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Painting with music in Kinderganten
HOUSEROVÁ, Veronika
The bachelor's thesis examines the influence of music on the painting activity of children in kindergarten. The aim of the thesis is to investigate how cheerful and sad music affects children and their ability to transfer this music to paper. The theoretical part focuses on the characteristics of preschool age, experiential learning, listening to music and the meaning of colors. The practical part examines the musical and artistic expression of children with a number of experiential activities. Furthermore, it brings concrete procedures and suggestions for the inclusion of painting with serious music in teaching in kindergarten. Data collection methods were based on observation, interviews, reflection, video recordings and analysis of drawings. The main findings of the work analyzes the different reaction of children to a sad and cheerful composition.
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The Meaning of the Painting The Yellow Scale by František Kupka from 1907 in Visual Art
SOLDÁTOVÁ, Aneta
The presented master's thesis comprises two main parts - theoretical and practical. The theoretical section aims to acquaint readers with the life and oeuvre of František Kupka within the defined period before and after the creation of the painting "Yellow Scale" in 1907. This period witnessed pivotal moments in his work, culminating in the transition from figurative to abstract painting. The objective of the practical creative section, titled "Face in Yellow", is to respond through various artistic techniques to the inspirational aspects of the painting "Yellow Scale" with one's own creation. The text also briefly outlines the utilization of this work in art education classes. At the conclusion of this qualification thesis, readers can explore the visual material referenced throughout the text in the attachment of thesis.
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Life
Maliňáková, Kamila ; Zálešák, Jan (referee) ; Mikyta, Svätopluk (advisor)
My bachelor´s thesis is called Life. My original intention was to paint a monumental, perfect picture, triptych of good, evil and something in between. Something like an altar of 2014 according to the model of the old masters. But at the beginning of my work there were a lot of doubts about my painting. It became more and more fabricated, which was confirmed by my teachers too. And therefore I decided to reassess my work and I found out, that more interesting than original painting is a backstage of my painting, the things, that hapeend around. And this is now a topic of my bachelor´s thesis - Backstage of my painting.
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The Body (Intimity)
Kojetská, Monika ; Pepe, Dita (referee) ; Hlavenka, Tomáš (advisor)
With this set I am following my previous work in which I was occupying with woman body. I catch body in intimate moments – but I encode it, so it is almost not obvious. I use light irony and exaggeration in my pictures. In this set I work with woman body as a object of voyer, who observes the woman with a peephole, lense, field glass or camera. But I keep it all in abstract and stylized position. I work with code, thanks to which we at first perceive the picture as colourful and shaped painting forms that gradually show womans body. I use bigger ammount of abstract, when forms of the body balance at the edge between figural and abstract. I enjoy the moment when there is not everything visible at the first sight in the picture. I want the viewer to look for the body, observe it and explore it. I do not aim for catching the beauty of the body or is real visual shape. I work with light irony of voyeur looks by using some deformations of the body parts.
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Threesome
Štefanigová, Denisa ; Novotný, Michal (referee) ; Malý, Břetislav (advisor)
Painting act as an act of making love The bachelor thesis is a serie of paintings on canvas, which strives to make the erotic images that each of us creates on the basis of his own imagination from day to day. They are unrealized, or dreamed and are not anchored in reality, thus creating a new reality, functioning in the space of our heads. This is how painting works for me. As a space in which something can happen that doesn't really exist.
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Untitled
Khaledová, Fátima ; Vítková, Lenka (referee) ; Sterec, Pavel (advisor)
To my final work, I chose the painting, even though I'm the medium in my previous one She was not using too much work. Both the form and the content of the final thesis were selected from the sentimental ones Reasons, and I returned to my high school years when I studied the painting and mine The inspiration source was, and for these paintings are Pierre Bonnard and Kamila Zemková. My Painting idols are due to a very structural painting, full of beautiful colors and of course content Their works which appear in my works.
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In the Forrest
Pucharová Kramářová, Vendula ; Dub, Petr (referee) ; Lahoda, Tomáš (advisor)
My work began with taking photos in the forest at night; this work was very important to me because of the mysterious feeling. My paintings are stylized more than realistic. I'm captivated by untidy nature, with fallen trees and decaying stumps. Oil is my medium- some places are detailed while others are expressive.
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Spectres and Illusions
Arendárik, Ján ; Stratil, Václav (referee) ; Artamonov, Vasil (advisor)
The subject of my practical diploma thesis is a painting reaction to the photographs from years 1915 to 1930. I see them as a " photographs of dead(lost) world. The photographs of people whose dont live in present but the photographs are evidence of their existence in the past.
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Zenith House
Roudnická, Michaela ; Zálešák, Jan (referee) ; Houser, Milan (advisor)
Diploma project Zenith House is trying to find and map a position of figural painting in a contemporary art world. Through a detailed study of works of contemporary painters, who use historical influences and compositions, it argues the evolution of painting. It slightly touches the phenomenom of portraiture and the contemporary trend of de-skilling the craftsmen.
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The Painter's Year
Kachlíková, Barbora ; Pospiszyl,, Tomáš (referee) ; Rathouský, Luděk (advisor)
I have been working on my Master degree work at art residenci in Gedok art centrum in Stuutgart,Germany. Thecollection of work is consist of approximately 15-20 works.Medium is painting, technique oil on canvas. The serie of paintings has different kind of measures, from 80x90cm to 200 x 200cm.
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