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Orgins and History of the Czech Chrismas Music
Holubová, Anna ; Tichý, Radek (advisor) ; Pšenička, Martin (referee)
The thesis deals with the Czech Christmas spiritual music, wants to point out and pick up her beauty, popularity and popularity across the public and in the circles of the Church and in the wider public. The method is the research the available literature and handouts for this topic, which is evident in the Division of the individual chapters. The introduction will include music and history of music. In the next part we will spend Christmas spiritual music, we close its emergence, history, Christian context, familiar carols and songs and their lyrics with a spiritual focus, some of the selected authors and their works both from the past and from the present. We also in our surroundings, to learn more about the Christmas music of our neighbors, or some European countries. In the next part of the main chapters refer to the positive influence of the Christmas music on the evangelization of pastoration and also on Ecumenism - attitude to Christmas music in some churches, and on its place in the broader public. The conclusion should answer the question of why is Christmas music and in particular the Czech Christmas music so much popular and popular among both artists and in the Christian churches and the public, with an interference fit and why it appears almost as a phenomenon. Keywords Christmas,...
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Ani tady, ani tam
Hannon, Margaret ; PŠENIČKA, Martin (advisor) ; RAISOVÁ, Michaela (referee)
Ve své diplomové práci se snažím si objasnit, čemu se věnuji a proč. Měla jsem ohromné štěstí, že jsem mohla v životě začít znova. V jedné básni se podařilo zachytit, co jsem v této fázi cítila. Věděla jsem, že chci plně a do hloubky zkoumat to, co jsem studovala na DAMU. Potřebovala jsem se naučit, jak být v klidu a čekat. Uvědomila jsem si, že dech je zcela zásadně spjat s myslí a tělem a přišla jsem na to, jaké trápení může působit ego. Nemyslím tím ego v psychoanalytickém pojetí. Mám na mysli, jak je důležité se oprostit od kritiky, ať už pozitivní nebo negativní, druhých či mé vlastní. Bez tohoto kroku nelze kultivovat vlastní projev. Při psaní jsem vycházela ze sebe a skrze proces psaní jsem byla otevřenější vůči všemu, co jsem se učila na seminářích každý den.
Tajemství tkví v tom, nestarat se o to, jestli jsem dobrá nebo ne. Není důležité být dobrá. Ale být sama sebou. Jak řekl jeden pedagog, „Je to těžké a velmi jednoduché.“ Nakonec jsem dospěla do bodu, kdy jsem o sobě napsala dost. Nyní je čas přemístit ohnisko pozornosti směrem do světa, k divákům.
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Enzo Corman and his theatre
Valečková, Zdeňka ; Christov, Petr (advisor) ; Pšenička, Martin (referee)
The content of this dissertation is focused on mapping of all of the theatrical work of playwright, essayist, jazzman and pedagogue Enzo Cormann. In the first chapter, we touch upon the context of contemporary French playwriting and it's not too distant history, which has had a major influence on the playwriting of today. The second chapter then focuses on Enzo Cormann. Describing him as an artistically complex character yet touching upon his tendencies outside of the theatre world, which then inherently influenced his playwrighting. The final and main part of this dissertation is a complex analysis of Cormann's playwriting for theatre, with the aim of introducing Cormann and his (not only) theatrical world, and thus expand the awareness of this influential French playwright within the Czech theatrical community. Powered by TCPDF (www.tcpdf.org)
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Asian Inspirations in the Works of Jiří Frejka over Time
Burešová, Denisa ; Pšenička, Martin (advisor) ; Just, Vladimír (referee)
Traditional Asian theatre genres have fascinated western audiences since the end of the 19th century. In my thesis, I focused on the means by which Jiří Frejka, a leading representative of Czech avant- garde theatre, dealt with that trend. Through Japanese, Chinese and Indian texts, he verifies new possibilities of all elements of theatre production - the stage, music and, primarily, the actor and his voice and movement. Thanks to prompt books, photographs, reviews and other materials from Frejka's estate stored in the National Museum, the archive of the National Theatre and the Moravian Museum in Brno, I assess these individual elements of theatre production in connection with traditional Asian genres and I seek mutual parallels, sources of inspiration and, primarily, the manner in which Frejka adapted them to his own directorial work. The objective of this work is to confirm the previous thesis that, in the case of Jiří Frejka, deeper study of the topic led to a fundamental shift in the manner of bringing these "foreign" sources of inspiration into the Czech environment, which moved away from a merely decorative function toward an internally linked and well-founded method. Key words Czech theatre avant-garde, Asagao, Modern Studio, Lady Precious Stream, Shakuntala, The Post Office
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Analysis of current theatre reviews in daily newspapers
Plecitá, Zuzana ; Christov, Petr (advisor) ; Pšenička, Martin (referee)
The bachelor thesis deals with the theme of the format of contemporary theatre reviews in the daily press. The thesis focuses on the theatre reviews in selected daily newspapers, which are published regularly and nationally. The aim of this work is to characterize the role of theatre reviews as a journalistic genre and what this format looks like. In addition, the thesis aims to characterize key critics from selected journals based on their education, work experience, personal interviews and analysis of their theatre reviews selected for the purpose of this thesis in a limited time period of October and November 2016.
