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Sunset. Relativity of Space.
Malý, Břetislav ; Zálešák, Jan (referee) ; Lahoda, Tomáš (advisor)
Topic is processed sunset painting technique oil painting means to Latn and is crowned by a series of "Afterglow". is a continuation of previous work dealing with optical illusions and phenomena occurring in nature. "Glare, however, focuses on logical Only authorized color and shape inspired by the light background storyline. This resulted in a series of closed playing with forms and means in the final painting abstract painting
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Global Environment
Pintérová, Renáta ; Zálešák, Jan (referee) ; Šrámek, Jan (advisor)
The work is dealing with reviving and inclusion of things in the environment. The sculptures and the selection of the objects are inspired by esthetics of internet images. This creates a global environment.
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Triumph of Ugliness
Kolářová, Monika ; Zálešák, Jan (referee) ; Houser, Milan (advisor)
Bachelor theses is my engagement with phenomenon of body, focused on the theme of beauty and ugliness. Through the Dionysian body type I am trying to capture the weight of physical imperfections. In contrast with the delicacy and subtlety glaze paintings I am trying to achieve a balance between the representatives of the general phenomenon of beauty and ugliness.
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Life
Maliňáková, Kamila ; Zálešák, Jan (referee) ; Mikyta, Svätopluk (advisor)
My bachelor´s thesis is called Life. My original intention was to paint a monumental, perfect picture, triptych of good, evil and something in between. Something like an altar of 2014 according to the model of the old masters. But at the beginning of my work there were a lot of doubts about my painting. It became more and more fabricated, which was confirmed by my teachers too. And therefore I decided to reassess my work and I found out, that more interesting than original painting is a backstage of my painting, the things, that hapeend around. And this is now a topic of my bachelor´s thesis - Backstage of my painting.
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The Portrait
Ďuriš, Juraj ; Paučo, Samuel (referee) ; Zálešák, Jan (advisor)
In my work I develop a set of about thirty small format oil paintings. I refer them to my previous job, where I dealt with the portrait (small objects, cigarette boxes, toys). The focus of my interest is shifting from relics of human presence, to the man, as a thinking, sentient being in the presence with a spiritual dimension. Portraits therefore gives rise on live session (from my surrounding area). Simple situation in which stand opposite painter and his model, with the only task - to create an image - allows to concentrate attention on the very situation, and its interpretation, which is conditioned, naturally depends on the context in which it happens.
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The Personal Motif
Vlčková, Tamara ; Zálešák, Jan (referee) ; Rathouský, Luděk (advisor)
In my bachelor work I focus on intimate communication. I am interested in the moment of detection and in a simple question: What makes sense? I'm interested in everyday situations and in a human body, which I display in different social situations and personal dialogue - with the audience, work, and man. The main motives of my drawings are personal stories that remind familiar stories, and transmit such information, which audience accepts and transforms in its own way. Important is a constellation of people and things, and also attitude, a gesture that creates the story. I mix reality, dreams, ideas, and questions - choosing aspects I tend to think about, that touch my feelings or that I fear. Equally important is the installation, where a personal space for watching drawings will be kept.
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The Possible Limits of Spatial Arrangement
Homola, Ondřej ; Zálešák, Jan (referee) ; Franta, Jiří (advisor)
Bachelor thesis seeks the interspace between artifact and installation and the works of artists and "architect of the exhibition" in order to question the role of authorship of a work of art and to argue over the value of artwork. It uses collage approach to combine gallery space, arrangement and artifacts. The thesis refers to modern and archival turn in contemporary art.
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