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The King of Sarcasm: Analysis of Chandler Bing's Humorous Utterances in the TV series Friends
Šilhanová, Anna ; Doležalová, Lucie (advisor) ; Češka, Jakub (referee)
This thesis is focused on the analysis of the humorous lines of Chandler Bing from the series Friends (1994-2004). Specifically, it aims to find out how defensible the comedic typification of this character as the "King of Sarcasm" is, i.e., whether sarcasm can really be considered the dominant strategy of Chandler's verbal humor. However, sarcasm is a concept with an ambiguous definition, and for any further investigation it is always necessary to specify how the researcher understands it. Therefore, the work first focuses on summarizing current research in the field of sarcasm, i.e. how different authors define it, especially in relation to irony. The output from the theoretical part of the work consists of two important points: in the discussion of irony, it is the adoption of the theory of contextual inappropriateness, as presented by American linguist Salvatore Attardo. When it comes to the definition of sarcasm, an approach that strictly separates pure sarcasm from irony is defended, following the texts of Polish linguists Marta Dynel and Anna Muszynska. Sarcasm as a category includes non-ironic utterances of a critical, offensive nature, which are at the same time characterized by a certain linguistic or conceptual ingenuity. The subsequent analysis of selected Chandler's humorous utterances...
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Verbal Irony in the Czech Discourse and its Perception
Rýparová, Dominika ; Šebesta, Karel (advisor) ; Saicová Římalová, Lucie (referee) ; Chejnová, Pavla (referee)
Verbal Irony in the Czech Discourse and its Perception Mgr. Dominika Rýparová Abstract This thesis sets the verbal irony into a broader context of human communication and supports the tendency to understand the irony as a communication strategy - not only as a speech figure or a tool to make our way of speaking more attractive. The aim of this work is to remind that irony is an integral part of our everyday communication, and a prerequisite for its use and understanding is built on the particular language experience. The experiment was examining the function of the four forms of irony, which differed in the degree of engaged humour or, conversely, expressed criticism. During the research one was able to get answers from a total of 3,167 respondents. Their analysis revealed that the major motivation for use of the selected types of irony is the humour, but the more humorous the statement is, the more the speaker takes a risk of not being completely understood, because he/she plays with reality too much. Further the results showed that the perception of irony-related emotions is influenced by our age. Younger people are more sensitive to the humorous points of irony, while the older are more tolerant of its critical part. The evaluation of irony is also affected by the communication role of the respondent...
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Meze a jazyky v poezii současných irských autorek
Theinová, Daniela ; Quinn, Justin (advisor) ; Pilný, Ondřej (referee) ; Campbell, Matthew (referee)
Filozofická fakulta Univerzity Karlovy v Praze DISSERTATION ABSTRACT Daniela Theinová LIMITS AND LANGUAGES in Contemporary Irish Women's Poetry "Irish poetry" is an inherently equivocal concept characterized by two fissures, one linguistic (Irish-English; standard English-Hiberno English) and the other chronological (oral-written; Old Irish-modern Irish). Central to my project is to show how this bifurcate cultural identity, prominent in Irish literature due to Ireland's history and the politicized concept of "national language," figures in poetry by Irish women of the last forty years. While I account for the significance of the hyphen in Anglo-Irish as well as in Gaelic-Irish poets, contradictory tensions are traced not only across and along the linguistic divide. In attending to the shift from feminism (Eavan Boland, Eiléan Ní Chuilleanáin, Paula Meehan, Medbh McGuckian, and Nuala Ní Dhomhnaill) to post-feminism in Irish poetry (Biddy Jenkinson, Vona Groarke, Caitríona O'Reilly, and Aifric Mac Aodha), I illustrate the role that the border between English and Irish has played in these processes. The dissertation falls into two parts each of which consists of two chapters. Part One explores some of the ways in which poets have confronted the inherited tradition and the feminine stereotypes therein. My...
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