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The Reception of Karel Čapek´s Works Staged in the Countries of the Former Yugoslavia
Zahirović, Hasan ; SÍLOVÁ, Zuzana (advisor) ; HYVNAR, Jan (referee)
In the countries of the former Yugoslavia , the works of Karel Čapek (1800-1938) are considered "complex but eternal" This is evidenced by the large number of articles about him and his work in newspapers and othe publications. Although better known today for his children´s books, even now, more than seventy years afte his death, Čapek continues to be read and enjoyed in general because of his artistry, his vision, and the originality of ideas. Čapek´s works became available very early, in 1921, in the countries of the former Yugoslavia . He was best known as a playwright at first and his six plays were repeatedly staged at all Yugoslav theatres
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Phenomenon of Anxiety in Beckett's Endgame
Horčicová, Zdeňka ; KOUBOVÁ, Alice (advisor) ; MUSILOVÁ, Martina (referee)
My master thesis inspects the phenomenon of anxiety in Samuel Beckett's Endgame. In this thesis, anxiety is seen from the phenomenological perspective . However, the explanation of anxiety by psychology and psychiatry is offered as well, so that more complex understanding is enabled. An analysis of Beckett's play is highly influenced by phenomenology, especially by Martin Heidegger, and also by the daseinsanalysis. In these connotations, we inspect Endgame, especially the situation of characters on the stage and the world of the play itself as a mirroring of the real world. We show that human existence is one of the most significant sources of anxiety, that it is innate to almost every human being from time to time, and that it has a remarkable dramatic potential. Although there is no final explication of Beckett's play, my thesis attempts to get closer to its understanding through the phenomenon of anxiety.
As a part of this thesis, the translation of one part of Stanley Cavell's essay called Ending the Waiting Game is included, which tries to explain the meaning of Endgame in a different way.
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Metamorphoses of Phaedra´s Confession of Love
Křápková, Lucie ; KYSELOVÁ, Eva (advisor) ; JOBERTOVÁ, Daniela (referee)
This Bachelor thesis looks into changes of dramatical rendition of the myth about Phaedra in terms of her confession of love. It compares four
dramatical texts: tragedy Hippolytus by the greek playwright Euripides, play Phaedra by roman dramatist L. A. Seneca, tragedy Phedre by Jean Racine and Sarah Kane's Phaedra's Love. It determines changes of the relations and motives of the main characters projected into Phaedra's confession. It pays attention mostly to the analysis of the texts themselves but at the same time it does not turn from the main characteristic of these four dramatists, nor social context of creation of these plays.
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Management 3.0; Virtualni management s gamifikovanymi aspekty
Kotoun, Karel ; Zadražilová, Dana (advisor) ; Karban, Václav (referee)
The aim of this paper is to analyse gamification practices as well as to study management by personalities. Upon this basis the objective will be to design a management software for the new management era that will collect large quantities of data about individual team members (Big Data-based software), thus enabling managers to allocate new team members onto teams upon their personalities, skills and experience in gamified user interface. The ultimate goal of this paper will be to serve as guidebook for managers to manage by knowing the variety of personalities as well as by applying gamification elements onto everyday tasks.
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Eugene O'Neill: Anna Christie
Forstová, Anna ; DAVID, Milan (advisor) ; DUŠEK, Jan (referee)
Theoretical part of my thesis is focused on work of the American playwright Eugen O'Neill, specifically his drama Anna Christie.
On the basis of the text of the drama I did try to make an insight into the story and analysis of the characters of the main protagonists. I hereby present my own analysis of the work, timeframe atmosphere, study of the archetypes and places, where the story took place. I try to catch up the poetic atmosphere created by the endless of the sea. For better understanding I am amending the study for factual information which describes life stories of the main protagonists even beyond the horizon of the playwright.
I am as well presenting selected productions of the Anna Christie's and compare their visual adaptation with my own conception of it. I am describing and explaining my own approach to the scenographic conception of this play. In explication part I am focusing on practical part of my thesis and other assignments I worked on during my master's study.
