|
| |
|
|
Czech Film Taste in Sociological Perspective
Smoljaková, Natálie ; Holeček, Tomáš (advisor) ; Balon, Jan (referee)
The aim of this work is to find specific preferences of Czech film consumers. By these specific preferences it is meant the type of stories, heroes or genres which does Czech film audience prefer. The analysis is made on the most popular films (i.e. with the biggest attendance) in last twenty years using the theory of Erving Goffman, especially his concept of frame analysis. By using the terms of frame analysis the content of the selected films is compared with the same amount of the most popular films in USA. This comparison is then used to find the differences or similarities among these two different areas, but in particular it is done to underline the specifics of Czech film audience. Powered by TCPDF (www.tcpdf.org)
|
|
|
Comparison of picture of media and its role in feature films and documentaries about wars in Yugoslavia and Persian Gulf
Knapp, Radim ; Bednařík, Petr (advisor) ; Švelch, Jaroslav (referee)
This diploma thesis deals with the depiction of the role of media and journalists in war conflicts. It analyses the way the film producers portray media and journalistic work, their characters and abilities. The analysis also looks for attributes of professional journalistic routine in the hostile environment of the war zones, how media and journalists communicate with each other, the way they interact with civilians, soldiers, how critical they are towards the official establishment line of their editors or governments. The method used for analysing the feature and documentary films was the qualitative content analysis. After seeing the films several times, eleven categories that represented best the groups of similarities concerning media and journalists were defined throughout the analysed films. After that, charts were created where brief descriptions of categories and data were lined up and then compared. The next part of the analysis inspects these data even deeper. The result shows how the film makers depict journalistic routines and which stereotypes they use. We also learn whether the picture of the journalists differs according to each of the conflicts when we know that there were utterly different motivations behind them.
|
|
| |
|
|
Judith Hermann´s "Nichts als Gespenster". A comparison between the book and its film version.
SOUDKOVÁ, Andrea
The topic of this bachelor thesis is Judith Hermann´s "Nichts als Gespenster". A comparison between the book and its film version. In one part of this bachelor thesis Judith Hermann?s work ?Nichts als Gespenster? is being analysed. The next part deals with the film version of this book called ?Nichts als Gespenster?. This part begins with the theoretical introduction to the film analysis. The book ?Nichts als Gespenster? is being compared with its film version ?Nichts als Gespenster?. Special attention is paid to the accuracy of the film version and the relationships between the main characters.
|
|
|
Bernhard Schlink´s "Der Vorleser". A comparison between novel and film
RIBOLOVÁ, Veronika
The topic of this bachelor thesis is "Bernhard Schlink´s "Der Vorleser". A comparison between book and film." The first part is dedicated to the author and to the connections between his life and the elements in the novel. In the second part the main characters and their relationship are interpreted. The third part introduces an analysis from the perspective of differences and is afterwards compared with the literary model. The formal method, as the main instrument of the film analysis, is used to the precise interpretation of the elements in the film version. The attention is pointed at the accuracy of the film version and its adaptation of the main message of the novel.
|
guest ::
