National Repository of Grey Literature 146 records found  beginprevious133 - 142next  jump to record: Search took 0.01 seconds. 
Baths +
Helešic, David ; Kopec, Jakub (referee) ; Kristek, Jan (advisor)
In contrast to the feelings and atmosphere associated with spa building stands crematorium as a reminder that our physicality is finite and fleeting life. Just as in spa rituals present moment experience free from the past and the future in the funeral liturgy, on the contrary, human life shrinks to a single point in time short ceremony. Consciousness of the time becomes a measure of the meaningfulness of our decisions, actions and experiences. You can live a meaningful life infinite?
Baths +
Mušková, Mária ; Šmídek, Petr (referee) ; Kristek, Jan (advisor)
Ordinary house for a specific user. A place where you feel great even when you are on diet.
Baths +
Svoboda, Marek ; Foretník, Jan (referee) ; Kristek, Jan (advisor)
Spas are designed on the principle of stage and auditorium, where the visitor becomes either actor or observer; actor or spectator. Fragmenting each "act" active activities through a carefully programmed observation sites and vistas is needed to create tension between actor and observer. "Story" is is revealed gradually, and his understanding is necessary to move the proposed space and rotate each "Auditorium". Achieve a comprehensive sensation viewer is associated with the need to crawl space spa. Act is repeated. From the viewer becomes an actor and the actor spectator. The body is in motion and mental marches are a reflection of observation of physical events. (google translator)
Baths +
Šebová, Petra ; Ponešová, Barbora (referee) ; Kristek, Jan (advisor)
Spas work with a specific culture and lifestyle of the courtyard they are situated in. Situations in physically separated spaces influence each other and create authentic environment. Architectural language works with semiprivate moments, street aesthetics and follows different ways of inhabiting the space.
Baths +
Půček, Ondřej ; Mačuda, Michal (referee) ; Kristek, Jan (advisor)
The crucial element and also the moving force behind every spa resort is certainly water. Regarding its flow, we are able to project tracks in which we can relatively affect its movement. At the same time, we must take into consideration that water is a specific medium and that its stream is also characterised by its unpredictability and limited control. In the spa resort's dominant area there are mirror-surfaced elements, which completely alternate the spatial arrangement. They also react to the water's temperature and its amount.
Baths +
Kekel, Roman ; Zaicek, Martin (referee) ; Kristek, Jan (advisor)
"Imagine a point in space which you have been continuously looking for only to find it and lose it at the same time." The subjects of functional architecture are deconstructed trough a new layer, therefore changing their "functional" space. What we see and what we expect to see is no longer what we get. Reshaping of expected sequences, disruption of structures, shortening of spaces or lengthening of their perspective sequences all of which are necessary to walk through to reach the desired destination, these are the means which help us discover new (psychological) spaces. It is not only the layout we need to pre-examine but also the movement of the observer who finds him/her self going through numerous feelings such as waving, tilting, embarrassment, isolation, disorientation, etc. never quite knowing what comes next. One section can be gone over quickly or in length, individually or shared within a group. It can bring about intense feelings of both happiness and claustrophobia can occur. It is simply a matter of experiencing time and space in different ways. With the intention of loosing the stereotypical, the everyday, and acquiring awareness of the physical and psychological existence within the boundaries of our world and beyond.
Baths +
Valíček, Martin ; Štojdl, Václav (referee) ; Kristek, Jan (advisor)
The contemporary reduction of intimacy to instinctive sexuality, when the general availability of nudity causes decline of feelings such as desire for another person, and serves only as a mean to satisfy one's physical needs. Porn saturates the tension of current times. Attraction and yearning are not catalyzed by the sight of a naked body, but by a gesture, a move, or a subtle hint of unveiling the body and expressing the person's interest. That hint forms a fascination. A quick tease of imagination forces the inner tension to rise, relating to the fact that we are unaware of what is happening at the opposite side - in an inaccessible area. Our own nudity on top of that.
Wine Farmstead in Jaroslavice
Križanovská, Ivana ; Kristek, Jan (referee) ; Mléčka, Jan (advisor)
The proposed winery building is located within the land in such a way that it follows the original cellar path and vineyard planned in the future. The three separate objects are oriented towards the common central area and thus form a meeting place.
Wine Farmstead in Jaroslavice
Mrlíková, Markéta ; Kristek, Jan (referee) ; Mléčka, Jan (advisor)
This bachelor thesis analyzes an area of brickfield in Jaroslavice. The new content of the area is a family vineyard. The original purpose is significant all around which strongly affects the new use of every part of the area. The object of the vineyard is designed in the connection of comunication from the village Jaroslavice. It divides the area into the north and south part which both have different purpose. The object with its shape reacts to the terrain it is dug into. Under one roof you can find two divergent services which with its principles reflect on the fasade and so make the character of the house.
Transformace městských částí – teorie, příčíny, příklady
Kristek, Jan
Jsou kulturní a ekonomické transformace společnosti příležitostí pro transformaci architektury, nebo se jedná o spojené nádoby a transformace architektury je tudíž nutností? Kde hledat příčiny pro dynamiku a proměnlivost urbánního prostředí? Jakým způsobem se proměnila Česká města za posledních dvacet let ve vztahu ke zlomu v roce 1989?

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