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Big Data in technologies from IBM
Šoltýs, Matej ; Novotný, Ota (advisor) ; Hrabina, Pavel (referee)
This diploma thesis presents Big Data technologies and their possible use cases and applications. Theoretical part is initially focused on definition of term Big Data and afterwards is focused on Big Data technology, particularly on Hadoop framework. There are described principles of Hadoop, such as distributed storage and data processing, and its individual components. Furthermore are presented the largest vendors of Big Data technologies. At the end of this part of the thesis are described possible use cases of Big Data technologies and also some case studies. The practical part describes implementation of demo example of Big Data technologies and it is divided into two chapters. The first chapter of the practical part deals with conceptual design of demo example, used products and architecture of the solution. Afterwards, implementation of the demo example is described in the second chapter, from preparation of demo environment to creation of applications. Goals of this thesis are description and characteristics of Big Data, presentation of the largest vendors and their Big Data products, description of possible use cases of Big Data technologies and especially implementation of demo example in Big Data tools from IBM.
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Marian texts in the baroque sacred music for soprano solo
Rosypalová, Jitka ; PŘÍVRATSKÁ, Jiřina (advisor) ; VOTAVOVÁ, Yvona (referee)
This work deals with Marian texts in relation to their use in baroque sacred music. It focuses on music for solo soprano.
First introduced baroque music and its relationship to sacred values. The following is a deeper excursion into Mariology - the position of the Virgin Mary in the Church, Marian feast days, expressions of devotion.
The last chapter is devoted to each Marian texts that were often set to music. Each includes data on the occurrence, origin and content. They are listed here important Baroque composers who have specific text set to music, and whose works are also occupied by a solo soprano. Each subsection is an introduction to the text marked accents and official liturgical translation.
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THE SCRIPT AS A WAY OUT FOR ACTING AND DIRECTORIAL STAGING OF DRAMATICAL SITUATIONS
Černý, Matouš ; SCHEJBAL, Milan (advisor) ; DEÁK, Juraj (referee)
This work deals with the problem of staging a dramatic text and with the specific attributes of the director´s work during preparation and realization of a production. It relies on practical experience from practising a bachelor´s production Dorotka. The author focuses on the original text, describes its storyline, structure and style and deals with selected staging alteration. Furthermore he analyzes the space grounded in the text and its solutions chosen for stage design of the production, discusses the problems of working with actors and staging of individual situations and deduces general conclusions, resulting from the entire director´s experience. The author approaches the discussed topic with an attempt to evaluate his bachelor´s production objectively, to name the mistakes and all of the problems that were related to it.
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Dramatic text as an ideological direction
Součková, Kateřina ; ETLÍK, Jaroslav (advisor) ; DROZD, David (referee)
Bachelor thesis Dramatic text as an ideological direction deals with an impulses, which can offer a dramatic text to a dramatic piece without endanger an autonomy neither of them. In order to find the ideological direction, it uses an explication as a "technological reading" of dramatic text, which is trying to discover its own motif-thematic structure without interpreted it. It analyses a charakter and a function of components of dramatic text, their mutual relation and their relation with a dramatic piece. This theoretic basis is being examinated by the explication of The Cherry Orchard by A. P. Chekhov. The motifs and the themes of this drama are confronted with the production of The Cherry Orchard at Theatre on the Balustrade in Prague. On grounds of this comparison it tries to find out, how much is connected the relation of their basic themes with the relation between a dramatic text and a dramatic piece in general.
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Transformace organizace na Social Business
Ončo, Martin ; Pavlíček, Antonín (advisor) ; Švík, Martin (referee)
Social networks like Facebook, Twitter or LinkedIn offer the opportunity to communicate and collaborate with friends and family in our personal life through the social technology without seeing each other on daily bases. This different approach is already common to be used for the majority of people and brings new benefits to now-a-day global environment. The same users of these external social networks are working in companies with various internal collaboration and communication tools. This fact has become stimulus for the theory of using social network technologies inside of the organization called Social Business. Social Business brings multiple new benefits for the organization, which were not possible to be gain through the previous approaches of communication and collaboration. In the present work we study the process of transforming organization into Social Business.
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