|
Forms of Expression in Painting in Contemporary Czech Art Within a Czech and International Art Context
Ropková, Barbora ; Rakušanová, Marie (advisor) ; Winter, Tomáš (referee) ; Pospiszyl, Tomáš (referee)
This dissertation thesis deals with the work of three contemporary Czech artists - Josef Bolf, Jakub Špaňhel and Lubomír Typlt. The reason for choosing these three was the fact that all of the artists represent the same generation which entered the art scene in the late 1990s and their canvases can be equally described as expressive, although right at first glance there are noticeable differences in the intervention of the emotional and sense elements which participated in the creation process of the work of art, but also in its content. Contemporary expressive paintings are influenced by the development of art in the second half of the 20th century which is based on the continuous comparing of expressive subjectivity and its negation or intentional application and irony. That is why I decided to illustratively explore the movements which took place in terms of the foreign and Czech scene during the second half of the 20th century in the field of expressive painting. Because the Czech art arose in different conditions, I explored the changes of this phenomenon separately in these geographical areas, but at the same time I carried out a partial analysis of the works and comparisons with the work of the three chosen artists based on these findings. Subsequently, I analysed the work of the chosen...
|
|
Figural motifs in the work of Antonín Hudeček
Ropková, Barbora ; Wittlich, Petr (advisor) ; Prahl, Roman (referee)
This thesis concentates on an interesting group of paintings from Antonín Hudeček with figural motifs. However Hudeček was treated as landscape painter. His paintings with figural motifs were mainly painted in his beginning creation in secession period. The thesis considers reading in existing literature and makes an attempt to interpret these paintings. The research observes an artistic progress of Antonín Hudeček, czech contemporary artistic scene and general context.
|
|
Vincenc Beneš. Paintings.
Ropková, Barbora ; Wittlich, Petr (advisor) ; Lahoda, Vojtěch (referee)
Author's name: Barbora Ropková School: Charles University, Prague Faculty of Arts Institut of Art History Celetná 20, 116 42 Prague 1 Program: Art History Title: Vincenc Beneš. Paintings. Supervisor: Prof. PhDr. Petr Wittlich, CSc. Number of pages: 140 + attachment Number of attachments: 158 pages Year: 2011 Key words: monograph, expressionism, cubism, Osma, Skupina výtvarných umělců, Antonín Slavíček's painting heritage, traditon of modern french painting in group Mánes, sensual realism and landscape This thesis intention is to work into monography Vincenc Beneš's work (1883-197). Beneš belongs to important artist of the 1.th generation in the 20.th century. In his initial period, he was concentrated, together with his artist partners, on solution of actual art questions. In the period of group Osma he cooperates especially with Bohumil Kubišta. His significant cuboexpresionistic paintings rise from 1910. Beneš stands in the czech cubist movement by Emil Filla. Beneš's cubist paintings have success in prewar Germany. After World War I. Beneš turns away from cubism and works with Antonín Slavíček's painting reference. Subsequently he detects other fuels, he mainly finds guidance in tradition of modern french painting. As a member of group Mánes he creates especially landscapes, still lifes and big...
|
|
Forms of Expression in Painting in Contemporary Czech Art Within a Czech and International Art Context
Ropková, Barbora ; Rakušanová, Marie (advisor) ; Winter, Tomáš (referee) ; Pospiszyl, Tomáš (referee)
This dissertation thesis deals with the work of three contemporary Czech artists - Josef Bolf, Jakub Špaňhel and Lubomír Typlt. The reason for choosing these three was the fact that all of the artists represent the same generation which entered the art scene in the late 1990s and their canvases can be equally described as expressive, although right at first glance there are noticeable differences in the intervention of the emotional and sense elements which participated in the creation process of the work of art, but also in its content. Contemporary expressive paintings are influenced by the development of art in the second half of the 20th century which is based on the continuous comparing of expressive subjectivity and its negation or intentional application and irony. That is why I decided to illustratively explore the movements which took place in terms of the foreign and Czech scene during the second half of the 20th century in the field of expressive painting. Because the Czech art arose in different conditions, I explored the changes of this phenomenon separately in these geographical areas, but at the same time I carried out a partial analysis of the works and comparisons with the work of the three chosen artists based on these findings. Subsequently, I analysed the work of the chosen...
|
|
Vincenc Beneš. Paintings.
Ropková, Barbora ; Wittlich, Petr (advisor) ; Lahoda, Vojtěch (referee)
Author's name: Barbora Ropková School: Charles University, Prague Faculty of Arts Institut of Art History Celetná 20, 116 42 Prague 1 Program: Art History Title: Vincenc Beneš. Paintings. Supervisor: Prof. PhDr. Petr Wittlich, CSc. Number of pages: 140 + attachment Number of attachments: 158 pages Year: 2011 Key words: monograph, expressionism, cubism, Osma, Skupina výtvarných umělců, Antonín Slavíček's painting heritage, traditon of modern french painting in group Mánes, sensual realism and landscape This thesis intention is to work into monography Vincenc Beneš's work (1883-197). Beneš belongs to important artist of the 1.th generation in the 20.th century. In his initial period, he was concentrated, together with his artist partners, on solution of actual art questions. In the period of group Osma he cooperates especially with Bohumil Kubišta. His significant cuboexpresionistic paintings rise from 1910. Beneš stands in the czech cubist movement by Emil Filla. Beneš's cubist paintings have success in prewar Germany. After World War I. Beneš turns away from cubism and works with Antonín Slavíček's painting reference. Subsequently he detects other fuels, he mainly finds guidance in tradition of modern french painting. As a member of group Mánes he creates especially landscapes, still lifes and big...
|
|
Figural motifs in the work of Antonín Hudeček
Ropková, Barbora ; Prahl, Roman (referee) ; Wittlich, Petr (advisor)
This thesis concentates on an interesting group of paintings from Antonín Hudeček with figural motifs. However Hudeček was treated as landscape painter. His paintings with figural motifs were mainly painted in his beginning creation in secession period. The thesis considers reading in existing literature and makes an attempt to interpret these paintings. The research observes an artistic progress of Antonín Hudeček, czech contemporary artistic scene and general context.
|