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Charlie Kaufman's Eternal Sunshine of the Spotless Mind
Taubrová, Eva ; BERNARD, Jan (advisor) ; MRAVCOVÁ, Marie (referee)
This thesis explores the work of Charlie Kaufman, a famous screenplay writer and director; it focuses on his film Eternal Sunshine of the Spotless Mind. The first part analyses the narrative strategies and other important formal aspects of the film; that means it discusses the way the film is construed. The second part explores possible interpretations of the film, its main themes and cultural connotations.
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Web Production of David Lynch
Grajciar, Marek ; DUFEK, Jiří (advisor) ; VAJCHR, Marek (referee)
Bachelor's thesis deals with production of David Lynch, which was focused for his web page, namely with: Dumbland, Rabbits, Darkened Room, The Boat, Bug Crawls, Industrial Soundscapes and Intervalometer Experiments. The goal of this thesis is to try to categorize and analyze this production. On bases of this analysis than try to find connections to author's previous work and with help of these, try to put it into context of author's lifework.
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Vizualization of music in animation film
Ishida, Kaoru ; WANEK, Miroslav (advisor) ; MERTA, Vladimír (referee)
Purpose of this work in to find possibilities of vizualization of music, analyze masterpiece of vizual music. There are written about relationships between arts and five senses ? mostly sight and hearing, to make clear how pictures and music work differently, several experiments of visual music on history, animation films as vizual music, composer inspirated by pictures, and writer inspirated by music. Finally there is mention about meaning of expression of art works in different forms.
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Conditions for Emergence of Art and Originality in an Animated Film
Vizár, Matúš ; KUBÍČEK, Jiří (advisor) ; DUTKA, Edgar (referee)
This bachelor thesis is an analysis of satirical processing of religious themes in the TV show South Park. It deals with the origin of satire, its power and the critical exploitation. Text is divided into the chapters according to the religions more described in the show (except islam). The thesis focuses how the authors work with the humor, what the message of the each part of the show is and why this show or satire is important for our society.
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The use of Archive Family Footage Documentary Film
Janečková, Veronika ; KUBICA, Petr (advisor) ; VACHEK, Karel (referee)
In this thesis I explore more deeply the topic from my bachelor diploma thesis ?Archiving Family Film?. Through an analysis of family film from the thirties to the present day, I want to draw attention to this distinctive form of amateur filmmaking which is overlooked today. Above all I want to focus on the filmmakers Peter Forgács and Jan Šikl. I explore their different approaches and points of view, and their use of archive family footage in their documentary works ?Private Hungary? and ?Private Century?. By comparing films from these documentary cycles, I point out what makes the works of these two directors unique. I also elaborate on my work with family archive footage in my film ?Sestření? (?Sistering? - 2nd year exercise ? authorial portrait), and I reflect on the approach that I adopted when shooting my bachelor?s diploma film, ?Roots of Relationship or How Granddaughter and Grandmother couldn?t get the Turnip out.? I explain my use of methods taken from family footage in my work as a documentary filmmaker, and discuss my personal experience and achievements in this field.
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Night in film
Marek, Lukáš ; MACÁK, Jiří (advisor) ; ŠOFR, Jaromír (referee)
The night is one of the ways to learn about the presence of light. Similarly, the present thesis is one of the sources revealing something substantial about night and its presence around us. The actual theme of night is approached on the basis of its impact on both the human eye and the film material, or basically any other photosensitive element. This work has been drawn up and is comprised of several parts. The first part deals with the actual definition of the concept of night in encyclopaedic terms and night in general, its role in mythology, and it ends with the description of technical and psychological details of night scenes. The next part discusses the most typical adaptations and interpretations of night on the screen. It provides a list of instructions regarding the preparations of such an atmosphere, specifies the best shooting approaches and techniques and what is to be left for the process of post-production in a film laboratory. The text is complemented with numerous illustrations in the form of graphs, photos, exported film samples and picture instructions.
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