o spolupráci se Státní bezpečností nebo například nemožností získat vzdělání či práci v závislosti na umělecké tvorbě.
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