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Evaluation of the Qualitative Benefits of the Development Project co-financed by the EU
Pšenička, Martin ; Novák, Michal (referee) ; Kocmanová, Alena (advisor)
The first part of my work focuses on the theoretical description of EU regional policy, its evolution and the description and the objectives of the different programming periods. In this part of the work is also described which EU funds are being used for co-financing of different goals. Furthermore I define all operational programs which can be used to draw funds to provide grants. These information are necessarry to choose the right operational program to use. For the particular project co-financed from the European Union, I present an economic analysis of the project and a questionnaire survey which I use to do a qualitative assessment of the project and its help for the development of the region.
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What is the Theatre
Neznal, Vít ; ETLÍK, Jaroslav (advisor) ; PŠENIČKA, Martin (referee)
Vít Neznal’s PhD thesis begins by defining theatre as a specific sphere of media. According to the author, such notion is made possible by following up to the tradition of Czech theatre theory (immediacy as a specific feature of the medium, a synthetic basis, a non-substantial conception of a work, acting as a decisive art, a total three-dimensional feedback-based communication with cardinal impact on the specific nature of stage acting, and an active position of the spectator). On this basis, Neznal proceeds to explain why there is no justifiable reason for theatre theory to abolish the dichotomy between art and reality. His premise is that while theatre is rooted in life, it is at the same time automatically and irreversibly taken out of it as a medium. As a result, there is, from the point of view of theatre theory, a difference between an intensified “life” entering the stage and becoming the basis of expression (intensification of “life” is the basis of means of expression and is therefore made intentional) and between its integration with other pillars forming the constitutive basis of a theatre act as such on the actual level of media (the artificial pervaded by “life”).
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Jindřich Hořejší as a Translator of French Drama
Zahálka, Michal ; Christov, Petr (advisor) ; Pšenička, Martin (referee)
The thesis' subject is the celebrated poet Jindřich Hořejší (1886-1941) in his lesser-known vocation as a theatre translator whose bulk of work consists of translation of contemporary French drama (eg. Giraudoux, Claudel, Cocteau, Salacrou, Neveux, Passeur, Achard or Pagnol). First, it follows traces of theatre in the poet's life, before discussing various aspects of his role as a translator in the reality of theatre at the time (fnancial conditions of theatre translation, the work of theatre agencies, communication with theatres etc.) and offering a list of his translations of French drama, compiled to be as complete as possible. The next chapter contains analyses of Hořejší's own articles detailing his views on the theoretical aspects of translation (which are also reprinted in the Appendix), putting them into the context of contemporary translation theory and practice. The fnal two chapters analyse selected translations. The frst deals with verse drama translations, Arnoux' Huon of Bordeaux and Racine's Phaedra; the latter with an extensive commentary on the history of Czech stage alexandrine. The next chapter follows Hořejší's work with colloquial language in Pagnol's Fanny and compares his approach to translation of Giraudoux' Intermezzo with that of Karel Kraus.
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Revue from the box
Holbeinová, Zuzana ; Pšenička, Martin (advisor) ; Just, Vladimír (referee)
The aim of this diploma thesis is to make available and analyze the production called Revue from the Case, which premiered on the experimental stage of the State Theatrical Studio Prague on March 25, 1968. This premiere was preceded by the successes of individual parts of the production at EXPO 58 in Brussels and EXPO 67 in Montreal. Based on the preserved archive materials for this production, whose main authors were Ladislav Rychman, Jiří Procházka and Jaromír Staněk, I will also attempt to name the basic principles, benefits and limits of Laterna magika.
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Phenomenon of Les Misérables: The Most Successful Musical
Pacasová, Veronika ; Pšenička, Martin (advisor) ; Topolová, Barbara (referee)
7 Abstract: In my bachelor thesis I focus on several points of view within the musical phenomenon Les Miserables. I describe it's history in France, England and Czechoslovakia. I analyze final musical dramatization from novel's original. I compare original french version of the musical to the english version. I ask question why is this musical so successful. From director and scenic points of view I compare productions of GOJA Music Hall Theatre and Brno City Theatre. In short I Also focus on text aspects of productions. This thesis is aiming to create a compact look at phenomen of the musical Les Misérables - to see it's history and changes, the process of creation and production differences of this musical in Czech Republic.
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