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The Totalitarian Power and Surveillance in the Auschwitz
Valášková, Lucie ; Fišerová, Michaela (advisor) ; Marcelli, Miroslav (referee)
The main aim of this diploma thesis is analysis of the surveillance and the power relationships in the Nazi concentration and extermination camp Auschwitz. The thesis attempts to contribute to understanding of the surveillance operation and the power technologies in the Auschwitz by comparison of the Michel Foucault's theoretical concept of power and surveillance with the totalitarian power according to Hannah Arendt. These two concepts will constitute the main theoretical base of this thesis. The thesis attempts to characterize Nazi politics of possible visibility and displayability on the basis of Didi-Huberman's reflection of the Auschwitz-Birkenau visual representation. Keywords: Discipline. Surveillance. Hannah Arendt. Michel Foucault. Power. Totalitarianism.
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Photography in the Service of Journalism: A Social Semiotic Analysis of the Winning Pictures of Czech Press Photo (2006-2015)
Patáková, Veronika ; Řehořová, Irena (advisor) ; Fišerová, Michaela (referee)
This thesis deals with visual communication in the form of photography. Explaining the theories of Roland Barthes and Vilém Flusser we point out the tight relationship of this medium with reality that obscures its constructive character. The witness role of photography seems to be essential in the context of journalism, where we are offered a story by the pictures that is however mistaken for reality itself. The thesis tries to present practices of media discourse that make us perceive an event as newsworthy. It draws on the theory of news values and the methods of social semiotic analysis and applies these to the winning photos of the contest Czech Press Photo (2006-2015). We highlight the semiotic resources used in the meaning-making process in relation to each picture. The results show that the preferred constructed news values are negativity, aesthetic appeal, proximity and personalisation and that the winning photographs mostly strengthen their semblance of being strictly informative.
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Fashion as a Differend
Schambergerová, Lucie ; Fišerová, Michaela (advisor) ; Charvát, Martin (referee)
The work called Fashion as a Differend presents the demands of critics of fashion and shows that they are in decomposition with its definition as defined by J. - F. Lyotard in the context of a postmodern condition. It argues that discourse overriding the demands of fashion critics is asymetrical with discourse within which fashion is defined. It turns out that there is a logical paradox with regard to the essence of fashion, which is transience or rapid change (at least as fast a change in society) and the floating demand for slowing down, stability and other criticisms that are linked to its transformation.
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Seeing is Deceiving: Issues of Truth and Reality in the Contemporary Documentary
Radostová, Kristýna ; Řehořová, Irena (advisor) ; Fišerová, Michaela (referee)
This thesis examines the issue of depicting reality and truth in contemporary documentary. Documentaries are often considered to be a mirror to the real world, but this is not always the case. Filmmakers can manipulate their work in a manner that changes the story to be more interesting for viewers. This thesis introduces a documentary discourse, provides contexts of documentary history in the 20th Century and looks more closely at issues of depicting reality and truth. This is shown through textual and visual analysis of chosen contemporary documentaries made by Errol Morris and Michael Moore.
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Time in Film. Comparison of the Conception of Jan Mukařovský and Gilles Deleuze
Kadlecová, Vladimíra ; Fišerová, Michaela (advisor) ; Michalovič, Peter (referee)
The topic of my diploma thesis is a comparison of speculation about a film from two perspectives. Firstly, it deals with the approach of Jan Mukařovský, a Czech structuralist, who was one of the first in the Czech context to explore the time concept in a film. Secondly, it considers the approach of Gillese Deleuze, who was accredited with the new view on the time-image in a film, however, much later than Jan Mukařovský. The aim of the paper is to explain the way the approaches of Mukařovský and Deluze relate to other approaches of thinking about time in films, the influence of other concepts of their time that they both theoretically based their views on, as well as specifying the films that became the starting points of exploring the time in films. The method of comparison is divided into three aspects, as three comparison levels.
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Media image of Czech and France politics
Serbusová, Monika ; Zbořil, Zdenek (advisor) ; Fišerová, Michaela (referee)
The hypothesis of this diploma thesis is that the French and Czech media informed differently about their domestic political situation as well as about political situation of the other country. This should be in accordance to theories of Michel Foucault and Roland Barthes, concerning language as a tool of power. Are media acting like an instrument of power of their own countries? The research in this thesis is based on qualitative content analysis of relevant texts. Content analysis is complemented by analysis of the accompanying photos. Texts and images are taken from selected Czech and French newspapers (such as Le Monde, Le Figaro, L'Equipe, Libération, Lidove noviny, Pravo, Mlada fronta Dnes), which appeared during the Czech presidency of the European Union. The work focuses on news, comments and analysis articles. These sources are searched for statements that are calling attention to the specific meanings of the meanings of common, whether the statements of facts, or expressive. Statements are analysed not only in terms of their frequency, but in particular as a meaning system.
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Differend and Biopower. Discursive Regulation of Covering Muslim Women in Czech republic
Balážová, Lucia ; Fišerová, Michaela (advisor) ; Marcelli, Miroslav (referee)
The diploma thesis combines the theoretical concepts of postmodernism and biopower, that are subsequently applied to the particular issue of covering Muslim women living in the Czech Republic. This problem includes the religious, gender, media, social and philosophical level. Each of them is supported by key authors who are experts in this issue. Michel Foucault's concept of biopower, that covers both social and individual bodies through power discourse, interferes with the clothing, that gender attribute, like the Muslim veil, is based on the ideas of Judith Butler. The priority is the ambivalent conception by Jean-François Lyotard, as a kind of conflict, the outlet of which is pluralistic debate. The aim of the thesis is to find a tolerant solution of the current erratic situation in the collision of European and Middle Eastern cultures in the Czech Republic, like wearing the Muslim veil, as the expression of Islam in public with applying Lyotard's demanding ethics of accepting pluralism as an alterity. Key words: postmodern, contradiction, biopower, Muslim veil, media discourse, gender, plurality
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Imagology of Current Advertisements
Tomková, Gabriela ; Fišerová, Michaela (advisor) ; Kladný, Tomáš (referee)
This thesis deals with advertising images. It contributes to discussion about position of image in present visual field. It also speaks about influence of image on contemporary society. The starting point and theoretical basis are Visual studies. The main ideas are applied to two different constructs of reality, both are tendentious. The first is vision, ideologically and politically constructed during authoritarian socialist regime. The second is current globalized consumer society. In the practical part of the thesis, the analysis focuses on the advertisements of Skoda Auto Company, used in both mentioned visual modes in the Czech Republic in the 20th century. Key words: picture, visual studies, iconology, advertising, globalization, consumer society, propaganda, image.
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